| | Kelly Morrison Sorry To Intrude CD Kelly Morrison Discography of CDs
With influences ranging from Jason Mraz to Sheryl Crow to Coldplay, Kelly Morrison has done it again with more infectious melodies, smooth vocals and smart lyrics. Her fusion of indie, pop, folk and alternative creates an uncommonly beautiful sound that "nudges at the soul." Not your average pop songs.Kelly Morrison wrote the signature song “Legacy†for the 20th Century Fox movie “The Ultimate Gift†starring James Garner and Abigail Breslin. That song is featured on her CD entitled “Songs Inspired by: The Ultimate Gift.†Kelly Morrison Sorry To Intrude Songs | 1. | Destiny |
| 2. | Just Love Me |
| 3. | Way Back Home |
| 4. | Happy Anniversary |
| 5. | Road To Heaven |
| 6. | Sorry To Intrude |
| 7. | Safe and Simple |
| 8. | No Pleasin' |
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Sorry To Intrude Review
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Purchase Sorry To Intrude CD To buy, Click on price to add to cart | Dr Andrew Weil Breathing: Master Key To Self Healing CDs (2000)
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Taylor Swift abandons any pretense that she's a teen on her second album, FEARLESS--which isn't to say that she suddenly tarts herself up, ...
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| | Carrie Underwood Play On CD (2009)
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Daisy in her hair aside, Carrie Underwood looks flat-out glamorous on the cover of PLAY ON, which is a pretty fair indication of what awaits listeners on her third album. Carrie is still nominally a country artist and sometimes will sing supported by fiddles and steel guitar, but this is crossover pop pure and simple, whether it's the thundering rhythms on the Shania-styled strut "Cowboy Casanova" or the succession of maudlin melodies on the preponderance of power ballads. Carrie takes a much stronger presence as a writer here, co-authoring seven of the 13 songs, and she's attracted to hookless showstoppers designed to showcase her powerful voice. When she sticks to tunes written solely by the professionals, PLAY ON does have some slick pleasures, particularly on the breezy "Quitter" and "This Time," ...
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," ...
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$11.79 | | Dalriada Sophistry & Illusion CD (2009)
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Dalriada is the creation of music producer Clark Sorley from Ayrshire in Scotland. In the early 90s, in collaboration with rock vocalist Colin Kennedy, he put together the album ‘All is Fair’ which was released on Iona Records to critical acclaim. This recording was made up of new arrangements of traditional Scottish songs reworked for a contemporary musical context producing a highly innovative approach to the folk/rock crossover.'Sophistry & Illusion' was the band's follow up release in 1998 and represented a considerable development. It contains 16 titles including 10 original songs written by Sorley & Kennedy, and five instrumentals also brand new works. The songs explore a range of issues, a subtle political and philosophical bias running through the album. The production employs conventional instrumentation i.e. acoustic guitars, fiddles, whistles, pipes, bouzoukis etc. alongside a tasteful blend of synthesized textures and sampled drum loops. Kennedy’s soulful voice ...
| | Spain Colored Orange Sneaky Like A Villain CD (2008)
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Coming nearly three years after the exceptional EP Hopelessly Incapable of Standing in the Way, Houston's Spain Colored Orange have finally released their debut full-length. The EP was a bit of a tease, its seven varied keyboard and trumpet-driven songs sounding like an inexplicable but utterly delightful melding of 10cc's quirky art-pop songcraft and unapologetic '70s gloss with the meandering song structures and ramshackle arrangements of Neutral Milk Hotel or the Olivia Tremor Control. It was clever, unique, and 31 flavors of awesome. Unfortunately, however, Sneaky Like a Villain was produced by Bill Racine, a protégée of Dave Fridmann, whose production style bears perhaps too much of his mentor's influence: though Gilbert Alfaro's boyish vocals and keyboards, and Eric Jackson's piercing trumpet solos are shown to their full effect on songs like the glorious "Who Am I" and the wistful "I Remember It Was Christmas Time," too much of the rest of the album, such as "Music Box" and "Hide" bury the piano, organ, trumpet and other key elements of the band's sound in the usual Fridmann-esque blur of effects, processing, and tape hiss. It's just disappointing to hear a band whose early work was so vibrantly different than everything else that was going on at the time turn into just another set of Mercury Rev/Grandaddy clones. ~ Stewart Mason
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Sorry To Intrude album
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