| | Mddl Fngz Smokin Wit Tha Enemy CD Mddl Fngz Discography of CDs
Mddl Fngz: Sean Wee, Munsta, B.A.N.D.I.T., Kilo, Bam.
Audio Mixer: Cory Mo.
Audio Remasterer: Cory Mo. Smokin Wit Tha Enemy Music | List Price | $16.98 (You save $3.49) | | Category | Rock/Pop Albums, R&B CDs, Rap | | Label | Damaged Goods | | Orig Year | 2009 | | All Time Sales Rank |  397366  | | CD Universe Part number | 7858586 | | Catalog number | 10 | | Discs | 1 | | Release Date | May 19, 2009 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Sean Wee; Deal | | Personnel | Kilo
Bam
Bandit
Munsta
Sean Wee
Also: Bun B, Z-Ro, Paul Wall, Chamillionaire, Jim Jones, Pimp C, David Banner, Killa Kyleon, Killa Mike |
Mddl Fngz Smokin Wit Tha Enemy Songs Smokin Wit Tha Enemy Review
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Bell Orchestre: Mike Feuerstack (lap steel guitar); Sarah Neufeld (violin); Kaveh Nabatian ...
| | Mims Guilt CD (2009) Edited
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Amp - Amended Produc
Personnel: Antwuan Simpson, Krystle Servick (vocals); Francesco Romano (guitar); Armando Soler (background vocals).
Audio Mixers: Ari Levine; Robert Marks; Blake Eiseman; Jim Jonsin; Brian Springer.
Audio Remasterer: Chris Bellman.
Recording information: Blackout Movement Studios, Miami, FL; Doppler Studios, Atlanta, GA; Martian Sound Studios, Atlanta, GA; Midnight Blue Studios, Miami, FL; Pac 12 Studios, Hollywood, CA; PatchWerk Recording Studios, Atlanta, GA; Upstairs Studio, Atlanta, GA.
Photographer: Zach Wolfe.
In the wake of the blockbuster success of "This is Why I'm Hot," some claimed Manhattan-based rapper Mims as the new face of New York rap. But Mims's zip code is something of a red-herring, as the shiny, synth-laden beats of "This is Why I'm Hot" were crafted by the Florida beatmakers Blackout Movement, who evoke the laidback sprawl of Southern Rap more than the claustrophobic, sample-based soundscapes of New York hip-hop. On Mims's sophomore release, GUILT, the Blackout Movement return to lend their distinctive Southern touch, while fellow Floridian Jim Jonesin adds yet another down-home flavor to the proceedings. Though Mims is hardly known for his lyrical acumen, one track here, "Rock `n Rollin,'" features some surprisingly swift wordplay as Mims name-checks well-known rock acts in a series of charmingly self-aggrandizing boasts.
MIMS' return begins with a clichéd opener, the "I ain't in the same place" track, which in itself begins with the clichéd sound of a needle dropping. Like everything on the album, the opening title track does have its heart in the right place, and MIMS' obvious desire to become more than a ringtone rapper is admirable, but the highlights are still empty-headed club tracks, the best of the bunch being the hyphy-esque "Move (If You Wanna)." Problem is, there just aren't as many this time out, and sometimes what looks like fun, say, a track called "Love Rollercoaster," ends up a shallow rap-ballad that doesn't sample its funky namesake but does steal the tune's metaphor. Maybe the track is designed for kids who don't know any better, which would also explain why MIMS' spiritual return to Jamaica, "One Day" with Ky-Mani Marley, addresses the island's strife with the inadequate, and maybe even awful, "We will come together/All it takes is two." At least MIMS' Kanye West-esque rap-talk style has matured and is now easier on the ears, plus the two embarrassing leaked singles -- "Donkey Booty" and the even worse "BaRock Star" -- missed the final cut. ...
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