Ismael Rivera Historia De La Salsa CD

Historia De La Salsa Music

Category	International Albums, Latin CDs, Tropical, Salsa/Tropical
Label	Fania
Orig Year	2009
All Time Sales Rank	227793
CD Universe Part number	7908933
Discs	1
Release Date	Apr 14, 2009
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	Nelson Abreu (Compilation)

Ismael Rivera Historia De La Salsa Songs

	1.	Las Caras Lindas
	2.	El Mesias
	3.	Mi Musica
	4.	Me Tienes Loco
	5.	De Todas Maneras Rosas
	6.	Profesion Esperanza
	7.	La Oportunidad
	8.	Medias No, A
	9.	Mi Son Sabroson
	10.	La Perla

Historia De La Salsa Review

Guidelines
Remember to focus your comments on Ismael Rivera Historia De La Salsa CD.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Luis Enrique Ciclos CDs (2009) With DVD

Historia De La Salsa album

$10.45

Also Bought

Ismael Miranda De Regreso Al Son CD (2009)

Historia De La Salsa CD music

$10.38

Also Bought

Oscar D'Leon En Vivo! CDs (2000)

Historia De La Salsa music CDs

$17.15

Also Bought

Mario Ortiz Tributo 45 Aniversario CD (2009)

Historia De La Salsa songs

$11.25

Liner Note Author: Mario Ortiz.

Also Bought

Grandes Exitos De Juan Luis Guerra Y 4.40 CD (2005)

Historia De La Salsa album

$12.49

Also Bought

David Calzado Y Su Charanga Hab La Caratula CD (2009)

Historia De La Salsa CD music

$10.49

Edwyn Collins Gorgeous George CD (1994)

Historia De La Salsa music CDs

$18.59

In Edwyn Collins' prior musical life, his group Orange Juice was an integral part of the Glaswegian pop revolution that rode the UK charts in the early '80s, but caused nary a murmur in the States. Over a decade later, Collins finally bends the ear of the American listening public with GORGEOUS GEORGE, a collection of pop that challenges and never panders. "A Girl Like You" will be remembered as the song that broke him in the colonies, thanks to its inclusion on the "Empire Records" soundtrack. With its heavy reverb, faux Motown beat and Collins' somber Iggy Pop-like vocals, "Girl" successfully melds these disparate elements of Detroit's musical legacy. Elsewhere, Collins displays a caustic wit, whether it's playfully swiping at '60s nostalgia ("The Campaign For Real Rock") or Guns'N' Roses ("North Of Heaven"). While his supporting cast includes former punks like Paul Cook (Sex Pistols) and Vic Godard (Subway Sect), Collins' main musical love is classic R&B. The chugging beat, clean jazzy riffs ...

Christy Moore Graffiti Tongue CD (1996) (Import) United Kingdom

Historia De La Salsa songs

$14.45
With Graffiti Tongue, Christy Moore eschews the multi-instrument arrangements of recent albums in favor of a simple, man-and-his-guitar approach which allows an undiluted focus on his crisp and sparing songwriting. It is perhaps his most mature and finely crafted record, with an incisive lyrical focus on politics and morality that is both compassionate and unflinching. The opening "Yellow Triangle," dedicated to Holocaust victims, is a powerful reflection on the perils of apathetic and isolationist thinking: "When they took the Bible students, rounded up the homosexuals, then they gathered up the immigrants and gypsies, I did not speak. Eventually they came for me and there was no one left to speak." The equally passionate "North and South (of the River)," written with U2's Bono and The Edge, is a plea for reconciliation and healing in ...

Joan Baez Ring Them Bells CDs (1995)

Historia De La Salsa album

$15.19

This live album, recorded at a 1995 performance at New York's legendary Bottom Line, finds folk godmother Joan Baez moving through some of the highlights from across her long career, but it's much more than just a retrospective. Baez was among Bob Dylan's first interpreters in the early '60s, and she never stopped seeking out great material. So in addition to returning to the likes of Leonard Cohen's "Suzanne" and the Band's "The Night They Drove Old Dixie Down," Baez brings her distinctive touch to more contemporary fare, such as the Indigo Girls' "Welcome Me" and Dar Williams' "You're Aging Well." Not only that, she brings Williams, the Indigo Girls, and others onstage to chime in with her, effectively completing the conceptual circle. As annotator Arthur Levy points out in his newly written liner notes to this expanded version of Joan Baez's live album Ring Them Bells, things have changed since it was first released in September 1995. Guardian Records, the imprint of Capitol/EMI that released it, no longer exists. (Rights appear to have reverted to Baez, who licensed it to the British label Proper for this reissue.) The Bottom Line, the 400-seat nightclub in Greenwich Village where it was recorded, is gone, too. And worst of all, Baez's sister Mimi Farińa, who made her final recorded appearance on the album singing a duet on her late husband Richard Farińa's "Swallow Song," died in 2001. But the collection, boasting six extra tracks and stretched over two discs with a running time now exceeding 87 minutes, remains a good précis of Baez's career over its first three-and-a-half decades, as rendered by the 54-year-old singer and a group of female guest stars representing the generations of women singer/songwriters influenced by folk music's premier interpreter. In a sense, the influences can be seen as flowing both ways, since Baez sings songs written by her guests, some of which have been part of her repertoire for years -- Janis Ian's "Jesse," Mary Chapin Carpenter's "Stones in the Road" (which Baez actually introduced on her 1992 Play Me Backwards album before Carpenter used it as the title song for one of her albums) -- as well as accompanying them on songs she has made her own, either because she actually wrote them ("Diamonds and Rust," sung with Carpenter), or because she has been singing them for so long ("The Water Is Wide," sung with Indigo Girls). From Baez's early days of performing traditional material such as "The Lily of the West" and "Geordie,"through her incorporation of the work of her singer/songwriter contemporaries (Bob Dylan's "Don't Think Twice, It's Alright," Tim Hardin's "Don't Make Promises") to her own originals ("Love Song to a Stranger," "Sweet Sir Galahad") and her explorations of Latin music ("Gracias a la Vida," sung with Tish Hinojosa) and country (Dylan's "You Ain't Goin' Nowhere"), not to mention her fluke hit with the Band's "The Night They Drove Old Dixie Down," Ring Them Bell Recorded live at The Bottom ...