Eminem - Relapse CD

Relapse buy CD music THE MARSHALL MATHERS LP won the 2001 Grammy Award for Best Rap Album. "The Real Slim Shady" won the 2001 Grammy Award for Best Rap Solo Performance. THE MARSHALL MATHERS LP was nominated for the 2001 Grammy Award for Album Of The Year. A Caucasian rapper from Detroit, a Dr. Dre disciple with bright blonde hair--at first glance, Eminem seemed the unlikeliest of hip-hop stars. However, his debut, THE SLIM SHADY LP, contained clever rhymes and even the occasional innovation. His sophomore effort, THE MARSHALL MATHERS LP, proved that Eminem was no fluke, but instead a legitimate rap visionary. While his horror/shock rap can be unsettling, it's more often hilarious, as he and his Slim Shady character skewer anyone and everyone, notably the MTV-based world that surrounded him after the success of his first record. Few can come up with rhymes as consistently clever as this Motor City madman, and lines that will be repeated as long as this CD is spun. The most startling moment has to be "Stan," featuring haunting, ethereal guest vocals from Dido; an incongruously sublime track, it spins an O. Henry-meets-'60s teenage-death-song tale of obsessed fan worship gone terribly wrong. Producers include: Dr. Dre, The 45 King, Mel-Man, F.B.T., Eminem. Engineers: Richard "Segal" Huredia, Mike Butler, Aaron Lepley. Personnel: Eminem (vocals); Mike Elizondo (guitar, keyboards); John Bigham (guitar); Tom Coster, Jr., Camara Kambon (keyboards). Audio Mixers: Chris Conway; Mike Butler; Michelle Lynn Forbes; Akane Nakamura; Eminem; Rob Ebeling; Richard Huredia; Rick Behrens. Recording information: 54 Sound, Detroit, MI; Chung King; Encore Studios; Larabee Sound Studios; The Mix Room; The Record Plant, Los Angeles, CA. Photographer: Joe-Mama Nitzberg. Personnel: Eminem, Snoop, Xzibit, Nate Dogg, Sticky Fingaz (rap vocals); Dido (vocals); Jeff Bass, Steve Berman, Paul "Bunyan" Rosenberg (spoken vocals); Mike Elizondo (guitar, keyboards, bass); Sean Cruise, John Bingham (guitar); Tommy Coster, Jr., Camara Kambon (keyboards); DJ Head (programming). D-12: Kon Artis, Proof, Kuniva, Swifty, Bizarre (rap vocals).

Relapse songs With Recovery, it becomes obvious that Eminem's richest albums aren't necessarily his most structurally sound, which isn't much of a surprise when considering the rapper's full-on embrace of flaws and contradictions. This lean, mean, bipolar machine began life as Relapse 2, but when Shady decided he wasn't really Shady at the moment, and that he was no longer keen on Relapse -- or the last two albums, as he states on "Talkin' 2 Myself" -- it became Marshall Mathers time again, so damn any 11th hour issues. This results in an album where a shameless but killer Michael J. Fox punch line ("The world will stop spinnin' and Michael J. Fox`ll come to a standstill" from "Cold Wind") is followed by a song with another, less effective MJF joke ("Make like Michael J. Fox in your drawers, playin' with an Etch-A-Sketch"), although that song is the lurching heavy metal monster "Won't Back Down" with P!nk, and it could be used as the lead-in to "Lose Yourself" on any ego-boosting mixtape. Ignoring these contradictions, fans can feed on the energy, the renewed sense of purpose, and Marshall doing whatever the hell he wants, up to and including shoehorning a grand, D12-like comedy number ("W.T.P.," which stands for "White Trash Party") into this emotionally heavy album. It's fascinating when Em admits "Hatred was flowin' through my veins, on the verge of goin' insane/I almost made a song dissin' Lil Wayne" and then "Thank God I didn't do it/I'da had my ass handed to me, and I knew it," before sparring with said Weezy on the Haddaway-sampling "No Love." When the recovery-minded "Going Through Changes" gets back on the wagon by sampling Black Sabbath's very druggy "Changes," it's a brilliant and layered idea that's executed with poignant lyrics on top. Add the man at his most profound (the gigantic hit "Not Afraid") and his most profane ("You wanna get graphic? We can go the scenic route/You couldn't make a bulimic puke on a piece of corn and peanut poop" from "On Fire") plus one of thickest lyric booklets out of any of his albums and the fans who really listen are instantly on board. It may be flawed and the rapper's attitude is sometimes one step ahead of his output, but he hasn't sounded this unfiltered and proud since The Marshall Mathers LP, so to hell with refinement -- bring on the hunger and spirit of 8 Mile. ~ David Jeffries Recording information: Ajax, Ontario; Area 51 Studio; Avex Honolulu Studios, Honolulu, HI; Black Chiney Studios, Ft. Lauderdale, FL; Effigy Studios; Encore Studios, Burbank, CA; Parkland Playhouse, Parkland, FL; Shake 'Em Down Studios, Queens, NY; Sun Studios, Temple Bar. Photographer: Nigel Parry.

