| | Rush 2112 CD - Import Rush Discography of CDs
Japanese only paper sleeve SHM pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies' research into LCD display manufacturing SHM-CDs feature improved transparency on the data side of the disc allowing for more accurate reading of CD data by the CD player laser head. SHM-CD format CDs are fully compatible with standard CD players. Warner. 2009. 2112 Review
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Purchase 2112 CD To buy, Click on price to add to cart | Deep Purple Burn CD (2006) (Import) Japan; Mini LP Sleeve
2112
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| | Deep Purple Stormbringer CD (2006) (Import) Japan; Mini LP Sleeve
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| | Eagles Hotel California CD (1976) (Import) England; Limited Edition; Remastered
2112
$18.39
Given the extraordinary amount of airplay HOTEL CALIFORNIA garnered in the mid-70s and early '80s, it comes as quite a surprise to hear how fresh this recording sounds on DCC's 24k gold disc version. Familiar tracks benefit from the enhanced soundstage and control room-clarity of this exceptional digital remastering, revealing something of the actual recording studio room sound on many tracks.
A steady growth suddenly mushroomed into a monster as the Eagles, along with Fleetwood Mac, epitomized AOR in the early 70s. This record is supposedly a concept album but most of the purchasers merely enjoyed the accessible songs while driving down to the coast in their Volkswagen Caravanettes with 2.4 children. Joe Walsh was added to give gutsy guitar in the wake of the country flavour of Bernie Leaden, while Randy Meisner grew in stature as a writer with 'Try And Love Again' and 'New Kid In Town'. The title track still bites as Henley's voice blends with Walsh's epic solo.
Import pressing ...
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Japanese only paper sleeve SHM pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered ...
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| | Pou Piam 13th Evening CD (2008)
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In an era where rock n’ roll is a dying musical breed, few artists still fly the flag for REAL, RAW, AGRESSIVE hard rock....one such artist is POU PIAMHailing from Riverside, CA, Pou Piam is a seventeen year-old musician stylistically mature far beyond those his age that aims to revive the glory days, while continuing to bring rock and metal into the modern day.In August of 2007, Piam recorded a 4 song demo with legendary rock producer Scott Humphrey who has produced Motley Crue, Rob Zombie, Tommy Lee and many other artists. With the help of Chris Baseford and Will Thompson, Piam set the foundation for what would be his first EP.Months went by and after honing the songs to a state where they were ready for full blown production, Pou Piam made contact with his now exclusive producer, Rocco Guarino. In the early months of 2008, Pou and Rocco would ...
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| | White Wizzard High Speed Gto CD (2009) Enhanced CD
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After the "retro-thrash" movement secured a place for itself in the history of 21st century metal, the natural next step was for another similar young-folks-digging-up-the-past subgenre to emerge, and it did. There's a mini-wave (much smaller than the wave of retro-thrash bands, it must be said) of groups blatantly copping the sound of the early-'80s New Wave of British Heavy Metal, and White Wizzard are one of the first out of the gate and into record stores. The seven songs on this brief EP are all in the three- to four-minute range, with no elaborate displays of instrumental technique, no attempts at brutaler-than-thou lyrical aggression, no thoughts beyond getting the listener to pump his or her fist and sing along with the catchy choruses. The riffs are built as much around throbbing Iron Maiden-style basslines as guitar arpeggios, and the vocals are upper-register, clearly enunciated and foregrounded in the mix. If you like Iron Maiden's Killers, you will like White Wizzard. (This incarnation, anyway; most of the musicians -- and even the vocalist -- present on this recording left the band shortly thereafter to form the group Holy Grail. An almost entirely new White Wizzard is still signed to Earache.) ~ Phil Freeman
Used to be, back in those oh-so-distant 1980s, that if you were an L.A. band inspired primarily by the New Wave of British Heavy Metal, you'd likely have to move elsewhere to find sympathetic crowds (see Metallica), but Tinsel Town isn't the glam rock breeding ground 25 years later that it was then, so perhaps things will be different for White Wizzard? Or maybe not, since the group's devotion to N.W.O.B.H.M. sounds and values is partial at best, and superficial at worst (as in mostly visual -- curse you Los Angeles!). Yes, their debut EP's seven tracks are riddled with the genre's early-'80s hallmarks, and a few come damn close to achieving vintage perfection -- namely the stupidly named "Celestina," which cleverly inverts the riffs from Diamond Head's "Lightning to the Nations" to suit its own needs, and the bass-driven, dual guitar harmony-laden "Megalodon," which, despite a bad flirtation with falsettos, seemingly wears the same brand of bullet belt as Killers-era Iron Maiden. Heck, even the White Wizzard mascot artwork featured here was designed by Derek Riggs, the man behind Maiden's legendary Eddie. But it doesn't take long for much of the remaining material to stray down altogether different metallic pathways, both commendable since "March of the Skeletons" has a certain Van Halen-like quality to it, and problematic since "Into the Night" and "Octane Gypsy" both have a suspicious, peroxide-and-puke stink of glam metal wafting around them. Furthermore, the AOR-bordering vocal harmonies of "High Speed G.T.O." (a Jaguar or Aston Martin would have been preferable) and "Red Desert Skies" share nothing but the similarly ambitioned Praying Mantis with the N.W.O.B.H.M. So, the jury is still out on White Wizzard's real intentions, pending their next move -- a move which is now under exacerbated scrutiny after three out of the four musicians responsible for this EP took off right after its release to start a ...
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