| | Weiner: Violin Sonatas / Hagai Shaham, Arnon Erez CD Erez / Shaham / Weiner CDS
Weiner: Violin Sonatas / Hagai Shaham, Arnon Erez Music | List Price | $19.97 (You save $5.68) | | Label | Hyperion | | Orig Year | 7/14/2009 | | All Time Sales Rank |  47229  | | CD Universe Part number | 7957720 | | Catalog number | 67735 | | Discs | 1 | | Release Date | Jul 14, 2009 | | Recording Time | 1 18 |
Weiner: Violin Sonatas / Hagai Shaham, Arnon Erez Review
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Weiner: Violin Sonatas / Hagai Shaham, Arnon Erez Songs | 1. Violin Sonata No. 1 in D major, Op. 9 (24:24) | | Common Name | Violin Sonata 1 | | Composer | Leó Weiner (1885 - 1960) | | Performer | Arnon Erez (Piano)
Hagai Shaham (Violin) | | Genre | Sonata | | Venue | Jerusalem Music Centre, Jerusalem | | Notes | Jerusalem Music Centre, Jerusalem (06/01/2008-06/03/2008) | | 2. Violin Sonata No. 2 in F sharp minor, Op. 11 (25:41) | | Common Name | Violin Sonata 2 | | Composer | Leó Weiner (1885 - 1960) | | Performer | Arnon Erez (Piano)
Hagai Shaham (Violin) | | Venue | Jerusalem Music Centre, Jerusalem | | Notes | Jerusalem Music Centre, Jerusalem (06/01/2008-06/03/2008) | | 3. Pereg Recruiting Dance, for violin (or viola or clarinet) & piano, Op. 40 (6:12) | | Composer | Leó Weiner (1885 - 1960) | | Performer | Arnon Erez (Piano)
Hagai Shaham (Violin) | | Date Written | 1951 | | Venue | Jerusalem Music Centre, Jerusalem | | Notes | Jerusalem Music Centre, Jerusalem (06/01/2008-06/03/2008) | | 4. Wedding Dance, for violin & piano, Op. 21b (3:42) | | Composer | Leó Weiner (1885 - 1960) | | Performer | Arnon Erez (Piano)
Hagai Shaham (Violin) | | Genre | Dance | | Venue | Jerusalem Music Centre, Jerusalem | | Notes | Jerusalem Music Centre, Jerusalem (06/01/2008-06/03/2008) | | 5. Hungarian folkdances (3) for piano (5:12) | | Composer | Leó Weiner (1885 - 1960) | | Performer | Arnon Erez (Piano)
Hagai Shaham (Violin) | | Date Written | 1941 | | Venue | Jerusalem Music Centre, Jerusalem | | Notes | Jerusalem Music Centre, Jerusalem (06/01/2008-06/03/2008) | | 6. Easy Little Piano Pieces (20) (Hungarian Nursery Rhymes and Folk Songs), Op. 27 (8:35) | | Composer | Leó Weiner (1885 - 1960) | | Performer | Arnon Erez (Piano)
Hagai Shaham (Violin) | | Date Written | 1948 | | Venue | Jerusalem Music Centre, Jerusalem | | Notes | Jerusalem Music Centre, Jerusalem (06/01/2008-06/03/2008) |
Weiner: Violin Sonatas / Hagai Shaham, Arnon Erez Music Composers on Weiner: Violin Sonatas / Hagai Shaham, Arnon Erez CD : Leo Weiner Genres on Weiner: Violin Sonatas / Hagai Shaham, Arnon Erez CD : Dance, Sonata Performers on Weiner: Violin Sonatas / Hagai Shaham, Arnon Erez CD : Arnon Erez, Hagai Shaham Purchase Weiner: Violin Sonatas / Hagai Shaham, Arnon Erez To buy, Click on price to add to cart | J Mester Henry Cowell: Works For Orchestra CD (2003)
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Recording information: Köln, Studio Stolbergstraáe.
