| | Lou Reed Live In New York 1972 CD - Import Lou Reed Discography of CDs
Live In New York 1972 Music | List Price | $15.98 (You save $0.39) | | Category | Rock/Pop Albums | | Label | Zyx | | CD Universe Part number | 7967524 | | Discs | 1 | | Release Date | Jul 07, 2009 | | Additional Info | Import; Digipak |
Live In New York 1972 Music Live In New York 1972 Review
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Rush is no stranger to best-of compilation albums, they've released a slew of them. They are also no stranger to DVDs. To mark their 35th anniversary, they've released Working Men, which is both; it marks their first best-of live compilation exclusively from the DVD sets Rush in Rio (2003), R30 (2005), and Snakes & Arrows Live (2008). There is also an unreleased cut from R30 -- a killer version of One Little Victory. While fans may simply regard this as a record company cash grab, hardcore fans know how closely Rush monitors each release and controls all aspects of their career. On hearing these tracks without benefit of the visuals, it becomes lucidly clear that in the 21st century, Rush plays more like a hungry act looking to prove themselves rather than as seasoned veterans jaded by the entire business. The instrumental interaction between Neal Peart, Alex Lifeson, and Geddy Lee is utterly uncanny, the anticipation and the willingness to add flourishes and to challenge one another in the bridges and solo sections reveal their command of the material and their empathies for one another's playing strengths. One of the more revealing things on a live record such as this one is the sophistication in Lee's vocal delivery now that his singing voice has deepened with age. The only time on the entire disc when it doesn't entirely work is when he tries ...
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The Canadian industrial noise band outdoes itself on this collection of thunderous beats overlaid with nightmarish snatches ...
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By the early '80s, the Rolling Stones were one of the last remaining groups leftover from the original "British Invasion" two decades prior. One of the main reasons for this was the Stones' ability to keep pace with the musical climate of the time, without losing any of their original blues-sleaze. Their 1982 live set (fourth overall) STILL LIFE, ...
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In the decade following the release of Joe Strummer's 1989 debut, EARTHQUAKE WEATHER, the Sex Pistols reformed and Orange County became the '90s equivalent to Brixton. Rather than hopping onto any bandwagons, Strummer spent this time dabbling in different projects and sampling different genres. All this musical exploration resulted in ROCK ART AND THE X-RAY STYLE, a musical gumbo that finds punk as its least significant ...
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The second and final studio recording by Irish guitarist Rory Gallagher's neo-Cream trio reins in the playing to focus more on songwriting. The material is a virtual grab bag of blues-rock styles, moving from driving rockers ("What's Going On," "I'll Remember") and basic boogies ("Morning Sun," "If I Don't Sing I'll ...
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In 1964, soul music provided a much-needed rebuff to The Beatles' seemingly unstoppable incursion into the American music scene. This smartly assembled volume of soul classics from 1964 does an admirable job at conveying the astounding power ...
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Extremely tasteful, melancholic guitar pop, that's how Dutch music magazine Oor described the music of indie band Swelter after seeing them in concert.What takes most band years, Dutch indie band Swelter managed to achieve in its first year of existence; performing on big stages for large audiences through a series of high profile gigs supporting such luminaries as The Frames (IE), The Veils (UK), Cracker (USA) and Bettie Serveert (NL). No mean feat, especially bearing in mind that all this happened without an album release. These series of gigs made Swelter not only a hot and much in demand live act. It also resulted in exposure in the (Dutch) national press and airplay on the main national radio stations such as 3FM and KinkFM.With their debut album 'Songs of Distance' Swelter aims with personal lyrics and timeless melodies at the serious pop-music-lover. On and off the band worked on this record in various Dutch studios for about a year. Friends added tasteful contributions on mellotron, accordion, Hammond organ and grand piano. Belgian studio wizard Werner Pensaert (known from his work with amongst others Manic Street Preachers and Johan) mixed the record in The Motor Music Studios (Admiral Freebee, Zita Swoon etc.) and the next step, the final mastering of the album was done by the very capable and also Belgian, Uwe Teichert a studio ace whose credits include Nova Star and Deus.'Songs of Distance' is an honest album, full of personal melodic songs. With lyrics touching on subject matters such as, how, bit by bit, we lose the capability of really communicating with each other, about misunderstandings, about fear, about estrangement on a personal level as well as in society, about circumstances that people don't know how to handle anymore. That is the leading thread running through the album. Song-writer Bart Drost likes to lose himself in his characters.As in the partially true story of 'The Strain ...
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