| | Liar's Rosebush Thank-You Machines! CD Liar's Rosebush Discography of CDs
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In 1995, at the age of twelve, Matt Rosen made his first recording with Radio Shack microphones and MOD trackers. Tired of the music he was hearing in his arts-school orchestra, Matt turned his ears to stranger sounds. Zippers zipping and denim ripping became ridiculous rhythmic patterns. Corrupt audio files turned into makeshift melodies. By his 18th birthday, Matt had saved up enough pennies to get some turntables and a sampler, and a local club promoter decided to sneak this underage kid in to play some gigs.In the decade since, under a variety of names, Matt has played shows across Ontario, Quebec, and the north-eastern United States. His 2002 liar’s rosebush demo caught the attention of Immanence Records owner Dave Dando-Moore (better known as Ad Noiseam artist Detritus). Dave took a chance on Matt’s fusion of breakbeats, noise, and grooves, releasing the album None Higher to rave reviews. Out of the stagnant and too-serious world of rhythmic noise came an album that was – get this – actually fun.Since then, Matt has moved from strength to strength and style to style, away from the confines of noise toward funk, hip-hop, and drum & bass. His collaborations with scrape[dx] grew from the abstract electro of collect : erase (2005) into the junglist mash-up beats of nonsense (2007). With the Hive Records solo album Circle the Squares (2007), the ROSEBUSH sound came into its own, mixing clinical beat programming with soulful, organic instrumentation.In 2009, ROSEBUSH joined Canadian experimental artist commune The Meat Parade Collective for the release of the album THANK-YOU MACHINES! The record is an unique blend of precise electronic programming and wall-of-sound post-rock production, all stirred together with the sounds of answering machines. Thank-You Machines! Music | Category | Electronica Albums | | Label | CD Baby | | CD Universe Part number | 7941085 | | Catalog number | 334099 | | Discs | 1 | | Release Date | Apr 28, 2009 |
Liar's Rosebush Thank-You Machines! Songs | 1. | Quarter of a Million |
| 2. | N I L 8 |
| 3. | Blowdarts and Burning Bridges |
| 4. | Light Sweet Crude |
| 5. | Dub Mecha |
| 6. | Message from Senegal |
| 7. | 'B' as in Boy |
| 8. | Apartment Song |
| 9. | Learning Curve |
| 10. | Vancouver |
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Thank-You Machines! Review
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| | Dave Dee/Dozy/Beaky/Mitch & Tich CD (1966) Bonus Tracks
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Although the success of Dave Dee, Dozy, Beaky, Mick & Tich was nominal in the States, they fared significantly better throughout Europe. Dave "Dee" Harman (guitar/vocals), Trevor "Dozy" Davies (bass), John "Beaky" Diamond (rhythm guitar), Michael "Mick" Wilson (drums), and Ian "Tich" Amey (lead guitar) were an instrumentally self-contained unit with a penchant for aggressive pop leanings that remained buoyant and catchy, while simultaneously flirting with the subterranean freakbeat and mod rock scenes as well. That distinction can be heard between the pulsating rhythms of "Hold Tight," "No More Love," and "We Got a Good Thing Goin'" -- recalling the unmistakable sound of the Dave Clark Five. "Frustration," "Hard to Love You," and "All I Want to Do" are among the standout rockers with a notably edgier sting and sonic punch. This is stylistically augmented by the equally moving balladry of "Here's a Heart" and the emotive midtempo "Something I Gotta Tell You." [Dave Dee, Dozy, Beaky, Mick & Tich's recorded legacy is only partially represented by their LP, however. In many (if not most) cases, 7" single releases would boast considerably different mixes or tunes that were otherwise not available on the 12" platters. Enthusiasts of the band should take note of the 2003 reissue of First Album, as it boasts no less than a dozen bonus tracks consisting mostly of 45-only sides and alternate edits.] ~ Lindsay Planer
Granted, the collective moniker of Dave Dee, Dozy, Beaky, Mick & Tich doesn't immediately conjure up images of a stellar Brit-pop quintet. That said, Dave "Dee" Harman (guitar/vocals), Trevor "Dozy" Davies (bass), John "Beaky" Diamond (rhythm guitar), Michael "Mick" Wilson (drums), and Ian "Tich" Amey (lead guitar) left a recorded legacy as one of the most criminally neglected English "beat" bands of the mid- to late '60s. Although issued stateside, their platters garnered little to no airplay, sales, or subsequent support. That rendered them as virtual unknowns to all but the most academic of '60s Brit-pop enthusiasts. On this 2003 CD reissue of the combo's first album, Dave Dee, Dozy, Beaky Mick & Titch, the original 13-cut LP has an immensely augmented tune stack with no less than a dozen extras -- consisting mostly of 7"-only sides, edits, and alternate mixes. To modern ears, the music of Dave ...
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Jalebee Cartel has challenged the notion that dance music is a Western domain by single-handedly putting India on the international EDM map. Composed of four members, Arjun Vagale (laptop, mixing and scratching), Ashvin Mani Sharma (laptop and synths), Ash Roy (vocals and percussions) and G-force Arjun (bass/synth-lines), Jalebee has been taking India by storm for over three years. From individual DJ sets to collective live gigs, producing to composing, the multi-talented group pretty much does it all. And the quality is evident from the international interest it's amassing.“ONEPOINTNOTHING” is the sound of Jalebee Cartel mixing up genres in a 72-minute trip that rewires the future and contorts the past. With a short, sharp and brutal declaration of intent, Jalebee Cartel—still underground after all these years—chases the dream ...
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