| | Seawind Reunion CD - Import Seawind Discography of CDs
(1 Customer Review)
Japanese only paper sleeve pressing. Sony. 2009. Seawind Reunion Songs | 1. | He Loves You |
| 2. | Kept By Your Power |
| 3. | Sunshadow |
| 4. | Hold On To Love |
| 5. | Follow Your Road |
| 6. | Wayne |
| 7. | Free |
| 8. | Everything Needs Love |
| 9. | Pearl |
| 10. | You're My Everything |
| 11. | Devil Is A Liar |
| 12. | Liquid Spies |
| 13. | Put Another Nickel In The Jukebox Of My Heart |
| Purchase Reunion CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
Reunion
$14.09 Detroit comprises a six-composition suite commissioned for the 2009 thirtieth anniversary Detroit International Jazz Festival, played in the studio with musicians from composer/arranger Gerald Wilson's Los Angeles home or New York City area. Curiously, there are no Motor City-based players on the disc, but the themes are based in certain locales from the industrial Midwestern City that has fallen on hard economic times but played a pivotal role in the development of Wilson's highly developed skills as a composer, arranger, and bandleader. A quite spirited and energetic music is heard here from the 90-year-old Wilson, whose charm and wit would rival anyone many decades his junior. It's a swinging affair molded in the traditional big-band visage of Count Basie, Ernie Wilkins, or early Quincy Jones, with Wilson's deft touch for embellishing the blues. Players like trumpeter ...
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Reunion
$6.29 With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal ...
| | Poncho Sanchez Psychedelic Blues CD (2009)
Reunion
$14.55
| | Armik Gypsy Flame CD (1995)
Reunion
$12.29
| | Brian Bromberg It Is What It Is CD (2009)
Reunion
$14.29 Brian Bromberg's fourth recording for the Artistry label, and first since they were acquired by the Mack Avenue label, is a fairly predictable program of contemporary jazz, commercial funk, and pop song covers, as well as uptown New York City R&B-type dance tunes that should appeal to the urban crowd. His prominent electric bass guitar always has a retro feel going back to Ralphe Armstrong, Marcus Miller, Stanley Clarke, Larry Graham, and James Jamerson, but retains a current-day feel that is still relevant, remaining skilled and precise as any bassist currently playing the amplified instrument. Many of these tracks include a horn section featuring Randy Brecker, Eric Marienthal, Gerald Albright, and Rick Braun, while keyboardists George Duke, Patrice Rushen, and Jeff Lorber join in here and there. While entertaining and even attractive from a melodic standpoint, Bromberg and his mates are reworking themes, beats, and songs without pushing the envelope, and make ...
| | Marc Copland Night Whispers New York Trio Recordings: Volume 3 CD (2009) (Import) Germany
Reunion
$16.39 From Erroll Garner to Cecil Taylor to Bill Evans, and from Chick Corea to Thelonious Monk, a wide variety of acoustic jazz pianists have thrived in the time-honored piano trio setting (piano, bass, and drums) over the years. It's a setting that has never gone out of style in jazz, and it's a setting that has served acoustic pianist Marc Copland well in his New York Trio Recordings series. The lineup has varied from one volume to the next; on New York Trio Recordings, Vol. 3: Night Whispers, Copland is joined by bassist Drew Gress and drummer Bill Stewart (whereas he was joined by bassist Gary Peacock and Stewart on Vol. 1 and by Peacock and drummer Paul ...
| | Dixie Five Dancin' Fool CD (2002)
Reunion
$14.19
| | Jack Sheldon College Goes To Jazz CD (2005) (Import) France
Reunion
$13.59 It is strange that Complete College Goes to Jazz has been reissued under Jack Sheldon's name, for the ...
| | Kangaroo CD (1968) (Import) United Kingdom
Reunion
$16.75 As on so many obscure long-players of the late '60s, there's a salad of styles on Kangaroo's sole, self-titled album, running the gamut from redneck country-rock ("Frog Giggin'," "Happy Man") and sunshine pop-spotted psychedelia ("Such a Long, Long Time") to strident folk-rock ("Daydream Stallion") and avowedly sub-Beatlesque sounds ("Happy Man," "Make Some Room in Your Life"). There are also insertions of backwards guitars, San Francisco-type acid rock riffing, soul vocal posturing, descendants-of-Mamas & the Papas male-female backup harmonies, and a monologue about killing frogs and having sex at the same time. Still, there are good things about the record, particularly the vibrato folk-rock vocals of Barbara Keith. They're reminiscent to varying degrees of Melanie, Judy Collins, and Buffy Sainte-Marie, though her own personality comes through, as showcased to best effect on the record's highlight, the strident yet haunting folk-rock-psych outing "Daydream Stallion." Fans of Keith should be aware both that this record is not similar to the ones she would subsequently make during her long career, and that her contributions are usually confined to backup harmonies. But when she took the lead vocal -- as she did on "Daydream Stallion," the slightly less impressive "The Only Thing I Had," and her wordless scatting on the opening jazzy section of "I Never Tell Me Twice" -- Kangaroo showed some glimmers of becoming something special. ~ Richie Unterberger
There are few other albums of the late '60s besides Kangaroo's sole, self-titled affair on which so much talent is evident, but so little coheres into satisfying results. Part of the problem is that, as on so many obscure long-players of the age, there's such a salad of non-complementary styles, running the gamut from redneck country-rock ("Frog Giggin'," "Happy Man") and sunshine pop-spotted psychedelia ("Such a Long, Long Time") to strident folk-rock ("Daydream Stallion") and avowedly sub-Beatlesque sounds ("Happy Man," "Make Some Room in Your Life"). There are also gratuitous insertions of backwards guitars, San Francisco-type acid rock riffing, soul vocal posturing, descendants-of-Mamas & the Papas male-female backup harmonies, and a silly monologue about killing frogs and having sex at the same time. The biggest flaw, however, ...
| | Broke Down Melody CD (2009) (Import) Import
Reunion
$31.89
| | Underdog Project It Doesn't Matter Greatest Hits Vol 1 CD (2009) (Import) Import
Reunion
$18.39
| | Ken Colyer Captured Moments CD (2001)
Reunion
$15.39
| | Cyndy Duerfeldt Deep In A Dream CD (2009)
Reunion
$16.45
| | Essence Of Mel Torme CDs (2009) (Import) Import
Reunion
$11.99
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