| | R E M Reckoning CD R E M Discography of CDs
The murmuring continued with this, R.E.M.'s second album, recorded in only two weeks, and yet critical acclaim and a growing fanbase had not made the music any less elusive. From the cover depiction of a winding river/snake, the jangly music within was similarly ambiguous, drenched in alternately murky, then dazzlingly clear, images. The water theme predominates throughout side one's five-song suite, with talk of harbours, oceans and water towers, crowned by the sublime lament of "So. Central Rain." Later, the melancholic eulogy of "Camera" sits comfortably beside the cod-country of "(Don't Go Back To) Rockville" and the brisk but disillusioned tour around "Little America." An astonishingly assured and uncommercial half-sibling to MURMUR: file under water.
Additional Tracks; Deluxe Edition
Recorded at Reflection Sound, Charlotte, North Carolina.
R.E.M.: Michael Stipe (vocals); Mike Mills (vocals, bass); Bill Berry (vocals, drums); Peter Buck (guitar).
Rolling Stone (p.77) - 4 stars out of 5 -- "[T]he powerful RECKONING established the band as bona fide leaders of the new American indie-rock underground." Spin (p.91) - "[T]he songs betrayed a folk-country influence -- the Byrds, in particular -- resulting in an album refreshingly out of fashion for 1984." Spin (12/03, p.122) - "...RECKONING gets over on straight-up songcraft..." CMJ (1/6/03, p.14) - Included in CMJ's list of "Top 25 College Radio Albums of All Time" CMJ (1/5/04, p.14) - Ranked #1 in CMJ's "Top 20 Most-Played Albums of 1984". Q (Magazine) (p.118) - 4 stars out of 5 -- "[T]he jangle and crunch of Buck's Rickenbacker brooked no confusion; here were the seeds of every baroque experiment with mandolins and balalaikas that lay ahead..." Blender (Magazine) (p.106) - 4 stars out of 5 -- "RECKONING aims for the gut with roundhouse drumming, sunburst guitars, Podunk country ballads...and just enough poetic vagueness..." Pitchfork (Website) - "[I]t is host to a kind of determined minimalism, each song building via subtle variations in performance and instrumentation." Record Collector (magazine) (p.90) - 4 stars out of 5 -- "RECKONING remains a highpoint in REM's first chapter of existence. 'Central Rain' sounds like a lost soul classic..." Reckoning Review
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Purchase Reckoning CD To buy, Click on price to add to cart | Gram Parsons Complete Reprise Sessions CDs (2006) Remastered; Boxed Set
Reckoning album
$24.29 Taking the place of the obligatory cd two-fer of GP and GREVIOUS ANGEL, Gram Parsons's THE COMPLETE REPRISE SESSIONS covers it all and then some for Grampires of all stripes. Produced by Emmylou Harris and Parsons cohort James Austin, this beautifully designed three-disc set includes one disc devoted to each solo record and a third featuring outtakes from each album's sessions. With fewer overdubs and Gram and Emmylou's vocals front-and-center in the mix, the final disc brims with the emotive soul and earthbound angelic vocals the two perfected. Among the final discs many highlights are looser alternate takes of "She" and "Streets of Baltimore" from GP and a "Hickory Wind" unadorned by the ridiculous fake crowd noise that mars the GRIEVOUS ANGEL version. The latter is the best and most stirring recorded performance of Parsons's signature song and alone worth the box's sticker price. Other features scattered on the first two discs include radio interviews (with Parsons's southern hippie charm in overdrive); captivatingly raw acoustic performances with him, Harris, and drummer N.D. Smart; and an instrumental version of "Return of the Grievous Angel" that reveals just how ace a country band the Waycross longhair had.
Audio Remasterers: ...
| | Electric Light Orchestra A New World Record - Expanded Edition CD (1976) Bonus Tracks; Remastered
Reckoning CD music
$7.59 Also available in a 3-pack with FACE THE MUSIC and DISCOVERY.
1976's A NEW WORLD RECORD is both a classic of commercial '70s pop and an archetypal ELO album. From the outer-space synths and rich orchestrations that open the album to Jeff Lynne's meticulous production and Beatlesque melodies, A NEW WORLD RECORD is magnificent ear candy. Both ambitious enough to appeal to "serious" rock fans and ultra-catchy enough to sound terrific on Top 40 radio (the plaintively gorgeous, McCartney-like "Telephone Line" and the anthemic "Livin' Thing" were well-deserved smashes), ELO was one of the few '70s bands whose appeal covered both the FM and AM spectrums. The album even resurrects "Do Ya," a classic single by Lynne's former band, the Move, in a splashy new version.
The next ELO album, 1977's elaborate double-album OUT OF THIS WORLD, was probably the band's commercial high point, but A NEW WORLD RECORD is the group's artistic high-water mark.
