| | Paolo Nutini Candy CD Single - Import Paolo Nutini Discography of CDs
1st single from his 2009 'Sunny Side Up' full length. This 3 track single includes the album version plus two non album live b-sides "Tricks of the Trade" & "Pencil Full of Lead". Candy Music | List Price | $10.99 (You save $3.10) | | Category | Rock Albums | | Label | Phantom | | CD Universe Part number | 7939096 | | Catalog number | 1516747 | | Discs | 1 | | Release Date | May 19, 2009 |
Paolo Nutini Candy Songs | 1. | Candy | $1.29 | |
| 2. | Tricks Of The Trade  | $1.29 | |
| 3. | Pencil Full Of Lead | $1.29 | |
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Purchase Candy CD To buy, Click on price to add to cart | Rod Stewart Never A Dull Moment CD (1972) Gold
Candy album
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NEVER A DULL MOMENT picks up where EVERY PICTURE TELLS A STORY left off. Here we have more raucous rock & roll with healthy dollops of soul and twang thrown in for good measure. Always looking for a good songwriter to cover, Stewart's honorees here include Jimi Hendrix ("Angel"), Dylan ("Mama You Been On My Mind"), and Rod's personal hero, Sam Cooke ("Twistin' The Night Away"). Sidling up nicely next to these heartfelt interpretations are some of Stewart's finest original songs. Teaming with spiritual brother Ron Wood, Stewart offers up the cheeky "Italian Girls" and "True Blue," a track that goes along at a mid-tempo clip before exploding into a heartfelt rave-up.
Most notable is a collaboration with Martin Quittenton on "You Wear It Well," an irresistible addition to the Stewart canon. Although the Sam Cooke cover is the one spot where the soulful Scot would be expected to indulge his R&B jones, Etta James's "I'd Rather Go Blind" is where Rod brings it all back home with a slow-burning ...
| | Sting If On A Winter's Night... CDs (2009) Digipak
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It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is a serious endeavor, thank you. No niceties for him, no comforts of carols; he favors formal over familiar, writing madrigals, not ditties. It is music made by someone who lives in a castle, which isn't necessarily such a bad thing: the austerity is genuine, not affected, and the cerebral nature of the album is fascinating, albeit mildly so, as this is as sleepy as it is thoughtful. And it's that ...
| | Tom Waits Glitter And Doom Live CDs (2009) Digipak
Candy music CDs
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, there are completely re-visioned readings of "Lucky Day" and "I'll Shoot the Moon" from 1993's Black Rider, and a killer -- though equally revamped -- version of "Singapore" from 1985's Rain Dogs. Musically, the performances are flawless, as is the sound on this set. The killer stage band includes Vincent Henry on woodwinds and harmonica, guitarist Omar Torres, Patrick Warren on piano and keyboards, Casey Waits on drums/percussion, and Seth Ford Young on bass. There is also a guest appearance ...
| | Transatlantic The Whirlwind CDs (2009)
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| | Daughtry Leave This Town CD (2009)
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When he was recording his debut album in 2006, Chris Daughtry didn't have the time to assemble the real rock band he so desperately wanted to have, so it appeared under the band name Daughtry without featuring any of the musicians who later became part of the group. That's not the case with LEAVE THIS TOWN, Daughtry's second record: all five members are glowering on the album cover, floating like specters over an abandoned Californian street. The five rockers serve as visual evidence that Daughtry is a band, not a person, and such reminders may be necessary because LEAVE THIS TOWN doesn't differ much in feel or form from DAUGHTRY. Overall, LEAVE THIS TOWN isn't quite as studio slick as DAUGHTRY, which was fueled by Chris Daughtry's desire prove that he belonged in the big leagues; here, he's achieved that goal and he's happy to stay there as long as possible, giving the people what they want in the form of furrow-browed rockers and brooding power ballads, all saved from their self-conscious sobriety by arena-level hooks, hooks that come from Daughtry and a variety of co-writers including Ben Moody and Nickelback's Chad Kroeger. Daughtry brings these big hooks down to human scale, injecting warmth into his phrasing. Daughtry the band has no desire to make anything other than good, basic, ...
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| | Brian Kent Whatcha Doin' To Me: The Remixes (2009) Remix
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| | Miley Cyrus Climb (Maxi) (2009) (Import)
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| | Mary Onettes Dare (2009)
Candy music CDs
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The Mary Onettes' self-titled debut full-length was troubled by the band's influences -- it just sounded far too much like a pale imitation of Echo & the Bunnymen. So here's the good news: if their 2009 single, Dare, is any indication, it sounds like they've kept the echo and gotten rid of the Bunnymen. Granted, it's still easy to pick out their influences -- notably the Cure (Exhibit A: the ringing, jewel-toned guitar work that embroiders "God Knows I Had Plans"). But on Dare, the Mary Onettes mostly sound like themselves -- that is, something along the lines of Shout Out Louds, only with a big ol' dollop of reverb. What with its cascades of reverb, diaphanous synth washes, and heart-wrenchingly earnest lyrics (delivered by frontman Philip Ekström, whose plaintive bawl brings to mind both Shout Out Louds' frontman Adam Olenius and Loney Dear), Dare seems, at least from the outset, like it has all the makings of a really infectious love song -- something along the lines of the Cure's "Just Like Heaven," maybe. Strangely, ...
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Candy album
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