| | Ted Nugent State Of Shock CD Ted Nugent Discography of CDs
In the next decade he would attempt to break the pop-metal market, both solo and as a member of the all-star outfit Damn Yankees. The best-known track remains the gonzo album opener "Paralyzed," which would turn up again a year later on his GREAT GONZOS collection, while other highlights include "Saddle Sore" and "Alone."
One of Ted Nugent's more underrated albums, 1979's STATE OF SHOCK closed a decade in which Nugent took his caveman persona to the top of the charts. It also proved to be one of the last albums the Nuge would issue for some time that resembled the raw and unrefined rock of his mid-'70s heyday.
Personnel: Ted Nugent (vocals, guitar).
State Of Shock Music | List Price | $12.97 (You save $2.52) | | Category | Rock/Pop Albums, Hard Rock CDs, Rock | | Label | American Beat | | Orig Year | 1979 | | All Time Sales Rank |  85253  | | CD Universe Part number | 7907205 | | Catalog number | 7006 | | Discs | 1 | | Release Date | Apr 07, 2009 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | Lou Schlossberg; David Gottlieb; Tim Geelan | | Recording Time | 40 minutes | | Personnel | Ted Nugent - vocals, guitar
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Ted Nugent State Of Shock Songs | 1. | Paralyzed | |
| 2. | Take It or Leave It | $0.99 | |
| 3. | Alone | $0.99 | |
| 4. | It Don't Matter | $0.99 | |
| 5. | State of Shock | $0.99 | |
| 6. | I Want to Tell You | $0.99 | |
| 7. | Satisfied | $0.99 | |
| 8. | Bite Down Hard | $0.99 | |
| 9. | Snake Charmer | $0.99 | |
| 10. | Saddle Sore | $0.99 | |
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State Of Shock Review
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Purchase State Of Shock CD To buy, Click on price to add to cart | Deep Purple Machine Head CDs (1972) Remastered; Deluxe Edition
State Of Shock album
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This package contains the original MACHINE HEAD plus quadrophonic mixes of 2 songs on one disc, MACHINE HEAD remixed by Roger Glover in 1998, and a 28 page booklet.
A probable contender for one of hard rock's "all-time most influential albums," Deep Purple's MACHINE HEAD has all the markings of a heavy classic. It was here that the band's combination of amped-up blues, progressive instrumental prowess, screaming guitars, and thunderous rhythms was crystallized for the ages, helping to lay the foundation ...
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British import edition, this includes nine bonus tracks, including remixes, unreleased instrumentals, and in-studio chatter.
With IN ...
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The British version of this release is titled KILLING MACHINE.
Principally recorded at Utopia, Basing Street and CBS Studios, London, England in 1978. Includes liner notes by Judas Priest.
Judas Priest's 1979 release, HELL BENT FOR LEATHER (titled KILLING MACHINE in Europe), continued the band's late '70s winning streak, which included such metal classics as SAD WINGS OF DESTINY, SIN AFTER SIN, and STAINED CLASS. Such deliciously heavy tracks as "Delivering the Goods," the title track, the U.K. hit single "Take On the World," and a cover of Fleetwood Mac's "The Green Manalishi ...
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After establishing itself as a hard-rock giant, ...
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| | La Roux CD (2009) Import
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It took just over six months for La Roux to go from issuing their first single on Kitsune to topping the U.K. charts. That's a swift rise -- one that was years in the making, of course -- but after hearing their self-titled debut, it's easy to understand their sudden fame: La Roux's take on '80s synth pop is as unique as it is familiar. Their inspirations, which include Blancmange and the Eurythmics, might be decades old and well-known, but the originals' spare coldness can still sound weird, and La Roux shows just how committed they are to that chilly oddness and catchiness. They use only the brittlest drums and tinniest synths on these songs--if anything, it feels like La Roux's gear is more limited than the original group's were. They even have the proper synth pop lineup: La Roux is a duo (though singer Elly Jackson gets most of the limelight). However, their devotion transcends kitsch, even if Jackson's asymmetrical copper wedge of a hairdo suggests otherwise. Yet La Roux aren't purists. "Tigerlily"'s tough-girl stance mixes 8-bit arpeggios with a creepy, "Thriller"-style spoken word bridge, and "Reflections Are Protection"'s bass and synths nod to electro. While style is a large part of La Roux's substance, it never feels slick, and that's due to Jackson's voice as much as it is the group's intentionally stiff sounds--in fact, it's the way that her vocals interact with those sounds that makes these songs so dynamic. Jackson can be shrill and almost synthetic-sounding when she hits high notes, especially on the breakout hit "In for the Kill," but her lower register--which she uses beautifully on "Colourless ...
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