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It is a bit of a cliché now to speak of a Load label sound -- especially since there's always been plenty of variety within that outfit and noise rock as a whole, and because some bands, like Houston's Rusted Shut, have been going for ages and ages well before the label got going in the first place. Dead proves both descriptions to be accurate -- if no label seems more appropriate than Load to release this particular disc, then at the same time the group has long had its own extreme stamp. This last often comes courtesy of the harsh, sometimes strained staccato speaking vocals of bandleader Don Walsh, whose declamatory approach on songs like "Home" holds a fierce command. On more conventional songs like the punk/trash sneers "Shot in the Head" and "Heart of Hell," which turns the basic melody into a mesmerizing mantra, the whole group shines, but the more fractured numbers give Walsh a chance to practically turn the band into his spoken word accompaniment. "Intellect," with its bleeding into the red distortion and seemingly endless grind, might be the album's most representative song, a monstrous powerhouse. ~ Ned Raggett Rusted Shut Dead Songs | 1. | Home | |
| 2. | Heart of Hell | |
| 3. | Intellect | |
| 4. | Chemical World | |
| 5. | Spaceships | |
| 6. | Slaughter Slaughter | |
| 7. | Shot in the Head | |
| 8. | Feeling Weak | |
| 9. | Bring out Your Dead | |
| 10. | Addiction | |
| Dead Review
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Purchase Dead CD To buy, Click on price to add to cart | Sonic Youth Hidros 3 (To Patti Smith) CD (2004)
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$13.15
| | White Mice Assphixxxeatateshun CD (2005)
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$12.95 If nothing else, the title is memorable. Fans have said that White Mice need to be experienced live first and foremost, and based on contributions to the Pick a Winner DVD and other evidence of their stage presentation, it's definitely not just the music with the trio. Still, Assphixxxeatateshun does offer one of the more tweaked instrumental lineups around -- bass, drums, and oscillator -- and from the grinding feedback cut-up rumble of "Foreskin Rug" that starts the album, it's clear enough that the White Mice do love their noise. Mostly consisting of tracks barely a minute or two long, the album shows that the secret heart of many Load-affiliated acts -- a healthy love of classic rock/heavy metal stomping monstrosity warped through no wave sensibilities -- is present here, as the slow rhythm blast of "Slo Poison" and "The White Mice" song itself ...
| | Mouthus Slow Globes CD (2005)
Dead music CDs
$10.79
| | Prurient Black Vase CD (2005)
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$13.15 Pitched somewhere between S&M fests -- a chunk of the album art might as well be Merzbow approximations if not direct outtakes -- and instrumental abuse that will prompt tinnitus checks while any dogs in the area dance wildly about, Black Vase shows that it just needs a day for Prurient to do what it does. Quite literally -- the whole album was recorded at a one-day session, with sole Prurient member Dominick Fernow occasionally helped by engineer Kris Lapke on drums and related beats. "Roman Shower" demonstrates that it's not only possible to create "ambient" music that irritates, but that even at low volume high-pitched squeals are just plain obnoxious -- and that to keep it going for 15 minutes is as perfect a way to find out just who will have the patience to listen to the rest of the album and who will run away screaming. At least after a while he breaks into extended periods of more conventional if frenetic feedback buzz, so by the time his anguished vocals appear at the end one can assume it's black metal without the beats and riffs. In contrast "Silent Mary" is almost power pop, though not many would call a song with near indeterminable ...
| | Hospitals I've Visited The Island Of Jocks And Jazz CDs (2005)
Dead album
$12.95 Following up a covers EP with a second album of all-original songs, the Hospitals embrace the noise-via-Load Records aesthetic through, on the face of it, expected ways. Unconventional/"ugly" mixes, the blunt art-yet-not cover art and design, aggro-spacticism, and so forth. But the flip side of the noise approach has always been a sometimes subliminal fascination with silence and space as the counterpart, and that element, plus a similarly low-key catchiness, is what makes this album stand out a bit from the crowd. Adam Stonehouse's drumming is often a massively rumbling rampage but is rarely messy, but it's his singing that's arguably the band's secret weapon. ...
| | Mouthus Follow This House CD (2006)
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$12.05
| | Electrik Red How To Be A Lady: Vol. 1 CD (2009) Edited
Dead music CDs
$9.25 Although the members of the R&B vocal quartet Electrik Red are a multicultural bunch that hails from New York and Toronto, they are now based in Los Angeles, which provides the perfect backdrop for their slick, pop-oriented product. The women met when they were working as dancers (three of them toured with Usher), and formed Electrik Red as a consequence. And with assistance from producers the Dream and Tricky Stewart, their debut, HOW TO BE A LADY: VOLUME 1, appeared in 2009. Lead single "Drink In My Cup" may have a drowsy, head-nodding beat and hooks reminiscent of Dirty South rap, but smooth groovers like "So Good" are straight urban contemporary.
A brash and tightly knit female quartet, not a soft drink, with the worst name for an R&B group since MoKenStef or maybe even Po' Broke & Lonely?, Electrik Red danced behind several high-profile acts (Usher, Ciara) prior to recording their debut album. Pointedly titled How to Be a Lady, Vol. 1, they knocked it out within the span of two weeks with sovereign songwriting/production team Terius "The-Dream" Nash and Christopher "Tricky" Stewart, with Carlos McKinney in place of Stewart on two tracks. While How to Be a Lady could almost pass as a Naomi Allen solo album -- she takes the majority of the leads, occasionally sharing them, with a teasing yet frank huskiness not unlike that of Kelis or the offspring of Millie Jackson -- the presence of her partners is almost always felt, and together they make like an all-conquering crew of maneaters who do precisely what they want without taking themselves too seriously. This is most bluntly exemplified on "W.F.Y." (as in "we f*ck you), a sleek thump-and-glide in which a mate is compared to a stray dog, among other things: "You was like Flash in the sheets/So fast I had to finish when you leave." There's also the riotous "Kill Bill," the best female R&B revenge fantasy since Brooke Valentine's "I Want You Dead." But the bottom line is that the album has some of the best pop-R&B songs of 2009, like the sweet and elastic "So Good" (owing a deep sonic debt to Prince's "If I Was Your Girlfriend"), "Devotion" (a less innocent rewrite of Ciara's "Promise"), "Drink in My Cup" (a sleazy crunk anthem), and "Bed Rest" (a slow ...
| | James Zabiela Renaissance: The Masters Series CDs (2009)
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$17.35 DJ: James Zabiela.
| | Flakiss 24/7 CD (2009)
Dead album
$9.09 When Frost (formerly Kid Frost) started rapping in Los Angeles back in 1982, the very fact that he was a Mexican-American rapper from the West Coast made him a major pioneer. But a lot has changed since then, and rappers of Mexican descent are much more plentiful now; in fact, there are so many Mexican-American MCs on the West Coast that the marketing people at Latin labels started describing them as part of a full-fledged genre they termed "urban regional" (which also includes hip-hop-influenced singers ranging from Rigo Luna to banda star Yolanda Pérez). Flakiss attracted attention in urban regional circles with her Univision ...
| | Woman Year Aeon Centers Faded CD (2009)
Dead CD music
$9.69
| | Best Of Pickin' On Dave Matthews Band CD (2009)
Dead music CDs
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| | Seefestspiele Morbisch Pariser Leben CD
Dead songs
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