Relapse album for sale While Eminem has revealed levels of depth far beyond his Slim Shady persona, few could have anticipated 'Mosh,' the second single from his 2004 release, ENCORE. This song, by one of music's most controversial artists, features Em focusing his rage like never before, ultimately calling on the youth of America to rise up and vote. While his brilliantly scathing tirade against President George W. Bush didn't lead to the politician's defeat, it certainly captured the country's attention and attempted to raise listeners' political awareness. It also effectively increased the already huge stature of the expectation-defying Detroit rapper only a few weeks before his highly anticipated fourth record's release. ENCORE is far from a letdown, as Eminem's twisted mind continues to produce razor-sharp rhymes, whether examining the world (the aforementioned 'Mosh'), venting his spleen ('Puke'), exploring his soul ('Like Toy Soldiers') or just being plain silly ('My 1st Single'). While Em's inclination toward the shocking is well documented, other than 'Mosh,' the record is relatively toned down; he even apologizes for racist comments made on a 1993 underground tape. However, that's not to imply that the proceedings are low-key; ENCORE burns with the fire of a master lyricist letting his words loose on whatever crosses his mind. 2 CD;Bonus Disc Contains 3 Hard To Find Songs. Recording information: 54 Sound, Detroit, MI; Can-AM, Tarzana, CA; TransContinental Studios, Orlando, FL. Photographer: Anthony Mandler. Personnel: Eminem (rap vocals); D12, Dr. Dre, 50 Cent, Nate Dogg, Obie Trice, Stat Quo (rap vocals); Steven King (guitar, mandolin, keyboards); Mike Elizondo (guitar, sitar, keyboards); Luis Resto, Mark Batson (keyboards); Che Vicious (programming). Audio Mixers: Dr. Dre; Eminem; Tony Campana; Steven King.

Relapse CD music Black Eyed Peas, the hip-hop crossover juggernaut that propelled singer Fergie and producer Will.I.Am to superstardom, have, since 2003's ELEPHUNK, been audaciously plugging away at their bombastic but lighthearted style of rap-cum-dance pop--an effort that has translated to a run of successful chart-topping singles including "My Humps," "Pump It," and "Don't Phunk with My Heart." Eager to follow up on the platinum-selling success of 2005's MONKEY BUSINESS, Black Eyed Peas have returned with THE E.N.D. (an acronym for "Energy Never Dies"), their third studio effort. Combining Will.I.Am's thumping 808 kick drum-infused beats with production assistance from a host of collaborators (including vocoder-loving Torontoians MSTRKRFT and French house veteran David Guetta), BEP's infectious party-time rhymes are an easy match for the album's Ed Banger-style of electro rapping and Auto Tune jamming, especially on lead-off single and sure-fire 2009 summer anthem "Boom Boom Pow." Audio Remasterers: Chris Bellman; Brian "BC" Catena. Arranger: will.i.am. Personnel: Hal Ritson (vocals, guitar, keyboards); George Pajon (guitar); will.i.am (piano, synthesizer, drum programming); Printz Board (keyboards, synthesizer, bass synthesizer, drum programming); Adam Walder (keyboards). Audio Mixers: Joe Peluso; Dylan Dresdow.

