| | Rogers, Tim & Fellas Change CD Rogers, Tim & Fellas Discography of CDs
Rogers, Tim & Fellas Change Songs | 1. | Happy |
| 2. | Here For You |
| 3. | Change |
| 4. | Don't Pass Me By |
| 5. | I've Got A Reason |
| 6. | Don't Let Me Fall |
| 7. | God Will |
| 8. | Go With Me |
| 9. | Angels |
| 10. | The Gift Featuring Melvin Williams |
| 11. | Tribute To Mama Featuring Harvey |
| 12. | Thank You |
|
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Purchase Change CD To buy, Click on price to add to cart | J Moss V2 CD (2006)
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 $11.45   
Composer: J. Moss.
Personnel: J. Moss (background vocals); Paul "PDA" Allen (vocals); Darryl "Major D" Dixon (guitar); Doug Moffet (tenor saxophone, baritone saxophone); Vinnie Ciesielski, Steve Patrick (trumpet); Barry Green (trombone); Lloyd Barry (horns); Rodrick Long (keyboards); Dana Davis (drums); Karen Clark-Sheard, Jor'el Quinn, Torrence Greene (background vocals).
Audio Mixer: Paul "PDA" Allen.
Recording information: Llerol Studios, Detroit, MI; P.A. Systems Studios, Detroit, MI; SGC Studios, Detroit, MI.
Photographer: Ron Cadiz.
One of the three members of the lauded PAJAM production team, Detroit-based singer/multi-instrumentalist J Moss (born James Moss) presents a sterling set of R&B-tinged gospel numbers on 2007's V2. Tracks on this assured collection range from lively, club-friendly tunes--most notably the beat-driven "Dance" with the renowned Kirk Franklin--to moving, faith-rooted songs--see "Know Him" with Karen Clark-Sheard--resulting in an ...
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This is an Enhanced CD, which contains both regular audio tracks and multimedia computer ...
| | Gypsy - 50th Anniversay Edition CD (1959)
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$11.19
Music composed by Julie Styne. Lyrics written by Stephen Sondheim.
Principal cast includes: Ethel Merman (Mama Rose); Jack Klugman (Herbie); Sandra Church (Louise); Lane Bradbury (June); Paul Wallace (Tulsa); Jaqueline Mayro (Baby June); Karen Moore (Baby Louise); Faith Dane (Mazeppa); Chotzi Foley (Electra); Maria Karnilova (Tessie); Bobby Brownell, Gene Castle, Steve Curry, Billy Harris (Newsboys); Marvin Arnold, Ricky Coll, Don Emmons, Michael Parks, Ian Tucker, Paul Wallace, David Winters (Farmboys).
Producer: Goddard Lieberson.
Recorded on May 24, 1959. Originally released on Columbia (OL 5420).
Composer: Jule Styne.
Lyricist: Stephen Sondheim.
Lyricist: Stephen Sondheim.
Personnel: Ethel Merman (vocals); Chotzi Foley, Ian Tucker, Faith Dane, David Winters, Billy Harris, Jacqueline Mayro, Gene Castle, Lane Bradbury, Laura Leslie, Steve Curry, Jack Klugman, Karen Moore, Maria Karnilova, Sandra Church, Bernie Knee, Stephen Sondheim (vocals).
Audio Remasterers: Mark Wilder; Darcy Proper.
Liner Note Authors: George B. Dale; Thomas Z. Shepard.
Photographer: Vernon Smith.
Arranger: John Kander.
This tribute to burlesque was a star vehicle for Ethel Merman. The score by Jule Styne and Stephen Sondheim includes the Merman standard "Everything's Coming Up Roses," and the song that is invariably used to introduce anything having to do with the strip tease, "Let Me Entertain You." A 702-performance hit in its original production (which is captured here), the show was considered the definitive Merman performance and the crowning achievement of her long career. (It marked her final appearance in a new Broadway musical, though she later appeared in revivals.) It is also considered one of the great American musicals of all time, balanced between the broad show business entertainment represented by composer Jule Styne and the modern, dark, psychological drama typical of Stephen Sondheim, who, as with his previous effort, West Side Story, was contributing only lyrics, though he would go on to write music and lyrics for a series of musicals from the 1960s on. ~ Marjorie Ellen Ruhlmann & William Ruhlmann
GYPSY, which opened on May 21, 1959 at the Broadway Theatre in New York, remains one of the most enduring works of American musical theater, thanks largely to Jule Styne and Stephen Sondheim's memorable score and the inimitable voice of Ethel Merman, all beautifully captured on the original cast recording. For Styne, GYPSY was a crowning achievement and a perfect example of his ability to suit his music for a particular singer. And while Sondheim had initially hoped to write not only the lyrics but the music as well, the task turned out to be the ultimate proving ground: his lyrics were perfectly suited both to the music and the characters.
This remastered version of the original cast recording offers a few departures from its predecessor, particularly in the restoration of several edits and the occasional use of alternate takes. As explained in the liner notes, a longer production ...
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