| | Reflections CD Vorobiev, Dmitri CDS
| Category | Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Classical Period, Sonata, Song, Character Piece, Song Cycle, Etude, Nocturne, Transcription, Mazurka, Ballade |
Reflections Music | List Price | $18.97 (You save $3.18) | | Label | Blue Griffin Recordings | | Orig Year | 6/9/2009 | | CD Universe Part number | 7947153 | | Discs | 1 | | Release Date | Jun 09, 2009 | | Recording Time | 58 minutes |
Reflections Review
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Reflections Songs | 1. Piano Sonata No. 31 in A flat major, Op. 110 (19:28) | | Common Name | Piano Sonata 31 | | Composer | Ludwig van Beethoven (1770 - 1827) | | Performer | Dmitri Vorobiev (Piano) | | Genre | Classical Period / Sonata | | Date Written | 1821-1822 | | Period | Classical | | Venue | Blue Griffin's Studio, The Ballroom | | Recording Date | 11/15/2008 | | 2. Nocturne for piano No. 17 in B major, Op. 62/1, CT. 124 (7:29) | | Common Name | Nocturne For Piano | | Composer | Frédéric Chopin (1810 - 1849) | | Performer | Dmitri Vorobiev (Piano) | | Genre | Nocturne / Romantic Period | | Date Written | 1846 | | Period | Romantic | | Venue | Blue Griffin's Studio, The Ballroom | | Recording Date | 11/15/2008 | | 3. Ballade for piano No. 4 in F minor, Op. 52, CT. 5 (11:21) | | Common Name | Ballade For Piano | | Composer | Frédéric Chopin (1810 - 1849) | | Performer | Dmitri Vorobiev (Piano) | | Genre | Ballade / Romantic Period | | Date Written | 1842-1843 | | Period | Romantic | | Venue | Blue Griffin's Studio, The Ballroom | | Recording Date | 11/15/2008 | | 4. Mazurka for piano in B minor, Op. 3/1 (4:14) | | Common Name | Mazurka For Piano | | Composer | Alexander Scriabin (1872 - 1915) | | Performer | Dmitri Vorobiev (Piano) | | Genre | Character Piece / Mazurka | | Date Written | 1889 | | Venue | Blue Griffin's Studio, The Ballroom | | Recording Date | 11/15/2008 | | 5. Mazurka for piano in E major, Op. 3/4 (3:40) | | Common Name | Mazurka For Piano | | Composer | Alexander Scriabin (1872 - 1915) | | Performer | Dmitri Vorobiev (Piano) | | Genre | Character Piece / Mazurka | | Date Written | 1889 | | Venue | Blue Griffin's Studio, The Ballroom | | Recording Date | 11/15/2008 | | 6. Mazurka for piano in E minor, Op. 3/7 (3:36) | | Common Name | Mazurka For Piano | | Composer | Alexander Scriabin (1872 - 1915) | | Performer | Dmitri Vorobiev (Piano) | | Genre | Character Piece / Mazurka | | Date Written | 1889 | | Venue | Blue Griffin's Studio, The Ballroom | | Recording Date | 11/15/2008 | | 7. Etude for piano in C sharp minor, Op. 42/5 (3:28) | | Common Name | Etude For Piano | | Composer | Alexander Scriabin (1872 - 1915) | | Performer | Dmitri Vorobiev (Piano) | | Genre | Etude | | Date Written | 1903 | | Country | Russia | | Venue | Blue Griffin's Studio, The Ballroom | | Recording Date | 11/15/2008 | | 8. Widmung (Liebeslied), transcription for piano (after Schumann, I & II), S. 566 (LW A133) (4:09) | | Catalog No. | S 566 | | Composer | Franz Liszt (1811 - 1886) | | Performer | Dmitri Vorobiev (Piano) | | Genre | Romantic Period | | Date Written | 1848 | | Period | Romantic | | Country | Germany | | Venue | Blue Griffin's Studio, The Ballroom | | Recording Date | 11/15/2008 |
Reflections Music Composers on Reflections CD : Ludwig van Beethoven, Frederic Chopin, Franz Liszt, Alexander Scriabin Genres on Reflections CD : Ballade, Character Piece, Classical Period, Etude, Mazurka, Nocturne, Romantic Period, Sonata Performers on Reflections CD : Dmitri Vorobiev Purchase Reflections To buy, Click on price to add to cart | Cinderella CD (1965) Original Soundtrack
Reflections
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All music written by Richard Rodgers and Oscar Hammerstein II.
