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High Performance Live From Breaux Bridge High Performance: Live From Breaux Bridge CD

 High Performance Live From Breaux Bridge Discography of CDs

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High Performance: Live From Breaux Bridge Music


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List Price $15.98 (You save $1.29)
Category Rock/Pop Albums, Soul/R&B CDs, Cajun / Zydeco, Oldies Collections, Cajun
Label Swallow
All Time Sales Rank   364672  
CD Universe Part number 7936472
Catalog number 6213
Discs 1
Release Date Jun 02, 2009
High Performance: Live From Breaux Bridge Review


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High Performance: Live From Breaux Bridge
CD $17.57  SALE 5 stars Top 50 Audio Samples
Deluxe Edition Personnel: Tom Araya (vocals); Jeff Hanneman, Kerry King (guitar); Dave Lombardo (drums).
Audio Mixer: Greg Fidelman.
Editor: Dan Monti.
Photographer: Andrew Stewart.
Of the "big four" original thrash bands (the other three being Metallica, Anthrax, and Megadeth), Slayer was the least compromising and most consistent. As such, 2009's WORLD PAINTED BLOOD recalled more than the title of Slayer's 1986 masterpiece REIGN IN BLOOD; it shared the earlier album's ferocious aggression and trademark speed metal-meets-hardcore sound. Throughout, the sound is lean and mean, with bassist/vocalist Tom Araya's vocals mixed relatively dry and upfront, giving the album a bracing, fist-to-the-face force. Jackhammer tracks such as "Hate Worldwide" and "Psychopathy Red" are short, no muss-no fuss blasts of double kick drum, minor key-riffing fury, with an unrelenting intensity that requires little in the way of sonic or textural ...

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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant "Half of My Heart," the softly soulful "Perfectly Lonely." Here, ...
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2009 remaster of their 1974 album. Includes the 2 bonus tracks 'As Strong As Samson' (Alternate mix in D flat0, and 'Drunk Again' (B-side). Comes in a stylish deluxe wallet with a deluxe 20 page booklet and extensive liner notes. 11 tracks After two albums that combined progressive rock with orchestral grandeur, Procol Harum returned to the basics on this 1974 outing. This time, the accent was returned to the thick electric guitar and swirling guitar on a batch of lushly textured but driving songs that covered everything from hard rock to moody prog and even a bit of music hall comedy. In the rock category, the most memorable numbers are the opener, "Nothing but the Truth," a punchy tune that displays the group's thorough grasp of rock dynamics as it veers between metallic riffing and rollicking keyboard flourishes over a stomping beat, and "Monsieur R. Monde," a bracing mid-tempo track that punctuates its guitar-heavy attack with some infectious cowbell accents from drummer B.J. Wilson. In the progressive arena, the most interesting tunes are "The Idol," a sumptuous epic that adds layer after layer of keyboard and guitar as it tells the story of a hero's fall from grace, and "The Thin End of the Wedge," an avant-garde tune that highlights Mick Grabham's guitar work as it creates a surreal, gothic atmosphere. Other memorable ...
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Audio Mixer: Mike Wrucke.
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While Miranda Lambert's first two albums spun tales of kerosene fires, bar fights, and firearmed vengeance, REVOLUTION finds the Texan taking some degree of comfort in her relationship with Blake Shelton, whose influence helps govern the album's mellow moments. Lambert has never played by anyone's rules, be they dictated by Nashville or society in general, but she has carved out her own set of principles over the course of a four-year career. Accordingly, REVOLUTION offers a strong, cohesive take on what has quickly become the "Lambert sound:" a blend of lilting ballads and loud, fire-breathing anthems, many of which owe as much to rock & roll as country. She's more comfortable with the slower songs this time around, and "Dead Flowers" is perhaps her ...

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High Performance: Live From Breaux Bridge
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Eyedea & Abilities By The Throat CD  (2009) Digipak

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