| | Bomba Estereo Blow Up CD Bomba Estereo Discography of CDs
This Colombian group mixes live instruments with computerized loops, throwing rock and Latin grooves together with environmental sound effects and unexpected sounds like the flauta de millo, a cane flute with a high-pitched, keening sound. Vocalist Li Saumet, whose nasal voice is reminiscent of Calle 13 backing vocalist PG-13, has a punky hip-hop delivery that's somewhere between M.I.A. and Mala Rodríguez. She floats above the cumbia-meets-electronica rhythms generated by multi-instrumentalist Simón Mejía and the percussion of Diego Cadavid and Kike Egurrola, chanting choruses that are equal parts party anthem and political call to action. Early Bomba Esteréo singles like "Corinto" and "Huepaje" (neither included on this album) were more overtly radical; the group seems to have tempered its sloganeering slightly, though a political edge remains in songs like "Raza" and "Música Acción." But the music is what matters most, and it's multifaceted and compelling. Slower tracks like "Agua Salá" bump up against hard-grooving anthems like "Fuego" and "La Niña Rica." Saumet even switches back and forth between Spanish and English -- sometimes mid-phrase -- on "Feelin'." The album's cover art, with its crude lettering and collage of radios and speakers, recalls Clash singles like "Complete Control" and "Radio Clash," and the music is similar in spirit, combining political engagement with irresistible rhythms and hooky choruses. An excellent album for the heat of summer. ~ Phil Freeman.-
Recording information: El Muelle Mayo (08/2008).
Personnel: Li Saumet (vocals); Simon Mejia (guitar, bass instrument, loops); Julian Salazar (guitar); Santiago Ospino (flute); Kike Egurrola (drums); Diego Cadavid (percussion).
Audio Mixers: Julian Salazar; Felipe Alverez.
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Purchase Blow Up CD To buy, Click on price to add to cart | Mariah Carey Merry Christmas CD (1994)
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$8.75 At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what I can do." Vocal gymnastics and Christmas songs are not often thought of as a compatible combination, but on MERRY CHRISTMAS Mariah jumps, climbs, crawls, twirls and dashes her way through both traditional fare and original Christmas songs.
She shifts through styles, offering fans from all musical camps a gift of their own. Her "Silent Night" shows off a studied vocalization where liquid phrasing is key. "Miss You Most (At Christmas Time)" shows off a dynamic voice that is hard to match. She has fun with the Phil Spector goodie "Christmas (Baby Please Come Home)," a song straight out of '60s girl-group heaven. There is even a "Joy To The World" medley mixing the old and the new--the traditional Christmas song and the Three Dog Night hit. And, as usual, her gospel-voiced background singers are out in full force.
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$7.85 This is part of "20th Century Masters: The Millenium Collection" series.
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$14.64 "Russian Roulette," released weeks prior to Rated R, just hinted at Rihanna's sudden desire to provoke. Even with the realization that it is metaphorical, the song startles with its hesitant gasps, spinning cylinders, and verses that are glacially paced, where a cold piano line and the slight inflections in Rihanna's voice are front and center. And then there's an audible shudder followed by a discharged bullet -- the abrupt end to one of Rated R's most restrained moments. It's not the only instance where Rihanna's rise in fame, combined with being the victim in the decade's highest-profile felonious assault, added up to a perfect-storm scenario for a creative overhaul. Rated R is more like Good Girl Gone Evil, or Abused Girl Full of Vengeful Rage, not Good Girl Gone Bad, where the only casualties were some dishes. The closest the set gets to upbeat pop is "Rude Boy," and by any standard ...
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