| | Los Nuevos Rebeldes Corridos Al Sinaloense CD Los Nuevos Rebeldes Discography of CDs
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The title CORRIDOS AL SINALOENSE might lead some regional Mexican enthusiasts to assume that this 2009 release by Los Nuevos Rebeldes contains banda. The title roughly translates to "Corridos Sinaloan Style," and banda is closely identified with the Mexican state of Sinaloa. But, CORRIDOS AL SINALOENSE is essentially norteño, not banda. This 28-minute CD does contain something associated with banda: a chugging tuba. But the album doesn't have the huge wall of brass that banda is known for, and norteño-style accordion is prominent throughout the album. As the title indicates, everything on this disc is a corrido. Previous releases by Los Nuevos Rebeldes demonstrated that corridos were one of their strong points, so it makes perfect sense for them to record an album that offers corridos exclusively. And the fact that the group have such an earthy, rootsy, unpretentious sound is a definite plus on lively corridos such as "El Boludo," "Hasta la Madre," "Corrido de Angel," and "Los Cuernos del Diablo." This is simple storytelling, but it's effective storytelling.
The title Corridos al Sinaloense might lead some regional Mexican enthusiasts to assume that this 2009 release by Los Nuevos Rebeldes (whose name means "The New Rebels" in Spanish) contains banda. Corridos al Sinaloense roughly translates to Corridos Sinaloan Style, and banda is closely identified with the Mexican state of Sinaloa. But in fact, Corridos al Sinaloense is essentially norteño, not banda. This 28-minute CD does contain something associated with banda: a chugging tuba. But Corridos al Sinaloense doesn't have the huge wall of brass that banda is known for, and norteño-style accordion is prominent throughout the album. As the title indicates, everything on this disc is a corrido. Previous releases by Los Nuevos Rebeldes demonstrated that corridos were one of their strong points, so it makes perfect sense for them to record an album that offers corridos exclusively (some of them narcocorridos -- that is, corridos about drug trafficking). And the fact that Los Nuevos Rebeldes have such an earthy, rootsy, unpretentious sound is a definite plus on lively corridos such as "El Boludo," "Hasta la Madre," "Corrido de Angel," and "Los Cuernos del Diablo"; this is simple storytelling, but it's effective storytelling. Granted, albums of corridos can become predictable. Corridos typically follow the pattern of: (1) introduction to the story, (2) developing the story, and (3) resolving the story. The corridos on this album are no exception; they fit that time-honored pattern, and Corridos al Sinaloense doesn't offer a great deal of variety. But if Corridos al Sinaloense is somewhat predictable, it is enjoyably predictable. Corridos al Sinaloense doesn't pretend to reinvent the regional Mexican wheel, but it's still a worthwhile listen if one is a seasoned corrido enthusiast. ~ Alex Henderson Corridos Al Sinaloense Music Los Nuevos Rebeldes Corridos Al Sinaloense Songs Corridos Al Sinaloense Review
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Personnel: Dado Parisini, Celso Valli (piano, keyboards); Alfredo Golino (drums).
Laura Pausini, a multilingual Italian pop singer who won a Latin Grammy in 2005 for Best Female Pop Vocal Album, decided to record an album of cover songs when she returned to the studio to record her followup effort. This is a fairly standard practice for pop/rock artists, of course, especially in the wake of a mammoth success like the one Pausini experienced with Resta in Ascolto (released concurrently in Spanish as Escucha in the U.S.). Io Canto (likewise released concurrently in Spanish, as Yo Canto) is a somewhat unusual covers album, however, for it's comprised of Italian pop/rock songs from the 1970s, '80s, and '90s -- few, if any, of which will be familiar to listeners across the Atlantic. Pausini performs the songs in a manner similar to that of Resta in Ascolto: the songs are heavily produced, layered with guitar, bass, and drums in addition to strings and synthesizers, and the performances are quite dramatic, often soaring to intense heights during the choruses, complemented by lyrics that are moody and poetic. Consequently, anyone who enjoyed Resta in Ascolto will find much to savor on Io Canto, as the two albums sound similar musically. The difference is in the songwriting, which is wonderfully varied, in terms of lyrics as well as arrangements, resulting in one of the most interesting ...
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Audio Mixer: Uli Kaiser.
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| | A.B. Quintanilla III Presents Kumbia Kings 4 CD (2003)
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Feat:Frankie J-Guests:J.Gabrie El Gran Silencio,Aleks Syntak
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Additional personnel includes: Juan Gabriel, El Gran Silencio, Aleks Syntek, Ozomatli, Organized Rhymes.
Producers: A.B. Quintanilla III, Cruz Martinez.
Recorded at Capital Studios, Hollywood, California.
KUMBIA KINGS 4 was nominated for the 2003 Latin Grammy Award for Best Pop Album by a Duo or Group with Vocal.
Personnel: Juan Gabriel (vocals, rap vocals); Tony Hernandez (vocals); Cano Hernandez (rap vocals); Chris Pérez (guitar); Raúl Pacheco (electric guitar); Jesse Garcia, Humberto Garcia (nylon-string guitar); John Wittenberg, Joel Derouin, Peter Kent (violin); Robert Becker (viola); Randy Stein, Erika Duke-Kirkpartick (cello); Nicolas Barry (didjeridu, computer); Roger Vera (trumpet); Jiro Yamaguchi (congas, cowbells, cymbals, tabla); Marcos Martinez (percussion).
Recording information: Capitol Studios, Hollywood, CA; Studio A., Hollywood, CA.
Arrangers: James Galvez; Rodney "Cortada" Alejandro; Frankie J; Nicolas Barry.
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| | Incredible String Band 5000 Spirits CD (1967) (Import) United Kingdom
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Inside, 5000 Spirits is full of whimsical delights. It was produced by Robin Williamson and Mike Heron once they had returned from travels. Robin himself had managed to pick up a variety of different instruments in Morocco and they all seem to get in there somewhere. Clive Palmer who had started the String Band with Robin had gone off to Afghanistan and did not rejoin the others. 5000 Spirits was quite unlike anything else that was around at the time. Anyone expecting something like Disraeli Gears or Odessey & Oracle would have been surprised by what the String Band was offering. The fusion of folk, blues, psychedelia and, certainly what we now call World Music, gave 5000 Spirits a unique sound that has guaranteed a place in music history. Warner. 2003.
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Less than a year after ...
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