Principal cast: Lesley Ann Warren (Cinderella), Stuart Damon (Prince Charming), Celeste Holm (Fairy Godmother), Walter Pidgeon (The King), Jo Van Fleet (The Stepmother), Pat Carroll (Wicked Stepsister).
| | Festival Of Carols / Shaw, Robert Shaw Chorale CD (1987)
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Festival of Carols features Robert Shaw performing a variety of holiday favorites. Featured songs include the album-opening "Medley," "It Came Upon a Midnight Clear," "O Come, O Come, Emmanuel," and "Shepherd's Carol," in addition to 11 others. Those who appreciate Shaw's music should find this a lovely addition to the holiday season. ~ Jason Birchmeier
Recording information: 05/24/1957-07/26/1963.
Editors: Alice Parker; Robert Shaw.
Photographer: Wernher Krutein.
Arrangers: W.H. Cummings; John Work; Martin Shaw; Robert Russell Bennett; Alice Parker; Robert Shaw; Peter J. Wilhousky.
Personnel: Al Chernet (lute); Robert Arnold (organ).
Audio Remasterer: Arthur M. Fierro.
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This is a Super Audio CD playable only on Super Audio CD players.
Fritz Reiner,Chicago Sym Orch
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This late 1968 release seemed innocent enough at the time; and actually, it was a sincere effort to use a then newly-practical interpretive instrument, the Moog synthesizer, in a decidedly traditional musical manner. Indeed, at the time, it was simply extending -- in a somewhat more forward-thinking direction -- the kind of attention that had been devoted to Johann Sebastian Bach's music as early as 1782, barely over 30 years after the composer's death, when Mozart wrote a set of string trio arrangements of some of Bach's keyboard works. Heard 40 years on, the approach here seems very tame and formal, but in 1968 it offended some Baroque purists (of whom there were relatively few) and a lot of classical music Luddites (of whom there were a lot more); but it still became the first classical music LP ever to be certified for a Platinum Record Award, by selling to hundreds of thousands of mostly younger listeners who didn't normally buy classical recordings. Wendy Carlos had come up with an artistically valid and musically legitimate approach to the most tradition-bound of all classical music that made it not only palatable but exciting to a generation of listeners more inclined toward the Beatles than Beethoven (much less Bach). Carlos' use of the Moog's oscillations, squeaks, drones, chirps, and other sounds was highly musical in ways that ordinary listeners could appreciate, itself a first in the use of this instrument, and was characterized by -- for the time -- amazing sensitivity and finely wrought nuances, in timbre, tone, and expressiveness. Carlos saw the Moog voice as valid on its own terms, which may be one reason why this album still stands out today, when compared with some of the more flamboyant work that followed from others, such as Isao Tomita -- everything here is musical, with no sound effects to speak of until near the finale (and even that is restrained); and the Moog is working in its own "voice," rather than overtly imitating other, non-electroni
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Track Listing of songs: Power of Love; La Promesa; Adagio; Hallelujah; L'alba Del Mondo; Enamorado; Angelina; Winner Takes It All; La Luna; She; Amazing Grace;
| | Priests CD (2008)
Reflections
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The Priests are a trio of light classical tenors from Northern Ireland, all of whom are indeed ordained. Their debut album, on which they're accompanied by pianist Danny O'Neill and the Irish Film Orchestra, consists of faithful arrangements of traditional hymns and liturgical songs, many in Latin. Highlights include "Abide With Me," "Ave Maria," and "Benedictus."
Arrangers: Mike Hedges; Pablo Colino; Sally Herbert; The Priests.
Personnel: Accademia Filarmonica Romana Choir, Choir of the Philharmonic Academy of Rome (vocals); Brendan Monaghan (whistle, Uilleann pipe); Danni O'Neill (piano); Youki Yamamoto, Olli Cunningham, Adam Langston (programming); The Irish Film Orchestra.
Audio Mixers: Gabriele Conti; Haydn Bendall; Austin Ince; Tom Bailey.
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