| | American Opera Classics - Taylor: Peter Ibbetson CD Schwarz / Seattle Symphony And Chorale / Taylor CDS
American Opera Classics - Taylor: Peter Ibbetson Music | List Price | $17.97 (You save $5.68) | | Label | Naxos | | Orig Year | 7/28/2009 | | All Time Sales Rank |  16599  | | CD Universe Part number | 7951597 | | Catalog number | 8669016-17 | | Discs | 2 | | Release Date | Jul 28, 2009 | | Recording Time | 2 14 |
American Opera Classics - Taylor: Peter Ibbetson Review
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American Opera Classics - Taylor: Peter Ibbetson Music Composers on American Opera Classics - Taylor: Peter Ibbetson CD : Deems Taylor Conductors on American Opera Classics - Taylor: Peter Ibbetson CD : Gerard Schwarz Performers on American Opera Classics - Taylor: Peter Ibbetson CD : Anthony Dean Griffey, Charles Austin, Barry Johnson [Baritone Vocal], Carolyn Gronlund, Emily Lunde, Eric Stark, Gene Buchholz, John Obourn, Lauren Flanigan, Lori Summers, Paul Gudas, Richard Zeller, Terri Richtor Purchase American Opera Classics - Taylor: Peter Ibbetson To buy, Click on price to add to cart | Glazunov: Orchestral Works Vol 10 / Igor Golovchin, Et Al CD (1999)
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...an eclectic blend of orchestrations and idioms ..The world needs this kind of work... - Computer Music Journal....complex, sophisticated and emotionally rich ... Highly recommended. - Sound ChoiceWold's first CD finds him mining a rich vein of microtonal instrumentalism and electronics. A series of manipulated music boxes separate the far-ranging pieces on this disk, including his take on JG Ballard's Crash.About Erling Wold:Erling Wold is a composer, aesthete and a bon vivant. Last year saw the premiere of two large works, his Missa Beati Notkeri Balbuli Sancti Galli Monachi in St Gallen, Switzerland, and his solo opera Mordake for tenor John Duykers in the San Francisco International Arts Festival. He completed a noise-music collaboration this year with fognozzle for electronics and orchestra which premiered in San Francisco. He is cofounder and executive director of the San Francisco Composers Chamber Orchestra, which has just completed its seventh season of new orchestral works. He is working on a personal autobiographical theater piece detailing his corruption and death with the help of James Bisso, as well as a series of pieces for the Denisova-Kornienko duo in Vienna. His dance opera Blinde Liebe, on a true crime story, was recently performed in Europe and the US with Palindrome Dance of Nürnberg Germany.His chamber works have been presented in Philadelphia by Relâche, in San Francisco and Santa Cruz by New Music Works, and by the San Francisco Conservatory New Music Ensemble. He completed a residency at ODC Theater with a presentation of his opera Sub Pontio Pilato, an historical fantasy on the death and remembrance of Pontius Pilate (also performed in Austria), a chamber opera based on William Burroughs' early autobiographical novel Queer, and his critically acclaimed work A Little Girl Dreams of Taking the Veil, based on the Max Ernst collage novel. The latter piece was given its European premiere in a German version by the Klagenfurter ...
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Atar Arad was born in Tel Aviv, where he began his early musical education and violin studies. In 1968 he was one of a few young artists to be selected to study in the renowned Chapelle Musicale Reine Elisabeth under the patronage of the Queen of Belgium.In 1971, drawn by the deep, warm sound of the viola and its broad but unfamiliar repertoire, he decided to devote himself to this instrument and its music. The following year, in July, 1972 in his first appearance as a violist, he won the City of London Prize as a laureate of the Carl Flesch Competition for violin and viola. Two months later he was awarded the First Prize at the International Viola Competition in Geneva by a unanimous decision of the jury.Numerous concerts followed -- as soloist with major orchestras, and in recitals at some of Europe's most prestigious festivals. Arad's recordings for Telefunken are widely acclaimed. His Sonata per la Grand' Viola e Orchestra by Paganini was considered by stringed-instrument lovers and critics alike to be an astonishing demonstration of the technical capabilities of the viola. His album in collaboration with pianist Evelyne Brancart, was praised by High Fidelity Magazine as being "...perhaps the best-played viola recital ever recorded" .In 1980 Arad moved from London to the U.S. in order to become a member of the Cleveland Quartet for the next seven years. With this great Quartet he toured throughout the U.S., South America, Western and Eastern Europe, Israel and Japan, collaborating with many leading musicians (such as pianists Istomin, Curzon, Ax, Dichter and Kovacevich, violists Schidloff and Laredo, Cellists Ma and Rostropovich, flutists Gallway and Rampal, and clarinetist Stolzmann to name but a few), recording for labels such as RCA, CBS and Telarc, and appearing in music festivals including Aspen, Berlin, Edinburgh, Flanders, Israel, New York Mostly Mozart and Carnegie Hall, Paris, Salzburg, and many more. During that time he held the position of a Professor of Viola at the Eastman School of Music.Arad was an artist/faculty member at the Aspen School and Festival. He also taught at the Shepherd School of Music at Rice University in Houston, TX, and served as an artist/lecturer at Carnegie Mellon University ...
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