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Track Listing of songs: 24 Preludes, Op 28 : N 1 In C Major; 24 Preludes, Op 28 : N 2 In A Minor; 24 Preludes, Op 28 : N 3 In G Major; 24 Preludes, Op 28 : N 4 In E Minor; 24 Preludes, Op 28 : N 5 In D Major; 24 Preludes, Op 28 : N 6 In B Minor; 24 Preludes, Op 28 : N 7 In A Major; 24 Preludes, Op 28 : N 8 In F Sharp Minor; 24 Preludes, Op 28 : N 9 In E Major; 24 Preludes, Op 28 : N 10 In C Sharp Minor; 24 Preludes, Op 28 : N 11 In B Major; 24 Preludes, Op 28 : N 12 In G Sharp Minor; 24 Preludes, Op 28 : N 13 In F Sharp Major; 24 Preludes, Op 28 : N 14 In E Flat Minor; 24 Preludes, Op 28 : N 15 In D Flat Major; 24 Preludes, Op 28 : N 16 In B Flat Minor; 24 Preludes, Op 28 : N 17 In A Flat Major; 24 Preludes, Op 28 : N 18 Inf Minor; 24 Preludes, Op 28 : N 19 In E Flat Major; 24 Preludes, Op 28 : N 20 In C Minor; 24 Preludes, Op 28 : N 21 In B Flat Major; 24 Preludes, Op 28 : N 22 In G Minor; 24 Preludes, Op 28 : N 23 In F Major; 24 Preludes, Op 28 : N 24 In D Minor; Sonata N 2, Op 35 In B Flat Minor : Grave, Doppio Movimento; Sonata N 2, Op 35 In B Flat Minor : Scherzo; Sonata N 2, Op 35 In B Flat Minor : Marche Funebre:Lento; Sonata N 2, Op 35 In B Flat Minor : Finale:Presto; Polonaise, Op 53 In A Flat Major; Ballade N 1 Op 23 En Sol Mineur; Ballade N 2 Op 38 En Fa Majeur; Ballade N 3 Op 47 En La Bemol Majeur; Ballade N 4 Op 52 En Fa Mineur; Berceuse Op 57; Barcarolle Op 60; Scherzo N 4 Op 54 En Mi Majeur;
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The "Missa Quem malignus spiritus" is an anonymous English setting of the cyclic mass for three voices and remains one of the earliest known masses to be unified by a single plainchant melody. This mass is based on a responsory chant found in just one mid-fifteenth-century source. This source bears the rhymed office of John (Thweng) of Bridlington, a fourteenth-century English saint canonized in 1401 (d. 1379). The heading of each movement of the mass begins with a rebus, a kind of puzzle using words and symbols. The rebus presents two musical notes, notes which a fifteenth-century musician would call long and breve. The word 'joy' (in English) follows the 'long,' and the word 'languor' follows the 'breve.' Thus, the rebus of the mass suggests the motto that 'joy is long, while languor is brief. 'Schola Antiqua of Chicago is a professional vocal ensemble dedicated to the study and performance of medieval plainchant and early polyphonic music before the year 1500. Hailed as a 'guiding light in early music', Schola Antiqua prides itself on providing the highest standards of research, performance, and education about many underserved repertories in the western musical canon. Founded in 2000 under the artistic leadership of Prof. Calvin M. Bower from the University of Notre Dame and Prof. Michael Alan Anderson from the Eastman School of Music, the organization has received invitations to perform from the Indianapolis Early Music Festival, Chicago's Newberry Library, the Chicago Cultural Center, the University of Chicago, the University of Notre Dame, the American Guild of Organists, and numerous churches in the Midwest. In 2006-7, Schola Antiqua served as Artists-in-Residence at the University of Chicago. In addition to this album, the Schola has recorded the accompanying CD for Theodore Karp's Introduction to the Post-Tridentine Mass Proper, 1590-1890 ...
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