Relapse buy CD music THE EMINEM SHOW was nominated for the 2003 Grammy Award for Album Of The Year. "Without Me" was nominated for the 2003 Grammy Awards for Record Of The Year and Best Male Rap Solo Performance. This deluxe limited edition includes a bonus DVD containing previously unreleased footage and interview with Eminem. As one of the most controversial figures in hip-hop history, Eminem can be forgiven for being somewhat self-obsessed. THE EMINEM SHOW's opening cut "White America" sums up the notorious rapper's self-defense by keenly observing that while the color of his skin has something to do with his widespread popularity it's also the reason his lyrics are examined so scrupulously by critics who otherwise wouldn't bother. "I could be one of your kids" he proclaims, getting right to the heart of the matter. Despite the abundance of introspection, Eminem doesn't back up a single step on any of the themes that made him such a hot property. He's still into glorifying violence, as on "Soldier" one of the many cuts where he waves his broken-home/dysfunctional upbringing like a flag to justify the hatred that seeps from every pore of THE EMINEM SHOW. Over the course of the album, he threatens to brutally murder so many members of his family that one begins to lose track, but this is just the kind of hard-ass image that's helped make him an icon. The aforementioned cut finds the former Marshall Mathers making one of his most telling statements; "I'll never be Marshall again." It's clear that the Eminem identity allows him to fully vent his rage and get lauded (by some) for it instead of imprisoned. In his continuing effort to show that he's as hardcore as any black rapper, he extends his rancor Professor Griff-stye to Jews on the skits "Paul Rosenberg" and "Steve Berman," the latter of whom we hear getting shot for whiningly taking Em's music to task. Love him or hate him, Eminem makes no apologies, and THE EMINEM SHOW is as strong a statement as he's made to date. THE EMINEM SHOW won the 2003 Grammy Award for Best Rap Album. Personnel: Jeff Bass, Mike Elizondo, Steven King (guitar, keyboards); Joe Perry (guitar); Ron Feemster, Luis Resto (keyboards); DJ Head, Denaun Porter (drum programming); Dina Rae, Conesha Owens, Shy Felder, Traci Nelson, Barbara Wilson (background vocals). Audio Mixers: Dr. Dre; Eminem; Steve Baughman; Steven King. Recording information: 54Sound; Encore Studios; Larabee West; Marshall's House; Sierra Sounds. Photographer: Jonathan Mannion. Unknown Contributor Role: Timbaland. Personnel includes: Eminem (rap vocals); Nate Dogg, Dr. Dre, Obie Trice, Hailie Jade, D-12, Dina Rae.

Relapse songs When Jay-Z first made a series out of his best album, 2001's The Blueprint, it became a game of high expectations. The first volume saw Jay-Z as vital as he'd ever been, storming back to the hardcore after a few years of commercial success. THE BLUEPRINT 2 took a different tack, with guest shots to compliment his sinuous flows. BLUEPRINT 3 is somewhere between the two, closer to the vitality and energy of the original but not without the crossover bids and guest features of the latter. Kanye West is in the producer's chair for seven tracks, and it's clear he was reaching for the same energy level as the original. "What We Talkin' About" begins the album with a wave of surging, oppressive synth, while Jay-Z enumerates (with an intriguing lack of detail) what he's said and what's been said about him, ending with a nod not to the past but the future (and Barack Obama). There's plenty more lyrical violence to come, but most of the targets are much safer than they were eight years earlier (i.e. opening single and smash hit "D.O.A. [Death of Auto Tune]" (railing against the oft-reviled '00s vocal-tweaking phenomenon is not quite as "politically incorrect" as Jay claims through song). Simply put, the production's big-name solid, the rhyming on poing, as Jay-Z becomes more content with his dominance as a rap godfather in 2009. Recording information: Avex Honolulu Studio, HI; Kingdom Studios; Lava Studios, Cleveland, OH; Midnight Blue Studios, Miami, FL; Oven Studios, New York, NY; Roc The Mic, New York, NY; South Beach Studios, Miami, FL; The Holy Chateau, Perth, Australia; Westlake Studio, Los Angeles, CA. Photographer: Dan Tobin Smith. Personnel: K. Briscoe, Luke Steele (vocals); Kevin Randolph, Jeff Bhasker (keyboards). Audio Mixer: Chris Godbey.