| | Franck Avitabile Paris Sketches CD Franck Avitabile Discography of CDs
Personnel: Franck Avitabile (piano); Manu Katche (drums); Pino Palladino (electric bass).
Audio Mixer: Manu Guiot. Franck Avitabile Paris Sketches Songs | 1. | Air |
| 2. | Three Colours |
| 3. | Birdcatcher, The |
| 4. | Stage Door |
| 5. | Rewind |
| 6. | Sun Waltz |
| 7. | Pat |
| 8. | Ultraviolet |
| 9. | Mockin' Bird |
| 10. | Facin' Up |
| 11. | Seagram Murals |
| 12. | Four Roads |
| 13. | Point of Presence |
|
Paris Sketches Review
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Personnel includes: Diana Krall (vocals, piano); Claus Ogerman (arranger, conductor); Russell Malone, Romero Lubambo, John Pisano, Dori Caymmi (guitar); Christian McBride (bass); Peter Erskine, Jeff Hamilton (drums); Paulinho Da Costa, Luis Conte (percussion).
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Diana Krall has a good voice and plays decent piano, but this somewhat ridiculously packaged Verve CD seems like an obvious attempt to turn her into a pop icon, and sex symbol to boot. The bland arrangements by Claus Ogerman (who conducts the London Symphony Orchestra or the Los Angeles Session Orchestra on each track) border on easy listening, while Krall and her various supporting musicians, including John Pisano, ...
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This Mosaic compilation draws from material that comprised five separate RCA Victor LPs of the 1950: Al Cohn's The Natural Seven and The Jazz Workshop: Four Brass, One Tenor, Freddie Green's Mr. Rhythm, plus two Joe Newman records, All I Wanna Do Is Swing and I'm Still Swinging. Cohn, Green, and Newman are the common element to all of the recording sessions, leading bands ranging from septets to nonets.The Natural Seven was inspired by the Kansas City Seven drawn from the Count Basie band of the 1930s, and while the arrangements by Cohn and Manny Albam swing lightly in the style of Basie's septet, the focus is more on originals written for the session rather than simply recreating earlier recordings. Joining them are pianist Nat Pierce, trombonist Frank Rehak, bassist Milt Hinton, and drummer Osie Johnson, highlighted by the upbeat unison horn line in Cohn's "Pick a Dilly" and Albam's swinging "Jump the Blues Away." Johnson even adds a vocal on his fun-filled "Osie's Blues." Cohn's other session as a leader includes Thad Jones with either Joe Wilder, Bernie Glow, or Phil Sunkel on third trumpet, with Dick Katz doubling on valve trombone and trumpet, pianist Dick Katz, and bassist Buddy Jones subbing for the previous personnel. Once more, Cohn and Albam split up the arrangements, with the tenor saxophonist benefiting from the quartet of brass players accompanying him. "Rosetta" and the leader's "Cohn Not Cohen" are among the highlights. Freddie Green was known for his superb timekeeping in the Basie band, a tenure which lasted a half-century until his passing in 1987, just a few years after the leader. Mr. Rhythm marked the first issued under his own name, plus eight of the dozen songs are Green's compositions, with Green sticking to playing rhythm throughout the date. Cohn, Albam, and Ernie Wilkins provide the swinging arrangements of the mostly blues-oriented material, while Cohn doubles on both clarinet and bass clarinet in addition to playing tenor sax. Two dates led by Newman in 1955 also fit in nicely, with either Frank Rehak or Urbie Green on trombone, Wilkins or Gene Quill on alto sax, and Pierce or Dick Katz on piano. Newman, who tended to be overshadowed by many of the other swing and ...
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