| | Zakk Wylde Blessed Hellride CD Zakk Wylde Discography of CDs
Zakk Wylde's Black Label Society: Zakk Wylde (vocals, guitar, piano, bass); Craig Nunenmacher (drums).
Nu-metal be damned; Zakk Wylde might say there's only one kind of metal, and that's "heavy." On THE BLESSED HELLRIDE, the ex-Ozzy Osbourne guitarist's Black Label Society attempts to create nothing less than the ultimate mullet-sporting high school headbanger's dream album. Fans of old school, "strap on Les Paul/insert into Marshall stack/rock like hell" thrash mayhem will find a lot to love here, from the raw, aggressive monster guitar and drum sounds to the Black Sabbath-via-Judas Priest gargantuan riffs. The lyrics pretty much stick to the metal essentials: drugs, evil, supernatural forces, death, and oh yeah, more drugs. For those who find nu-metal suspiciously lacking in heft, THE BLESSED HELLRIDE provides a welcome fix of the hard stuff.
Recorded at Paramount Studios, Hollywood, California; Cartee Day Studios, Nashville, Tennessee, Amerayacan Studios, North Hollywood, California.
Personnel: Zakk Wylde (vocals, guitar, piano, bass guitar); Craig Nunemacher (drums).
Additional personnel: Ozzy Osbourne (vocals). Zakk Wylde Blessed Hellride Songs Blessed Hellride Review
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Purchase Blessed Hellride CD To buy, Click on price to add to cart | Tom Waits Early Years Vol. 2 CD (1993)
Blessed Hellride album
$10.45 Like its predecessor, The Early Years, Vol. 2 consists of demos recorded by Tom Waits in 1971, two years before he released his debut album, Closing Time. "Hope I Don't Fall in Love With You," "Ol' 55," ...
| | Muddy Waters Folk Singer CD (1964) Remastered
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$8.49 Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24-karat gold and housed in a stress-resistant lift-lock jewel box.
"You Can't Lose What You Ain't Never Had" and "The Same Thing" did not appear on the original version of FOLK SINGER. They were recorded at a separate session in April 1964, three months after FOLK SINGER was released.
The title and cover photo of this 1963 recording were an attempt to cash in on the burgeoning American folk revival, but this is pure acoustic blues. Muddy began his career as a Robert Johnson-style solo acoustic performer, and the tunes on FOLK SINGER hark back to those days. He's accompanied sparsely by Willie Dixon, drummer Clifton James and a young Buddy Guy, who provide a stark, deliberate backdrop for Muddy's rich vocal and expressive bottleneck guitar work. The richness of Muddy's baritone is showcased effectively here, with more room than usual for his voice to resonate.
The low-key setting allows Muddy to explore a fuller dynamic range as well. From the romantic yearning of "Long Distance Call" to the fatalism of the chain gang song "My ...
| | Philipp Fankhauser Talk To Me CD (2004)
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$12.65 Talk To Me is the title of the latest album from Philipp Fankhauser, the highly regarded blues artist based in Thun, Switzerland, and his first for Memphis International Records. Fankhauser is well known to European audiences but he is also familiar to North Americans as a result of his role as guest vocalist with the band of the late blues great Johnny "Clyde" Copeland. While the bulk of Talk To Me is comprised of l Fankhauser originals it does include two Johnny Copeland compositions and Shemekia Copeland, Johnny's daughter and a renowned star in her own right, penned the liner notes. "Philipp will always be very special to the Copeland family; his music is special for just about everyone," she wrote.The album includes a version of "Members Only," a song that was an R&B hit for Bobby Bland in the 1980s and produced for Fankhauser by Dennis Walker (Robert Cray, B.B. King, Maria Muldaur) with an appearance by the Memphis Horns. Bobby Bland finally met Fankhauser in the '90s and expressed great admiration for the Swissman's interpretation of one of his signature songs.Downbeat's review of Talk To Me noted "Fankhauser doesn't sound the least bit like a visitor from Switzerland ...
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| | Black Stone Cherry CD (2006)
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| | Deuter Koyasan CD (2006)
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$27.29 | | Various Artists Disco Mania Vol. 2 CD (2000) (Import) Canada
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| | Woodpile Happy Pills CD (2005)
Blessed Hellride album
$14.79 If you are like us, first of all God help you, secondly you can tell in about sixteenth note if someone else shares the same inspirations that you do, and thirdly you have the ability to turn a blind eye to the world and stubbornly pursue those elusive rare rewarding moments that only show themselves when no one is looking. Holt Hopkins was born on the streets of Baltimore, and like many of Barry Levinson's characters, he grew up questioning the realism of Bonanza and dreaming of being an aluminum siding salesman. In his mind, the world was a place that laughed when it should have been crying, that smiled when it should have been sighing. He set out on his journey with nothing but a Sears Silver tone guitar, a pocketknife, and a couple of embarrassingly overdue library books he didn't have the nerve to return. He knew one day he would return them, but only after he got a chance to read them. Gene McAuliffe, the upper middle child in a second-generation Irish family of six, spent his formative years getting bad haircuts, recklessly riding bikes in rainstorms, being rescued from neighborhood bullies by a whiffle-ball bat wielding older brother, and going to 99 cent movies at the Plaza in Windsor, CT. He was permanently scarred by running a 600yd dash in a 7th grade 8:00 gym class, on a hearty breakfast of two jelly donuts and a glass of milk. During his high school years, he spent the first half hour of every day, lying in bed listening to his mother yell at him to "get up". After that "dashed hopes" followed him through a parade of lost card games, crumpled Schlitz tall boys, and ...
| | Bronco El Gigante De America La Verdadera Historia CD (2008)
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| | Strike Twice CD (2009)
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$13.49 Strike Twice was created by vocalist Michael Hayes and guitarist Rob Luv, two guys with a love in their hearts and souls for hot-blooded hard rock. Fate smiled kindly on them during the 80s hair-metal revolution as they packed out clubs everywhere they went, including Hot Rock, Sundance, and Club Loaded. Their tight, sleaze-fueled sound and debauchery-drenched stage show struck a chord with a cross-gender audience, appealing to men and women in equal numbers. Their music was powerful and precise, their songs designed to deliver hook-heavy ...
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