| | Beethoven Sonatas & Trios CD Queen's Chamber Trio CDS
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(2-CD set) The superb Queen's Chamber Trio takes a fresh look at Beethoven's keyboard trios and sonatas, today typically played on modern grand piano or fortepiano. The Trio's innovative approach enlivens these pieces with harpsichord sparkle ...... Beethoven Sonatas & Trios Music | Label | Lyrichord Discs Inc. | | Orig Year | 5/19/2009 | | CD Universe Part number | 7908866 | | Catalog number | 8067 | | Discs | 2 | | Release Date | May 19, 2009 | | Recording Time | 1 58 |
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Adam Rogers is one of many top-drawer American jazz guitarists who has had more opportunities to record for European labels, with this being his fifth release for the Dutch label Criss Cross. With bassist John Patitucci and drummer Clarence Penn, Rogers plays a compelling mix of freshly interpreted originals and well-known jazz compositions, in addition to his potent originals. The trio takes "I Hear a Rhapsody" into new territory with their intricate improvising, while the unusual rhythmic nature of his scoring of "Yesterdays" teases the listener with its sudden changes in tempo. The jaunty Thelonious Monk piece "Let's Cool One" debuted on a rare date when Rogers was a sideman with Clark Terry, though Rogers' tasty arrangement was inspired by Steve Lacy's meeting with Don Cherry. The leader's subtle workout of Charlie Parker's "Dexterity" is a welcome change from racehorse performances adapted by many of the saxophonist's followers. In one of his originals, Rogers adds a surprise, he overdubs a bit of piano in the finale to "Sight," a dramatic post-bop vehicle with a bit of a Spanish tinge. "Memory's Translucence" is the most unusual track, inspired by Ornette Coleman and Ronald Shannon Jackson; it starts in a melodic manner but detours into free jazz territory. This is another excellent outing by Adam Rogers, a talent deserving of greater recognition in his homeland. ~ Ken Dryden
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Journeyman singer Perry Danos has an elastic, breathy tenor voice with a smoky edge. There's just a hint of grit when he turns expressive, but it's more Bob Seger than Steve Tyrell, and that voice has given Danos a career in jingles and backup singing. He has also spent a decade fronting Pat Patrick's big band in Nashville, and that experience serves him well as he steps forward here for a collection largely consisting of swing arrangements of songs associated with his big influences, including Tony Bennett, Sam Cooke, Judy Garland, Tom Jones, Paul McCartney, Elvis Presley, Mel Tormé, and Stevie Wonder. There are quite a few pop/rock names on that list, of course, but Danos leans to the softer side of them. His challenge in working with such material, of course, is making it his own in the face of his idols-turned-competitors. Ironically, a singer like this has the opposite problem in a recording studio from the one he has in a club. Performing live, he can lean on doing a familiar song that may even have been a request, and may have trouble working in obscure but meritorious material. On record, it's exactly the opposite. What hope does he have to distinguish himself from the Beatles' version of "The Long and Winding Road" or Garland's of "Somewhere over the Rainbow"? None. On the contrary, he's better off with those unfamiliar songs he can claim as his own. Happily, Danos, or someone close to him, has done some digging into song publishing files and found some gems, starting with the album's title song, a Tormé composition that Tormé himself recorded but that hasn't been heard much since. Another good choice is "That's All," a song of the same vintage (which is to say, the early '50s) that has been described as a standard and recorded many times, but for which there is no definitive version. Moving up a decade, "Snap Your Fingers" was a Top Ten hit for Joe Henderson in the early '60s and even became a country chart-topper for Ronnie Milsap in the '80s, but it still sounds fresh in Danos' hands. And there are other songs like that, vaguely familiar -- but really good -- tunes that had some brief currency but have fallen into relative obscurity, such as Tom Jones' Top 40 hit "Help Yourself" and Tony Bennett's easy listening hit "Yesterday I Heard the Rain," both of late-'60s vintage. All of these Danos performs excellently (he also dredges up an early Bennett hit, "Because of You," and calms it down from the sub-operatic reading the young Bennett gave it), and that makes his only-OK versions of "You Send Me" and "Young and Beautiful," songs that really should be left to Cooke and Presley, tolerable. ~ William Ruhlmann
Recording information: GrandVista Studios, Nashville, TN (2008).
Photographers: Scott Hammaker; Jeff Frazier.
Personnel: Perry Danos (vocals); Paul Carrol Binkley (guitar); Paul Carrol Binkley (guitars); David Davidson , David Angell (violin); Kristin Wilkinson, Monisa Angell (viola); Sari Reist, Anthony LaMarchina (cello); Doug Moffet (flute, tenor saxophone, baritone saxophone); Mark Douthit (alto saxophone, tenor saxophone); Jeff Bailey , Mike ...
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