Nash Ensemble Septet In C 'Military' Op CD

Septet In C 'Military' Op Music

Label	CRR
CD Universe Part number	7919623
Catalog number	3418
Discs	1
Release Date	May 01, 2009

Septet In C 'Military' Op Review

Guidelines
Remember to focus your comments on Septet In C 'Military' Op CD.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

Additional track information is unavailable.

To buy, Click on price to add to cart

Also Bought

Cinderella CD (1965) Original Soundtrack

Septet In C 'Military' Op

$10.09

All music written by Richard Rodgers and Oscar Hammerstein II. Sony Classical's recording of Rodgers and Hammerstein's Cinderella is a fine version of the musical, featuring strong performances from Stuart Damon, Pat Carroll, Celeste Holm and Lesley Ann Warren. ~ Stephen Thomas Erlewine Principal cast: Lesley Ann Warren (Cinderella), Stuart Damon (Prince Charming), Celeste Holm (Fairy Godmother), ...

Also Bought

Festival Of Carols / Shaw, Robert Shaw Chorale CD (1987)

Septet In C 'Military' Op

$6.09

Festival of Carols features Robert Shaw performing a variety of holiday favorites. Featured songs include the album-opening "Medley," "It Came Upon a Midnight Clear," ...

Also Bought

Rimsky-Korsakov: Scheherazade; Stravinsky; Etc / Reiner, Cso CD (2005) SACD Hybrid

Septet In C 'Military' Op

$10.49

Also Bought

Switched-On Bach / Wendy Carlos CD (1968) Enhanced CD

Septet In C 'Military' Op

$13.49

This late 1968 release seemed innocent enough at the time; and actually, it was a sincere effort to use a then newly-practical interpretive instrument, the Moog synthesizer, in a decidedly traditional musical manner. Indeed, at the time, it was simply extending -- in a somewhat more forward-thinking direction -- the kind of attention that had been devoted to Johann Sebastian Bach's music as early as 1782, barely over 30 years after the composer's death, when Mozart wrote a set of string trio arrangements of some of Bach's keyboard works. Heard 40 years on, the approach here seems very tame and formal, but in 1968 it offended some Baroque purists (of whom there were relatively few) and a lot of classical music Luddites (of whom there were a lot more); but it still became the first classical music LP ever to be certified for a Platinum Record Award, by selling to hundreds of thousands of mostly younger listeners who didn't normally buy classical recordings. Wendy Carlos had come up with an artistically valid and musically legitimate approach to the most tradition-bound of all classical music that made it not only palatable but exciting to a generation of listeners more inclined toward the Beatles than Beethoven (much less Bach). Carlos' use of the Moog's oscillations, squeaks, drones, chirps, and other sounds was highly musical in ways that ordinary listeners could appreciate, itself a first in the use of this instrument, and was characterized by -- for the time -- amazing sensitivity and finely wrought nuances, in timbre, tone, and expressiveness. Carlos saw the Moog voice as ...

Also Bought

Il Divo Promise CD (2008)

Septet In C 'Military' Op

$12.95

Also Bought

Priests CD (2008)

Septet In C 'Military' Op

$11.29

The Priests are a trio of light classical tenors from Northern Ireland, all of whom are indeed ordained. Their debut album, on which they're accompanied by pianist Danny O'Neill and the Irish Film Orchestra, consists of faithful arrangements of traditional hymns and liturgical songs, many in Latin. Highlights include "Abide With Me," "Ave Maria," and "Benedictus." Arrangers: ...

Ronn Mcfarlane Highland King: The Scottish Lute, Vol. 2 CD (1999)

Septet In C 'Military' Op

$14.05

It's been almost ten years since the first volume in Ronn McFarlane's survey of Scottish lute music, and this one picks off where the last one left off -- with selections from lute books of the 16th and 17th centuries arranged into mini-programs, the tunes all occupying a space somewhere between ancient folk melody and the court music of the renaissance period. The tunes are all instantly recognizable as Scottish, what with the distinctive pentatonic melody patterns and the "snap" ornamentation, and McFarlane plays with the clarity of tone and sensitivity of touch that have made him famous ...