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Our Price: $12.59  CDFor Sale Usually ships in 1-2 days
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Arranger: Finbar Furey.
Personnel: Eamonn Campbell, Eddie Furey, Francie Conway, Garry O Briain, Jimmy Faulkner, Martin Furey, Mike Hanrahan, George Furey (guitar, guitars); Davey McNevin (mandolin); Frankie Gavin, John Sheahan, Maurice Lennon (fiddle); Donald Baker (harmonica); Richie Buckley (saxophone); Jill Hunter, Gerry Simpson, Ken Gillick, Charlie Lennon (keyboards); Peter Keenan, Peter Keenan (bodhran); Don Baker (Jew's harp); Aine Furey.
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Frank and Steve first met during their college days in the 1970s.“I had been banging Rock and Roll on electric guitar for 5 years,” explains Steve, duo spokesperson. “Frank came from Folk Music. It was two different worlds.”Then artists like Crosby, Stills, & Nash emerged, and suddenly main stream rock had a niche for soft acoustic guitars. “It became cool.” Steve says.A convert to acoustic rock, Steve accepted Frank’s invitation to form a cover band that toured the coffeehouse circuit. But after each rehearsal- when other band mates went home- Frank and Steve hung out to compose songs. “We were both natural writers,” Steve explains, “Everyone else in the band wanted to sound like the radio.” It became apparent that the pair enjoyed writing more than working in a band. “It was all about the fun factor,” Steve says. After a few introverted years together, Frank and Steve joined forces with another duo to form an “all original song” band. “That didn’t go over too well with the bar owners,“ Steve admits, “But they loved us at the Bitter End.” (Manhattan’s famous showcase club for new musical talent where Bob Dylan did his internship).However, the lure of money eventually convinced the band to modify their strategy and start playing covers of hit songs. Looking back, Steve admits: “We sold out.” Their dream of playing original songs fell by the wayside. “We went where the money was,” Steve explains. “Country rock was booming. We followed the trail blazed by the film ‘Urban Cowboy’.”They landed some prestigious gigs, opening for both Merle Haggard and Johnny Cash, as well as backing up Roy Rodgers in New York City. But their hearts weren’t in it. “Playing music just became another job,” Steve says.By the mid 1980s the bar scene grind was taking its toll with inner band squabbles and broken marriages. Speaking for himself, Steve confesses: “I was doing 9 gigs a week, playing music I hated to an audience I disrespected, with band mates I couldn’t get along with. But most of all I was disappointed in myself for having drifted so far from my dreams.”Separately, both Frank and Steve came to the decision that bar gigs must end. “We admitted we just weren’t performers cut out to be jumping around on a stage. We were song writers.”Both men returned to the introverted seclusion of writing and recording in home studios. They learned to be competent on several instruments, Frank leaning toward stringed instruments like guitar and bass, earning a living not only by selling instruments, but also by repairing and building them. Steve explored the possibilities of keyboards, piano and organ, and chose to earn a living outside the music ...
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In early 2007, Cedar n Sage Music brought you a “Different Kind Of Real”. Now Cedar n Sage Music is proud to present a “different kind of Christmas album”! "Greatest Gift" is Autumn’s Child at their best combining traditional songs of the season with some originals. A South American influenced version of, "What Child Is This" followed by a most intriguing arrangement of "O Come, O Come Emmanuel" with the ancient Armenian instrument the Duduk introducing the piece with Native American Flutes, Setar (a four stringed lute from Iran) a Daf, Persian frame drum and bass.The following piece is an original by Holland - the title track, "Greatest Gift" featuring the Autumn’s Child signature sound, with Native American Flutes and cello, with harp, guitar and percussion. Throughout this recording you find the use of world instruments mixed with the Native Flute - creating the Autumn’s Child sound, "global chamber music".This is best identified in the title track, “Greatest Gift”. “Bring A Torch Jeanette Isabella / Coventry Carol” features the Native Flute with Hammered Dulcimer. “God Rest Ye Merry Gentlemen” is an acoustic influence of Jethro Tull meets Mannheim Steamroller. Here is a listing of some of the ...
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