| | Charles Tyler Saga Of The Outlaws CD Charles Tyler Discography of CDs
Alto and baritone saxophonist Charles Tyler was an early associate of Albert Ayler and recorded with him for ESP in the middle 1960s. Tyler also recorded 2 dates for ESP under his own name. Saga of the Outlaws was recorded "live" at Sam Rivers' Studio Ri
Saxophonist Charles Tyler was a charter member of the New York City jazz underground, the scene that was the setting for early avant-gardists Sunny Murray and Albert Ayler. Tyler performed and recorded with Ayler in his classic sets for ESP-Disk, but Tyler's own music (on indie and European labels) was mostly hard to find. until now. SAGA OF THE OUTLAWS is a reissue of his 1976 album, featuring the same-named 37-minute suite depicting (in Tyler's view) a tale of the American West. It's free jazz with a structure (albeit somewhat abstract), with plenty of stirring soloing, conveying the desperate drama of frontier times.
Personnel: Earl Cross (trumpet); John Ore, Ronnie Boykins (bass instrument); Steve Reid (drum).
Signal To Noise (magazine) (p.67) - "[A] suite-like 1976 piece that uses simple motifs and group improvisation to sustain emotional commitment and lyricism for its 37 minutes." Saga Of The Outlaws Music Charles Tyler Saga Of The Outlaws Songs
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Purchase Saga Of The Outlaws CD To buy, Click on price to add to cart | John Coltrane Love Supreme CDs (1964) Remastered; Deluxe Edition; Digipak
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Digitally remastered using 20-bit technology by Erick Labson.
A LOVE SUPREME is the essential example of the genius of John Coltrane. In what has become the apotheosis of jazz music, this eminently accessible work bridges the gap between music and spirituality, between art and life. With the ultimate incarnation of the jazz quartet, Coltrane brings together all of his turbulent elements into a cohesive paean to spirituality, one which is fully appreciable by the uninitiated.
A LOVE SUPREME is a 33-minute work divided into four movements. "Acknowledgment" ...
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For this luminous 2004 trio date, clarinetist/leader Don Byron collaborates with Jason Moran and Jack DeJohnette, two of the finest musicians in jazz. A firebrand with a kaleidoscope of styles, Moran emerged in the 1990s as one ...
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Trombonist Grachan Moncur III, who was a member of the Jazztet in the early 1960s, gained his greatest fame for his two Blue Note albums (Evolution and Some Other Stuff) which were quite adventurous. He also worked with Archie Shepp, became involved in free jazz and spent much of the 1970s and '80s as a music educator. Dental problems resulted in Moncur only playing once in a great while in the 1990s. He had been in obscurity for quite awhile when he was contacted by arranger Mark Masters for the Exploration ...
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A ballads album is not something one might associate with David S. Ware, the fiery tenor saxophonist. It was recorded in 1999 as Ware was making a series of albums for Aum Fidelity and Japan's DIW label -- in fact, many of the tracks on this set appeared in different versions on those recordings. It's a wonderful thing that this set produced by Steven Joerg (owner of Aum Fidelity) was licensed by Thirsty Ear for release. The seven tracks that appear on this release, split between original compositions and standards, offer a very different side of the saxophonist, without sacrificing his iconic individuality. They are forward-thinking ...
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The name Martijn Schok is synonymous with boogie woogie and piano blues. Martijn has played all the major Dutch jazz and blues festivals and can also be seen regularly at festivals both in Europe and the USA. Martijn performs solo, as well as with his swinging 5-piece band, and has up till now released twelve successful boogie woogie CDs.Martijn's piano style is characterized by a large dose of swing, a steady groove and a high degree of virtuosity. It is clear he has a great deal of respect and admiration for the music of the early American boogie woogie originators. Martijn is a respected interpreter of the boogie woogie style and appears at famous international festivals, such as the festival in New Orleans (Louisiana, USA), the Queen City Blues Festival in Cincinnati (Ohio, USA), the Motor City Boogie & Blues Festival in Detroit (Michigan, USA), and the international boogie woogie festivals in Switzerland, Belgium, France, England, Spain and the USA. Besides his performing qualities, Martijn is the Artistic Director and founder of the International Boogie Woogie Festival Holland that takes place annually in hotel De Heerlickheijd van Ermelo, in the center of Holland.Martijn Schok (born in 1974 in Arnhem) was first introduced to boogie woogie at the age of fifteen during a jazz festival in Arnhem (Holland) and was immediately grabbed by the unmistakable sound and swing of this piano style. Boogie woogie is lively dance music with a swing and a high degree of improvisation. These were the main reasons for Martijn to stop his classical piano studies, which he had been following for eight years, and focus entirely on boogie woogie. Rather than taking lessons, he decided to teach himself this individual style of jazz piano.During his search for recordings of the original American boogie woogie artists, Martijn met one of Europe's greatest authorities on the style, Martin van Olderen in 1991. With his gigantic collection of boogie woogie records, his enthusiasm and his belief in Martijn's talent, he was a major factor in his early musical development. Spending hour after hour studying historical recordings from the early days of boogie woogie, Martijn ...
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