| | It Dies Today Lividity CD It Dies Today Discography of CDs
Lyricist: Jason Wood.
Personnel: Steve Lemke, Jason Wood, Mike Hatalak.
Audio Mixer: Mike Hatalak. It Dies Today Lividity Songs Lividity Review
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Purchase Lividity CD To buy, Click on price to add to cart | Rammstein Liebe Ist Fur Alle Da CDs (2009) Bonus Tracks; Deluxe Edition; Digipak
Lividity
 $17.65   
Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" which are eventually overcome ...
| | Judas Priest Concert Classics CD (2009) Reissue
Lividity
$11.18  
There was a time when British Steel was the hottest, hardest, and most awesome substance on the planet. On Judas Priest "Concert Classics", here it is, in its most appropriate circumstances: live, on stage. Judas Priest re-invented heavy metal. The first band to use the twin-guitar ...
| | Kiss Sonic Boom CDs (2009)
Lividity
$16.09 
When SONIC BOOM was released, it had been over a decade since the last Kiss studio album, so expectations were understandably high. In addition, the intervening period had seen the band fire two of its founding members for the second time, only to replace them with sidemen wearing Ace Frehley and Peter Criss's iconic makeup. Luckily, the new additions, unlike some of Kiss's "un-masked years" members, have a good feel for classic Kiss. That fact, matched with Paul Stanley's assumption of production duties, makes SONIC BOOM one of the most consistent and thoroughly Kiss-sounding albums since the group's `70s heyday. That said, the New York City unit manages to branch out a bit; alongside very ROCK & ROLL OVER/LOVE GUN-esque tracks such as the Gene Simmons-sung rockers "Yes I Know (Nobody's Perfect)" and "Russian Roulette," ...
| | Gorgoroth Quantos Possunt Ad Satanitatem Trahunt CD (2009) (Import) United Kingdom
Lividity
$13.79
When founding Gorgoroth guitarist Infernus was sent to jail, his lead singer and bassist, Gaahl and King ov Hell, tried to wrest control of the band from him in court. They lost. When he emerged a free man, Gorgoroth came back with an entirely new lineup featuring Infernus, the band's pre-Gaahl vocalist Pest, bassist Frank ...
| | Neal Morse So Many Roads: Live CDs (2009)
Lividity
$18.38 
| | Metallica Master Of Puppets CD (1986)
Lividity
$14.69
| | Medwyn Goodall Essence Of Magic CD (2001) (Import) United Kingdom
Lividity
$16.39
| | Assorted Collective Vol. 1-Assorted Collective CD (2007)
Lividity
$6.69
| | Matt Weston Not To Be Taken Away CD (2008)
Lividity
$9.35
| | Shadows Fall Threads Of Life CD (2009) (Import) Import
Lividity
$22.79
Japan bonus track "Stupid Crazy"
| | Hate Litanies Of Satan CD (2004)
Lividity
$12.89
| | Graveworm Diabolical Figures CD (2009) (Import) Import
Lividity
$22.35
| | Susperia Predominance/Vindication CDs (1989) Bonus Tracks; Gold
Lividity
$11.34
Routinely named as the greatest British album of the past 20 years in British music mag polls, sometimes rivaling such sacred cows as REVOLVER whenever those publications decide to do a Greatest Albums Ever list, THE STONE ROSES remains one of those classic albums that somehow defies translation across the pond. To be sure, it's not that the British overrate the Stone Roses. Rather, it's that the U.S., apart from some anglophiles and Gen-Xers, missed the golden moment when the Stone Roses were the best band in the world, capturing a crystalline moment where nostalgia for the Summer of Love refracted through the prism of burgeoning acid house. Unlike the Happy Mondays, the Stone Roses weren't really immersed in the pulsating E-underworld of raves, but their music was certainly informed by this new thumping psychedelia as much as it was by the '60s jangle, which is why THE STONE ROSES can feel somewhat out of time even as it thoroughly, undeniably is about its moment.
That timelessness is one of the chief reasons THE STONE ROSES endures as a modern classic and why it's been given this spectacular 20th Anniversary reissue. There are multiple editions, all of interest: a basic remastered single-disc, an extensive two-disc/one-DVD set that pairs the original album with a "Lost Demos" CD and video of a live show from Blackpool Empress Ballroom, then finally, a gargantuan set that has all this, plus another disc that rounds up the non-LP singles and B-sides as well as more extensive liner notes, art prints, and a USB disc with unreleased backwards tracks, music videos, and other collector's treats. All this is a fanatics treasure, and there is quite a bit of musical worth here too, especially on the B-sides, which may have already been reissued on Made of Stone but is nice to have paired here. Still, the main revelation of the "Lost Demos" is how perfect John Leckie's production of The Stone Roses is. On these demos, the songs are firmly intact but the colors are muted, and Ian Brown's notoriously wobbly vocals are quite shaky; they are clearly a blueprint, not a final product. Listening to the full album after the demos, THE STONE ROSES seems even more wondrous: Leckie coaxed the right performances out of all four members, letting Mani and Reni lock into a muscular, fluid groove, encouraging John Squire to paint as vividly with his guitar as he did in his artwork, finding a way for Ian Brown to seem swaggering and spectral simultaneously, a resurrection whose adoration was an inevitability. For longtime fans, this is reason enough to dig into this deluxe anniversary edition, and for those who have never known, there's no better place to get enchanted
Manchester's most likely to, who escaped independent status after a lengthy court battle, signed to Geffen and then promptly disappeared for five years. They came back, and then went pop. Quite simply, their debut album is a superlative record. A Byrds-like listlessness caused listeners to swoon in wonder and slip quietly beneath the surface. 'Waterfall' and 'She Bangs The Drums' were sublime and quietly brilliant, 'I Wanna Be Adored' teased with its epic intro, and, of course, created incredible and impossible pressure for that all-important second album. A classic album, already seen as one of the finest records of the '80s.
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