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Preservation Hall Jazz Band - New Orleans Preservation Vol. 1 CD Cover Art
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Preservation Hall Jazz Band New Orleans Preservation Vol. 1 CD

 Preservation Hall Jazz Band Discography of CDs
3 stars (1 Customer Review)

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Superbly recorded at New Orleans' storied Preservation Hall in early 2009, NEW ORLEANS PRESERVATION VOL. 1 triumphantly demonstrates that the similarly celebrated (and named) Preservation Hall Jazz Band is no mere Dixieland "trad" outfit. Traditional they are, of course, but the lineage they trace on this album is the whole panorama of classic jazz with a little country, blues, and even Latin flavoring thrown in. Besides the expert playing, what lifts this project above the ordinary are the spirited vocals by key members Mark Braud (trumpet), Charlie Gabriel (clarinet), and Clint Maedgen (tenor saxophone). Surprising treats include "My Sweet Substitute," "El Manicero (The Peanut Vendor),"

"Choko Mo Feel No Hey" (which those other Orleans mainstays, the Wild Tchoupitoulas, did on their classic LP back in the '70s), and Jimmie Rodgers's great "Blue Yodel #9."

Recorded at Preservation Hall, New Orleans, LA. on January 20-22, 2009.JazzTimes (p.66) - "[T]he longest performance is reserved for that foundation jazz tune 'Tiger Rag,' which is given a spirited bass solo by Jaffe and a Dixieland send-off full of fiery group improvisation."
New Orleans Preservation Vol. 1 Music


Detailed New Orleans Preservation Vol. 1 Music Information



List Price $16.98 (You save $4.09)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Jazz Traditional, Dixieland
Label Preservation Hall
Orig Year 2009
All Time Sales Rank   438069  
CD Universe Part number 7943103
Catalog number 20084
Discs 1
Release Date Jun 23, 2009
Studio/Live Studio
Preservation Hall Jazz Band New Orleans Preservation Vol. 1 Songs


Preservation Hall Jazz Band New Orleans Preservation Vol. 1 Album Track Listing



Windows MediaRealAudio Media1.Short Dressed Gal$0.99
Windows MediaRealAudio Media2.My Sweet Substitute$0.99
Windows MediaRealAudio Media3.El Manicero$0.99
Windows MediaRealAudio Media4.Sugar Blues$0.99
Windows MediaRealAudio Media5.Choko Mo Feel No Hey$0.99
Windows MediaRealAudio Media6.Halloween$0.99
7.Tailgate
Windows MediaRealAudio Media8.Blue Yodel #9$0.99
Windows MediaRealAudio Media9.I Wish I Could Shimmy Like My Sister Kate$0.99
Windows MediaRealAudio Media10.I Don't Want To Set the World On Fire$0.99
Windows MediaRealAudio Media11.Tiger Rag  $0.99
Windows MediaRealAudio Media12.Westlawn Dirge$0.99
Windows MediaRealAudio Media13.What a Friend$0.99
Windows MediaRealAudio Media14.Ice Cream$0.99

New Orleans Preservation Vol. 1 Music Review


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Average Rating: (3 out of 5 stars) 3 stars

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Submitted by szlymdkw (FihFPpnKbLluVGjNig)
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A brilliant young trumpeter, arranger and composer, Thomas Barber creates music that is often cinematic, always full of surprises, and capable of going in almost any direction. On his debut CD Snow Road, he introduces seven colorful originals that utilize a very intriguing instrumentation and are utterly unpredictable yet ultimately logical. This is 21st century jazz.

Born in Moscow, ID 29 years ago, Thomas regularly attended the local Lionel Hampton Jazz Festival with his family. When he was four or five, he attended a performance by the Ray Brown Trio which left a strong impression. He started piano lessons shortly after, but switched his focus to the trumpet four years later. "I found that I could make sounds on the trumpet with only three keys, which seemed so much simpler than wind instruments with all their keys. There were two universities within seven miles of where I lived, and I started taking private lessons. I frequently played with older local musicians, and soon started getting calls for whatever work there was in the small town area. Most important for me was a weekly gig with a quintet during junior high and high school. It taught me what it's like to perform 3 1/2 to 4 hours at a time. I learned a lot of tunes, and many of the ins and outs of playing in a small jazz ensemble." After he won both the Lionel Hampton High School Trumpet Competition (performing "Round Midnight," "All Blues," and "Groovin' High,") and the International Trumpet Guild Jazz Competition in Gothenborg, Sweden in 1997, he began to treat the trumpet as a serious career choice. Attending the University of Northern Colorado, Thomas chose to work towards a classical degree because he wanted to improve his technical ability on the trumpet. 'At the same time, I was opened up to composing during my time at UNC. Many people encouraged me to develop my skills in that area. It was during this time that I realized the correlation between performing and composing. The better a composer one is, the better a player one can be and vice versa.

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