Tony Bennett - For Once in My Life/I've Gotta Be Me CD

For Once in My Life/I've Gotta Be Me buy CD music Along with bands like Styx, Journey, and Boston, Foreigner was one of the first hard rock acts to add overt Top-40 pop sensibilities to the mix. The result was mass crossover success, something that both the pop and rock audiences could easily latch onto. Foreigner's self-titled debut from 1977 is the epitome of classic rock: big guitar hooks, melodicism, simple driving rhythms, and sexually charged lyrics. Two of Foreigner's best-known tracks, "Double Vision" and "Cold as Ice," are included here, as are such strong album cuts as "Long Way From Home." FOREIGNER was a multi-platinum success--with just one try, the band found itself at the top of the hard rock heap. Expanded & remastered edition of their 1977 debut with 4 added bonus demo versions of 'Feels Like The First Time', 'Woman Oh Woman', 'At War With The World' & 'Take Me To Your Leader'. All tracks have been digitally remastered. Recorded at The Record Plant, New York, New York in November 1976. Includes liner notes by Bruce Pilato. Producers include: John Sinclair, Gary Lyons, Mick Jones, Ian McDonald. Compilation producer: David McLees. Engineers include: Gary Lyons, Mick Jones, Ian McDonald. Personnel: Ian McDonald (vocals, guitar, horns, keyboards); Mick Jones (vocals, guitar); Ed Gagliardi, Lou Gramm (vocals); Al Greenwood (keyboards, synthesizer); Dennis Elliott (drums). Audio Mixers: Ian McDonald; Mick Jones . Audio Remasterers: Dan Hersch; Bill Inglot. Liner Note Author: Bruce Pilato. Photographer: Waring Abbott. Unknown Contributor Role: Michael McConnell. Foreigner includes: Mick Jones (vocals, guitar); Lou Gramm (vocals); Ian McDonald (guitar, horns, keyboards, background vocals); Al Greenwood (keyboards, synthesizer); Ed Gagliardi (bass, background vocals); Dennis Elliott (drums). Additional personnel: Ian Lloyd (background vocals).

For Once in My Life/I've Gotta Be Me songs Audio Mixer: Abe Seiferth. Recording information: LCR And NRS West, San Francisco, CA (2011-2012); Spacebar Studios, Brooklyn, NY (2011-2012); The Equinox, Brooklyn, NY (2011-2012).

For Once in My Life/I've Gotta Be Me album for sale "Highway To My Soul" is truly an emotional release that Randy Massey has lived over the past couple of years. Randy has been working with best friend and Bass player, Chip Muellemann. The two of them have proven with these songs that the chemistry and emotion is shared. Randy has performed as the opening act for artist such as The Outlaws, Jim Peterik, REO Speedwagon, Sammy Hagar, and not to forget Rush. Randy as well as Chip have been performing for years with different artist with a number of Chicago based bands. This release Randy has dedicated himself to bringing the best of his guitar work and emotional content to each and every song. Songs from the heart, great guitar solo's and Bass passages that lead you to a true sense of heartfelt thoughts. If you enjoy songs that bring back memories of that special time of year or that special person, this cd is a must have.

For Once in My Life/I've Gotta Be Me CD music After the resounding critical drubbing for 1971's lackluster Rock Love, Steve Miller's worst-received release at that time, he rebounded a year later with this eclectic and much stronger set. It's his seventh album and last as a cult artist before the commercial breakthrough of 1973's The Joker. The album, dedicated to Mahalia Jackson and Junior Parker, is split into two distinct sections. Side one (or the first six songs) dips into '50s doo wop with "Enter Maurice," acoustic folk-blues ("High on You Mama"), upbeat down-home pop ("The Sun Is Going Down"), and good-time R&B blues-rocking with horns ("Somebody Somewhere Help Me") that predates Southside Johnny & the Asbury Jukes' similar style by about five years. But side two -- the last four tracks -- is where Miller really hits his stride with beautiful, somewhat psychedelic folk-rockers that add his blues and rock roots to the string-enhanced acoustic ballad "Nothing Lasts," the haunting "Love's Riddle," and the shimmering closing title track, certainly one of his most endearing compositions and the only selection to make the cut from this collection for his first career recap released later that year, 1972's Anthology. Nick De Caro's string arrangements are beautifully and expertly integrated into these songs and previous Steve Miller Band member Ben Sidran's production is sympathetic and spacious, as is veteran Bruce Botnick's (the Doors) engineering. Unfortunately, as of 2011, the album was never released on CD in America or the U.K., which makes this somewhat of ...

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