| | Amarfis 7ma Sumfonia Del Mambo CD Amarfis Discography of CDs
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Our Price: $11.25  CDFor Sale Usually ships in 1-2 days
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Dominican-born and New York-educated Amarfis has been releasing slick Latin dance pop since the late `90s. On 7MA SYNFONIA DEL MAMBO, Amarfis and his backing band, La Banda de Atakke, draw on elements of salsa, merengue, and even occasionally the frenetic rhythms of reggaeton, as evidenced on the infectious lead-off track, "El Pollo". 7ma Sumfonia Del Mambo Music Amarfis 7ma Sumfonia Del Mambo Songs | 1. | El Pollo |
| 2. | Maldito Duende |
| 3. | Primero En Tu Corazon |
| 4. | Damelo Todito |
| 5. | Merengue Con Gaga |
| 6. | Si Tu Te Vas De Mi |
| 7. | Madre |
| 8. | La Masoquista |
| 9. | Full De To |
| 10. | Meto Mano |
| 11. | Te Solte Por Grillo |
| 12. | Navidad Pa' Bebe |
| 13. | Me Estoy Muriendo |
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7ma Sumfonia Del Mambo Review
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This longtime salsa favorite -- with the help of a little reinvention -- tops the charts once again with his 2006 record, Salsa con Reggaetón. In an effort to synthesize the old and the new, the classic and the fresh, the Univision label employed the talents of top Latin music producers Ramon B. Sanchez and Sergio George, both of whom need only touch a project for it to turn to gold. Montañez, a veteran of the world famous El Gran Combo, a crown in the Puerto Rican salsa crown, collaborated with some of the island's new breed of recording stars. Reggaeton artists like Daddy Yankee, Cheka, and Voltio are just a few who lend their flow to Montañez's new sound, which he calls "salsatón." The tunes are fun and danceable, a great mixture of thick, live sounds and the block-rockin' sound of the drum machines that give reggaeton its steely spine. Though bringing together a well-seasoned, gray-haired salsa vocalist with raw, contemporary talent may seem like a gamble, it seems to have paid off. Salsa con Reggaetón rose to the Top Five of more than one of Billboard's ...
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Recorded in New York, New York in November & December 1957. Includes liner notes by Domingo G. Echevarria and Harry Sepulveda.
Digitally remastered by Dick Baxter and Domingo G. Echevarria (1991, BMG/Studio ID, New York, New York).
These glorious cuts from 1957 hardly require any introduction. Played by one of the very finest bands of the day, it's easy to see how this became the sizzling Afro-Cuban jazz that had Latinos and Anglos alike tearing it up on America's hippest dance floors. Mr. Puente does it all here, from composing many of the tunes to crisp, electrifying arranging and bandleading to his deft marimba and timbal playing. Really, who else had an orchestra that hit rhythmic breaks with such ferocity and control?
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