| | Bach/Beethoven/Scriabin/Gershwin/Wild CD Gerstein, Kirill CDS
Bach/Beethoven/Scriabin/Gershwin/Wild Music | List Price | $12.99 (You save $2.24) | | Label | Oehms Classics / Naxos | | CD Universe Part number | 7917356 | | Discs | 1 | | Release Date | Apr 20, 2004 |
Bach/Beethoven/Scriabin/Gershwin/Wild Review
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After releasing a collection of Snoop outtakes plus their "Re-Lit" version of Dr. Dre's The Chronic, the WIDEawake Entertainment group continued their unleashing of Death Row Records vault with their most ambitious project yet. The Ultimate Death Row Collection kicks off with a disc full of hits from the infamous West Coast label's heyday. With "Gin & Juice" (Snoop Dogg), "Nuthin' But a "G" Thang" (Dr. Dre), "I Ain't Mad at Cha" (2Pac), "Regulate" (Warren G.), and a slew of others, it's a whirlwind of vital G-Funk hits and West Coast classics that finishes on a high note, the fan favorite "Afro Puffs" (Lady of Rage). Disc two and three are where things get interesting, as a series of unreleased and rare tracks present an alternative-reality version of Death Row. From the LBC Crew's ominous "Six Shooter" to Soopafly's underappreciated party cut "This Type of Flow," the collection makes the Row seem much more active and diverse than most will remember. Add to that undiscovered gems like Kurupt throwing some beef Too Short's way ("Everybody Needs to Slow Down") Danny Boy delivering a prime G-Funk ballad ( "Rock, Roll, & Bounce"), and Petey Pablo in Death Row mode ("Spit Game"), and there's plenty here for West Coast fans to savor. One wishes the liner notes were beefier or that all the "Producer Unknown" credits were resolved, though, and putting classic tracks like 2Pac's "All Eyez on Me" amongst the rarities makes this collection seem confused. Still, these are minor complaints, and when a collection shifts the mystery from "what did it all sound like?" to "why weren't ...
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Though Current 93's David Tibbet began his career by expanding upon the noisy industrial clangor of '80s innovators like Throbbing Gristle and Psychic TV, the late '90s found him broadening his sound to encompass dark folk tunes and psychedelic textures. ALEPH AT HALLUCINATORY MOUNTAIN bears more than a passing resemblance to 2004's BLACK SHIPS ATE THE SKY, replicating its abstruse lyrics and menacing folk-rock instrumentation. Thankfully, Tibbet's ear for unnerving melodies and his flair for hallucinatory imagery remain undiminished, making ALEPH a valuable addition to his catalog.
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Current 93: David Tibet (vocals, guitar, guitars); Matt Sweeney (vocals, guitar, electric guitar); Andrew W.K. (vocals, piano, bass guitar); Andria Degens, Henry Rousham, Sasha Grey, Rickie Lee Jones (vocals); Andrew Liles (guitar, guitars, electronics); Keith Wood (acoustic guitar, electric guitar, slide guitar, bass guitar); James ...
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