| | Acirema American Nightmare CD Acirema Discography of CDs
Recording information: The Basement Studios.
Personnel: Terry Gray (vocals, guitar).
Acirema American Nightmare Songs | 1. | Retribution Through Blood |
| 2. | Good Old Fashioned Passionate Ass Thrashin' |
| 3. | Wield the Axe and Sever the Head of Hypocrisy |
| 4. | Ghost You've Become, The |
| 5. | To the Death |
| 6. | Leaving Home for Hell |
| 7. | Devil's Work, The |
| 8. | Plague of the Earth |
|
American Nightmare Review
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Purchase American Nightmare CD To buy, Click on price to add to cart | Judas Priest Concert Classics CD (2009) Reissue
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Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch ...
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Audio Mixer: Jonas Kjellgren.
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When singer/songwriter James Pequignot’s last band stopped going the way he wanted he did what most front men would do: he broke up the band. What happened next would quickly vindicate that decision. Right away he began forming a new group. With long time collaborator Evan Tachovsky making the transition from guitars to keyboards they immediately hooked up with drummer Jordan and began to work on brand new material. The new songs had a vibrancy to them that Pequignot had never achieved before. To fill in the low end they hooked up with bass player/backup singer Tim Gauntner. While trying to decide on a name Jordan asked, “What exactly are you looking for in a name?” James replied simply, “Nothing ‘The Plural.’” Shortly thereafter the band decided that the only name that encapsulated their difference from any other band was a name that rebelled against the formulaic band names that persist so heavily in modern music. They called themselves “The Singular.” The sound was great, but Tachovsky didn’t have the time to dedicate to the group. ...
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Blood from Stars is the album Joe Henry's been getting at since Scar. He's worked with jazz musicians often, but he's never made a record that employs the form so prominently. His band includes Marc Ribot, Patrick Warren, Jay Bellerose, David Pilch, and now his son Levon on saxophones and clarinet, as well as vibist Keefus Ciancia. Engineer Ryan Freeland is as important as the players: he managed to give this record its strange yet welcoming sound. It begins with the short "Prelude," played by Jason Moran. It introduces all the characters here, with a note or two here, a chord flourish there. Some are immediately identifiable; others you've never met before and perhaps hope never to. Henry's love of traditional jazz has blossomed -- the album sprawls over history, genre, and song forms, but there is no consciously retro aspect in its presentation and it is not a jazz album. Many of these songs are based on the blues (and even folk-blues); some are standards-style pop; some walk out the jazz of New Orleans, St. Louis, and Kansas City from the early 20th century; some even rock -- a little. Many are dressed in horn arrangements and offbeat sounds that seem to enter in from the rafters. They drift in and out and are allowed to play a part in the songs. Who cannot relate to the swinging blues (� la "St. James Infirmary") led by piano, upright bass, acoustic guitar, and a minimal trap kit? The music seems to come from antiquity in "The Man I Keep Hid," but Henry's voice is right firmly in the historical present: his protagonist voices his desires and how they are thwarted -- usually by himself -- as horns, organs, piano, and rhythm section swell and offer the chaos just under the surface of the singer's voice.
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