Jeff Lynne reportedly regards this album and its follow-up, Out of the Blue, as the high points in the band's history. One might be better off opting for A New World Record over its successor, however, as a more modest-sized creation chock full of superb songs that are produced even better. Opening with the opulently orchestrated "Tightrope," which heralds the perfect production found throughout this album, A New World Record contains seven of the best songs ever to come out of the group. The Beatles ...
| | Doors Live At The Matrix CDs (2008)
Reckoning music CDs
$20.25 Officially released for the first time in 2008 on the Rhino label, this two-disc, 24-track Doors concert album presents the revered rock band on the cusp of massive success. Recorded at a small Los Angeles club in March 1967, LIVE AT THE MATRIX captures frontman Jim Morrison and company mere weeks before "Light My Fire" topped the U.S. charts and catapulted the group to stardom. Fittingly, the performance features many songs from the Doors' self-titled debut (see the aforementioned track and a spare version of "The End"), but it also includes tunes that would make their ...
| | R E M Murmur CDs (1983) Anniversary Edition; Remastered; Deluxe Edition; Digipak
Reckoning songs
$19.79 R.E.M.'s full-length debut is a landmark album that set the standard for the next 10 years of indie rock. The Athens quartet combined Byrdsy, folk-rock guitar jangle with obscurantist lyrics and a post-punk compositional sensibility to create a vibrant new sound that would soon be imitated by every high-school poet with a Rickenbacker guitar. R.E.M. was also one of the first bands to make the long, hard journey from college radio (when it was still college radio) to mainstream acceptance, and managed the difficult task of maintaining its integrity at every step along the way.
MURMUR, far from an embryonic debut, shows a fully-formed unit with a strong artistic vision. (It was preceded by two legendary underground releases: The "Radio Free Europe" single--which was re-recorded for MURMUR--and the CHRONIC TOWN EP.) Producers Mitch Easter and Don Dixon's lofty reputations would have remained intact even if they had never worked on another record after this one. The gentle-but-insistent arrangements and glorious pop hooks of songs like "Catapult" ...
| | Doors Soft Parade CD (1969) Gold; Remastered
Reckoning album
$14.42 Dismissed by the benighted as the Doors' "pop album," SOFT PARADE is one of the band's most adventurous recordings, utilizing strings and horns without resorting to schlocky over-production and moving far beyond their blues roots. Morrison was fully into his shaman phase by 1969, and his obsession with that image is reflected in the proselytizing air of "Tell All the People," and of course "Shaman's Blues." The album's biggest hit "Touch Me," while easily the group's most radio-friendly offering, is a pop classic that ranks among the great '60s AM radio tunes. "Wild Child" is a brief return to the blues-rock of yore, but the title track is a sophisticated, extended piece that moves through several different moods and textures, full of the elliptical, poetic lyrics that were Morrison's trademark.
The weakest studio album recorded with Jim Morrison in the group, partially because their experiments with brass and strings on about half the tracks weren't entirely successful. More to the point, though, this was their weakest set of material, low lights including filler like "Do It" and "Runnin' Blue," a strange bluegrass-soul blend that was a small hit. On the other hand, about half the record is quite good, especially the huge hit "Touch Me" (their most successful integration of orchestration), the vicious hard rock riffs of "Wild Child," the overlooked ...
| | Pop A Paris, Vol. 5: Sos Mesdemoiselles CD (2003) Import
Reckoning CD music
$22.09 The "Pop … Paris" series provides convincing evidence that London was not the only swinging spot in the sixties. In five volumes and 110 tracks, it reunites the most important artists of the Pop movement in France ...
| | Sponge Vol. 1-Hits & B Sides CD (2009)
Reckoning music CDs
$9.59 Vinnie Dombroski (vox)|Tim Krukowski (bass)Billy Adams (drums) |Kyle Neely (guitar)Andy Patalan (guitar)Sponge has proven to be one of the Motor City's heaviest hitters after gaining international notoriety with 1995's debut album "Rotting Piñata." Emerging out of Detroit with hits like "Plowed" and "Molly (16 Candles)" Sponge received massive ...
| | Supreme Angels Reloaded CD (2009)
Reckoning songs
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| | Claudette Soares Voce CD (2006) (Import) Brazil
Reckoning album
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| | thousand yard stares Space & Bones CD (2005)
Reckoning CD music
$16.45 Swirling pyschedelic guitars and harsh shrieking feedback over ...
| | Brabbins Julian Anderson: Book Of Hours CD (2009) (Import)
$30.19 | | Now That's What I Call Music 73 CDs (2009) (Import) Import
Reckoning music CDs
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| | David Bowie Black Tie White Noise CD (2003)
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| | Windmill Epcot Starfields CD (2009) Digipak
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