| | Creedence Clearwater Revival Concert CD Creedence Clearwater Revival Discography of CDs
Digitally remastered utilizing the 20-Bit K2 Super Coding System by Shigeo Miyamoto (JVC Studios).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Creedence Clearwater Revival is widely regarded as one of the most electric and exhilarating live rock & roll acts of all-time, and 1980's THE CONCERT is one of rock's finest live albums. Originally released as LIVE AT THE ALBERT HALL 1970, the album was quickly recalled and re-titled THE CONCERT when it became known that the concert was in fact recorded live at the Oakland Coliseum in California, not at England's famous Albert Hall. Nonetheless, you couldn't ask for more from a live Creedence disc--at nearly an hour in length, it represents all of the hits (as well as a few key album tracks), and the selections all shine in a live setting.
An opening rendition of the swamp-rock classic "Born on the Bayou" shows the band slowing the tempo a bit, creating a killer groove in the process. Soon you realize how many timeless classics John Fogerty and company created--"Green River," "Who'll Stop the Rain," "Proud Mary," and "Down on the Corner" are all prime CCR. In a live setting, the anti-Vietnam "Fortunate Son" is even more venomous than the studio take, while the nine-minute jamfest "Keep on Chooglin'" closes the album on a high note.
Live Recording; Special Edition
Recorded at the Oakland Coliseum, Oakland, California on January 31, 1970. Includes liner notes by Stanley Booth.
Recorded at the Oakland Coliseum, Oakland, California on January 31, 1970. Includes liner note by Stanley Booth.
Creedence Clearwater Revival: John Fogerty (vocals, guitar, harmonica); Tom Fogerty (guitar, background vocals); Stu Cook (bass, background vocals); Doug Clifford (drums).
Creedence Clearwater Revival Concert Songs Concert Review
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Purchase Concert CD To buy, Click on price to add to cart | Elliott Smith Xo CD (1998)
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The production, centered around acoustic guitar augmented by keyboards and lush vocal harmonies, recalls pop icons like the Beach Boys (especially on the closing acapella cut), Beatles and Big Star, but this is no sunny Cali-pop album. Leavening the instrumental brightness are Smith's Nick Drake-ish whisper and his thoroughly downcast lyrics, which cast him squarely in the Mark Eitzel/Smog camp of unrelenting self-effacement ...
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| | David Gilmour CD (1978) Remastered
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| | Barry Manilow Greatest Hits Vol. 1 CD (1978)
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