| | Lankershim Bring It Back CD Lankershim Discography of CDs
Lankershim Bring It Back Songs | 1. | Bring It Back |
| 2. | Rock 'n' Roll |
| 3. | My Lady |
| 4. | Away From Me |
| 5. | 46th Street |
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Bring It Back Review
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Purchase Bring It Back CD To buy, Click on price to add to cart | Them Crooked Vultures CD (2009)
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 $11.19   
| | Rosanne Cash List CD (2009)
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$14.45  
| | Kings Of Leon: Live At The O2 DVD (2009)
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 $11.09 
Standard Screen
| | Swallow The Sun New Moon CD (2009)
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$11.98
| | Rolling Stones Get Yer Ya-Ya's Out!: In Concert CDs (1970) With Book; With DVD; Anniversary Edition; Limited Edition
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$49.49
| | Perry Como Greatest Christmas Songs CD (1999)
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$6.09 
| | Darren Emerson Global Underground: Bogota CDs (2009) Limited Edition; Digipak
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$19.79
| | E H Connected Beyond That CD (2008)
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$16.45
| | Mix Tape Beat CD (2008)
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$12.59
Mix Tape Beat
| | Lords A Leaping Vol. 3 CD (2008)
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$10.15
Lords a Leaping Volume III is a collection of original Christmas music written and performed by a group of songwriting friends in Central Pennsylvania. Songwriter John Cimino grew up listening to Christmas classics by Bing Crosby, Perry Como, and Mel Torme, and wanted to create "new classics" for this generation to enjoy. In 2002, Cimino teamed with drummer Michael Hughes, Pianist Brett Albert, and vocalists Adam and Jennifer Bell to record Volume I. Volume II followed in 2004, with 12 more original tunes. Now they proudly release Volume III.Lords a Leaping combines Jazz, Pop, and Rock with well-crafted lyrics and memorable melodies. The result is a diverse and refreshing array of holiday music that the whole family can enjoy.REVIEW BY CAROL SWANSON AT CHRISTMASREVIEWS.COMSummary: A clever combo of holiday offerings executed by a talented group of singer-songwriters.Three years ago, I reviewed Lords a Leaping: Volume II, a clever combo of holiday offerings executed by a talented group of singer-songwriters hailing from central Pennsylvania. So when John Cimino, the moving force behind the "leaping lords" projects, contacted me about Volume III, how could I possibly say no?Like its predecessors, Lords a Leaping: Volume III presents a tasty melange of original seasonal offerings--with two well-known favorites tossed into the mix for extra flavor. The album opens with "church bells" and horns on Forty Foot Santa, a humorous ditty about the town's holiday display. The players here are friendly and capable, and the musical variety (from goth rock to pop/folk and jazz) provides fine synergy. You get the impression that you honestly know these artists--that ...
| | Elmo Hope Last Sessions CD (2008)
Bring It Back music CDs
$21.49
St. Elmo Sylvester Hope was born in New York on June 27, 1923. He began piano studies at age seven and, by 1938, was winning medals for solo recitals. He and his boyhood friend, Bud Powell, spent time together listening to Bach, and playing for each other. When he came back to New York after Army service in 1943 Hope, who described himself as "self-taught as a pianist and composer," gained experience in taxi dance hall relief bands, where he would change the chords in the stock arrangements after the first chorus; and at small clubs in the Bronx, Greenwich Village and Coney island. After a short stint with Snub Mosely's combo he joined Joe Morris in 1948, working with him into 1951. That band recorded for Atlantic, and there was also a date in 1949 for Decca where the pianist is listed in Jepsen's discography as Elmore Sylvester. However, the only numbers which would have given an indication of Elmo's jazz abilities remain unreleased to this day. It took the June 1953 date with Lou Donaldson and Clifford Brown to give Hope visibility. Nine days after that session, Alfred Lion put Elmo into the studio with Heath and Jones for his first date as a leader. By the time the trio album (a 10-incher) was released, some people's enthusiasm for the playing of the diminutive New Yorker had been whetted by his work with Lou and Brownie. "Happy Hour" [mp3] from 1953. Almost a year later, May 9, 1954, Hope and Heath returned to Rudy Van Gelder's Hackensack studio along with Art Blakey rounding out the rhythm section, and the horns of tenor saxophonist Frank Foster and Freeman Lee forming a front line. After the quintet date, Hope was a sideman for another Lou Donaldson-led Blue Note session in August; and a Sonny Rollins date for Prestige in that same month. In 1955 he began a series of dates for Prestige beginning with a trio outing in June and continuing with a quartet (featuring Foster) in October. In January 1956 he did Lights Out under Jackie McLean's leadership, and in June was a sideman on Informal Jazz, later reissued by Prestige as Two Tenors, featuring John Coltrane and Hank Mobley. In April he was supposed to be the ...
| | Crane Under Water CD (2006)
Bring It Back songs
$12.65
| | Mac The Hustle CD (2007)
Bring It Back album
$16.45
| | Nipples James' Autumn CD (2009) (Import)
$19.69 | | Ottis Lifeless CD (2009)
Bring It Back CD music
$16.45
OTTIS: Official Biography and Update of 2009.It all started with Brad Rounds (vocalist), Chris Walcher (drummer) and Mike Walcher (guitarist) finally turning on the amps, and just jamming behind the set. Within 15 minutes, the song "FALLING APART" was completed. The next step? See what people think. "FALLING APART" received a pretty good response and positive feedback from many people..really fast. The next step was to complete the sound: find a bass player. This was no easy task. After the first three or four were a no-go, Chris suggested this kid he knew: John Durant. He said that John had played with him in an old band from middle school and that he was decent. But for some reason, all this talk and no sign of John. Unable to wait for flaky bass players and no talent ass-clowns, they jumped in the studio anyway. From the get-go, it seemed like this was their calling, all worth the 40 hours of recording and producing with Stephon Villenuave at Castle Studios, in the heart of Los Angles; they spent time ‘seriously analyzing’ their music. Recording "LIFELESS" definitely opened their minds to the idea that they could maybe make something out of this, but would take some seriously hard work. Just before the EP was recorded, OTTIS made a few guest appearances on VH1’s Celebrity Sober House in the summer of ‘08, kicking their motivation up. The hard work began; laying down four tracks onto an EP, and acquiring a bass player. It took John a good two months before he finally got his ass over to the studio, but once he played a few times, he picked it up right away. After four hours of playing time, the band knew he was the missing link, the extra sound that they needed. So John officially joined the band just before the band got the call to play for Andy Dick's reality TV show "You Don’t Know Dick." Whether or not it will be aired, who knows? But John’s first band experience with OTTIS was this show, so he needed to pick things up fast. After the VH1 stuff was all finished, it was back in the studio, writing more songs. The result? Three brand new songs...all unrecorded. Now that a full ...
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