Ken Colyer Sunset At Sand Bay CD

Sunset At Sand Bay Music

List Price	$18.98 (You save $2.89)
Category	Rock/Pop Albums, Jazz CDs, Skiffle
Label	United States Of Distribution LTD.
Orig Year	2004
CD Universe Part number	7940009
Discs	1
Release Date	Jun 30, 2009
Studio/Live	Studio
Mono/Stereo	Stereo
Engineer	Steve Gladders

Ken Colyer Sunset At Sand Bay Songs

1.	Martha
2.	Bugle Boy March
3.	Wabash Blues	$0.99
4.	Who's Sorry Now
5.	Running Wild
6.	Ole Miss Rag
7.	Hollandaise
8.	Moose March	$0.99
9.	See See Rider
10.	Right On

Sunset At Sand Bay Music Review

Average Rating: (3 out of 5 stars) 3 stars

3 stars IfvRaXxkmJVKOxyBw
lfzbmcym hoyvmlwi kycqojht
Submitted by kbblzbou (qSGZJJMb)
Was This Review Helpful? Yes No

Have you heard this album?

To buy, Click on price to add to cart

Also Bought

Diana Krall Christmas Songs CD (2005)

Sunset At Sand Bay album

$10.49

On 2005's CHRISTMAS SONGS, Diana Krall applies her sultry vocals and nuanced piano lines to a strong set of holiday classics. In addition to turning in a stirring performance of "The Christmas Song" that would make Nat "King" Cole proud, Krall eases into a swaying version of "Winter Wonderland" and a lush rendition of "Have Yourself a Merry Little Christmas." With its dynamic arrangements and pitch-perfect mix of pop and jazz, this album stands alongside other timeless Yuletide outings. Recording information: Capitol Studios, Hollywood, CA; Ocean Way Studios, Hollywood, CA; Schnee Studios, North Hollywood, CA; Sony ...

Also Bought

Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered

Sunset At Sand Bay CD music

$6.29

With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz. Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, ...

Also Bought

Jesse Cook The Rumba Foundation CD (2009)

Sunset At Sand Bay music CDs

$13.89

Also Bought

Louis Armstrong Christmas Collection: 20th Century Masters CD (2003) Remastered

Sunset At Sand Bay songs

$9.99

Also Bought

Singers Unlimited Christmas CD (1972)

Sunset At Sand Bay album

$9.99

Also Bought

Incredible Jazz Guitar Of Wes Montgomery CD (1960) SACD Hybrid

Sunset At Sand Bay CD music

$15.19

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. John "Wes" Montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was Charlie Christian's to an earlier generation. Recorded in the early part of his solo career, THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY defined standards for hard bop guitar which are as cogent today as they were in 1960. The album jumps out with the quartet hustling through Sonny Rollins' "Airegin," where Wes performs his often imitated licks with grace and agility. His extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. An impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed Wes' guitar to sing with warmth and with beauty. The lyrical rendition of "Polka Dots And Moonbeams" and his own "D-Natural Blues" are prime examples of the fullness of his lines. To this day, whenever a guitarist uses octaves he runs the risk of comparison to Wes, such was his mastery of this technique. Another aspect of his legacy is the compositions. Since their appearance on this album, "Four On Six" and "West Coast Blues" have become standard jazz repertoire. Yet to remain in awe merely of his approach is to miss the point of what he has to say. Montgomery's ...

Italy After Dark CD (1995)

Sunset At Sand Bay music CDs

$11.65
Liner Note Author: Ralph Harvey.

Zimbabwe: The Soul Of Mbira: Traditions Of The Shona People CD (2002)

Sunset At Sand Bay songs

$9.79

Vienna Teng Warm Strangers CD (2004)

Sunset At Sand Bay album

$12.39

Contains an untitled hidden track following "The Atheist Christmas Carol". It was easy to heap accolades on Vienna Teng's debut recording, Waking Hour, and its impeccable set of songs that overflowed with intelligence and sensitivity. Coming out at a time when plucky, piano-banging youngsters like Vanessa Carlton were upstaging their more reflective predecessors like Sarah McLachlan, Teng's songs kicked up a little wind for all sensitive singer/songwriters. But after the dust of praise finally settled, Waking Hour appeared slightly fragile in retrospect, with songs that were a bit too precious and self-conscious. This may have proven to be a blessing in disguise, as her follow-up disc, Warm Strangers, displays the confidence of a burgeoning artist who had gotten her feet wet and has now plunged headlong into a pool of sparkling songs. Breaking the surface with the uneasy strains of "Feather Moon," Teng takes command with a quiet intensity that immediately bests anything from her debut, as her haunting voice beckons to "breathe in, breathe out," bringing to mind Kate Bush's equally spooky "Breathing." Unlike her debut's quiet meditations that tended to bleed into each other, Teng gets positively upbeat on several tracks. Soothing sea winds are practically felt in the jubilant "Harbor," while the lilting "Shasta (Carrie's Song)" is quite possibly the most musically cheerful song ever written about a trip to an abortion clinic. These diversions help bring more definition to each song, allowing plaintive ballads like "Shine" and "Homecoming (Walter's Song)" to be more memorable and affective than if they were sequenced together. Although Teng's piano still drives most of the songs, the accompanying arrangements are inventive yet unobtrusive. Simple enhancements like the solo trumpet in "Mission Street," or the strummed piano strings in the disc's majestic centerpiece, "My Medea," keep the songs moving forward without distracting from Teng's vocal and instrumental proficiency. The disc starts to meander in the second half, but there are enough interesting moments to keep it from wandering too far off-track, such as the ghostly, a cappella "Passage," in which Teng embodies the spirit of a car accident victim who observes the grieving loved ones she left behind. Also noteworthy is a hidden bonus track whose lullaby-like melody, sung in Chinese, is a mesmerizing blend of Western pop ...