| | Jeremy Hartshorn Rocks Would Cry Out CD Jeremy Hartshorn Discography of CDs
Jeremy Hartshorn is a worship leader and songwriter hailing from the island of Kauai where he leads worship at Kauai Christian Fellowship.At age 18 and under the influence of bands like U2 and Toad the Wet Sprocket, Jeremy wrote his first song "Maria" It was about a young runaway he had spoken to while volunteering on a youth-crisis hotline. Lyrically, the song acknowledged the inherent pain of the human experience but was still full of hope and encouragement. This has become a hallmark of many of the songs Jeremy has go on to write. Musically, his timeless guitar-driven sound is at once both familiar and fresh and fits nicely into the alt-rock set. Vocally & melodically, Jeremy’s clear & earnest tenor regularly earns comparisons to artists like Bono, Thom Yorke of Radiohead, Chris Martin of Coldplay, Tom Petty, and Jeff Buckley. "Rocks Would Cry Out" is a collection of Jeremy's recordings from the last 10 years. It includes cuts from the early Solomon Porch days as well as songs from the short run and rare Convoy EP of 2005. Many of Jeremy's songs are being sung at churches across the US and continue to get picked up by worship leaders looking for new material. Rocks Would Cry Out Music Jeremy Hartshorn Rocks Would Cry Out Songs | 1. | The Lord's Prayer |
| 2. | Rocks Would Cry Out |
| 3. | Glory |
| 4. | I Will Love You |
| 5. | Through The Storm |
| 6. | You Are |
| 7. | It's All Yours |
| 8. | Closer To You |
| 9. | I Need You |
| 10. | Day After Day |
| 11. | Enough For Me |
| 12. | Home |
| 13. | The Day |
| 14. | Carry On |
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Rocks Would Cry Out Review
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Purchase Rocks Would Cry Out CD To buy, Click on price to add to cart | Brooklyn Tabernacle Choir Declare Your Name CD (2009)
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Neal Morse unites his Christian faith and his love of prog rock with this concept album about the German theologian Martin Luther's 16th-century schism with the Catholic ...
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R&B-influenced gospel duo Mary Mary return with the tremendous THE SOUND, a rollicking modern pop record that sounds in spots (especially on the excellent title track) like what would happen if Amy Winehouse found the gospel spirit. The songs are uniformly catchy and inventively produced and arranged, making THE SOUND a record likely to appeal to a secular audience as well.
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About Haim CottonComposer and pianist Haim Cotton (×—×™×™× ×§×—×˜×Ÿ) came to the U.S. from Israel at agetwenty-two, having already played on fifteen records with many of Israel'smost renowned recording artists. After moving to the U.S., he advancedinto arranging and composing, and his works have since been licensed incommercials and films worldwide. The musical director for singer OfraHaza, Haim has played on her final solo album Kyria, and appeared with herin festivals around the world, including the Montreux Jazz Festival. Forthe past twenty years, Haim has been teaching jazz at The New School, buthe has simultaneously remained committed to recording and liveperformance as well. Haim has concentrated on production during the lastfive years; his latest works include saxophonist Danny Lerman's Meow Baby,which has been hailed as a "breakthrough release,†and Jeffrey Wilgus'sSignature, which critics have praised for its outstanding production. In2007, Haim founded the group Project Grand Slam with his long timecollaborator Robert Miller. Their debut album, Play, was produced byGrammy-winning producer Frank Filipetti and nominated for 8 Grammy awards. Several tunes from the album were featured in the NBC Primetimetelevision series Lipstick Jungle, and the group has performed in theseries.The 100% Cotton StoryHaim was barely a high school graduate who had just begun to play in jazzclubs when he met drummer Tal Bergman, who had recently traveling on tourwith Chick Corea. Haim and Tal got along well, and decided to playtogether one night, a performance which solidified the bond between thetwo for years to come and thus played a pivotal role in developing thefoundations for the band they would form with bassist Yossi Fine, HigherReality Fusion. The band immediately earned national recognition and washired to play at prestigious venues such as Shablul in Tel Aviv. Duringthe eighties, the three moved to the United States, where they continuedto collaborate in spite of the fact that they ...
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