| | Prokofiev: Romeo And Juliet Suites Nos 1-3 / Järvi, Rsno CD Jarvi / Prokofiev / Scottish National Orchestra CDS
Prokofiev: Romeo And Juliet Suites Nos 1-3 / Järvi, Rsno Music | List Price | $11.99 (You save $1.60) | | Label | Chandos Classics | | Orig Year | 8/25/2009 | | All Time Sales Rank |  57161  | | CD Universe Part number | 7969211 | | Catalog number | 10539 | | Discs | 1 | | Release Date | Aug 25, 2009 | | Recording Time | 1 19 |
Prokofiev: Romeo And Juliet Suites Nos 1-3 / Järvi, Rsno Review
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Prokofiev: Romeo And Juliet Suites Nos 1-3 / Järvi, Rsno Songs | 1. Romeo and Juliet, Suite No. 1 for orchestra, Op. 64 bis (27:14) | | Composer | Sergey Prokofiev (1891 - 1953) | | Conductor | Neeme Jarvi | | Date Written | 1936 | | Venue | SNO Center, Glasgow, Scotland | | Notes | SNO Center, Glasgow, Scotland (12/04/1984/12/05/1984)
Composition written: 1936.
Composition revised: Soviet Union. | | 2. Romeo and Juliet, Suite No. 2 for orchestra, Op. 64 ter (30:58) | | Composer | Sergey Prokofiev (1891 - 1953) | | Conductor | Neeme Jarvi | | Date Written | 1936 | | Venue | SNO Center, Glasgow, Scotland | | Notes | SNO Center, Glasgow, Scotland (08/19/1985-12/10/1985)
Composition written: 1936.
Composition revised: Soviet Union. | | 3. Romeo and Juliet, Suite No. 3 for orchestra, Op. 101 (17:45) | | Composer | Sergey Prokofiev (1891 - 1953) | | Conductor | Neeme Jarvi | | Date Written | 1946 | | Venue | SNO Center, Glasgow, Scotland | | Notes | SNO Center, Glasgow, Scotland (08/14/1986-08/23/1986)
Composition written: 1946.
Composition revised: Soviet Union. |
Prokofiev: Romeo And Juliet Suites Nos 1-3 / Järvi, Rsno Music Composers on Prokofiev: Romeo And Juliet Suites Nos 1-3 / Järvi, Rsno CD : Sergei Prokofiev Conductors on Prokofiev: Romeo And Juliet Suites Nos 1-3 / Järvi, Rsno CD : Neeme Jarvi Purchase Prokofiev: Romeo And Juliet Suites Nos 1-3 / Järvi, Rsno To buy, Click on price to add to cart | Arthur Fiedler Christmas Festival CD (1994)
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Born in Trento, Italy, Stefania Neonato graduated in piano at her home town Conservatory, while simultaneously working on a BA degree in Foreign Languages and Literatures at the University of Trento. She subsequently earned a Master in Fortepiano Performance Practice at the Imola International Piano Academy and the Doctorate in Musical Arts in Historical Performance Practice with Malcolm Bilson at Cornell University, where she served as piano teaching assistant from 2006 to 2008.She won Second Prize (first prize not awarded) and Audience Prize at the 2007 International Fortepiano Competition in Bruges. From then on she's invited to play at the most important Early Music Festivals (Van Vlaanderen in Bruges, Styriarte in Graz, Printemps des Arts in Nantes, Festival Mozart in Rovereto) and Concert seasons (Münster-Erbdrostenhof, Bologna-Accademia Filarmonica, Brescia-Teatro Grande, Florence-Accademia Bartolomeo Cristofori, Padova-Amici della Musica). Her interest in historical instruments was born during the school-years by meeting the pianist Alexander Lonquich and working with him on the most important Italian collections (Accademia Bartolomeo Cristofori in Florence, Giulini in Briosco-Milan and Imola-Bologna). She received a thorough and serious instruction in piano performance with Riccardo Zadra, Leonid Margarius and Aldo Ciccolini. Active as chamber-musician and fine lieder-accompanist, she is committed to musicological issues; she writes articles and essays for music journals and conferences focusing on piano aesthetics. In 2005 she was commissioned her first ...
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TIGIRIDES VASSILISBorn in Athens in 1960, he commenced classical guitar studies in 1974. From 1979 until his graduation he studied under professor Notis Mavroudis. In addition he attended a two year private course in theoretical music studies under N. Chronopoulos. In 1987 he graduated from the Conservatory of Attika and was awarded a special prize. In the same year he also graduated from the Athens University Law School. He has attended numerous classical guitar master classes both in Greece and in Germany, under professors W. Lendle, R. Brightmore, R. Aussel, L. Brouwer, P. Galbraith, C. Cotsiolis, as well as interpretation classes under G. Hadjinikos and early music classes under P. Adam. His public performances include both solo recitals as well as chamber music concerts. He has also broadcasted on Greek National Television and Radio. He works as a classical guitar teacher at the National Conservatory as well as at the Conservatory of Attika. His first recording is «Works for violin and guitar» by Chrysanthos Mouzakitis. Desirous of a more authentic approach to early music, he has moved on from the classical guitar and is currently playing the Baroque lute. Review on the Goldberg Early music magazine, (issue 41)Lend your Ears to my SorrowMusic for lute & vihuela by Dowland, Weiss, Holborne, MudarraVassilis TigiridesMany of the works on this disc were once staples of the classical guitarist's repertoire but are now the preserve of the specialist, for whom playing Renaissance and Baroque music on the instruments for which it was written has in some cases become almost a fetish. This is to be regretted - imagine the piano repertoire without Bach or Scarlatti !So thank goodness for die-hards like Göran Söllscher (who uses an 11-string classical guitar to perform repertoire from the Renaissance to the present day) and, now, Vassilis Tigirides, who on this CD plays for the most part a 7-string classical guitar to accommodate the music written by John Dowland for an 8-string lute.Tigirides here focuses almost exclusively on Dowland's music with works by other composers included to provide points of comparison. To compare Tigirides's playing with Söllscher's is natural, and I'm pleased to say that the former exhibits many of the latter's virtues: lucid phrasing, clean, crisp ornamentation and suitable restrained expression; and if Tigirides perhaps lacks ...
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Prokofiev: Romeo And Juliet Suites Nos 1-3 / Järvi, Rsno
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