Rod Stewart A Night On the Town CD

Coming on the heels of his departure from The Faces, A NIGHT ON THE TOWN was Rod Stewart's first solo album. With his usual collaborator Ron Wood now a member of the Rolling Stones, Stewart gathered together an impressive group of backing musicians that included Steve Cropper, Duck Dunn and Al Jackson of Booker T & The MG's, Joe Walsh, the Tower Of Power horn section and multi-instrumentalist David Lindley. Dividing the album up into fast and slow sides, Stewart chose an interesting batch of songs, included some notable self-penned compositions. These include the tragic "The Killing Of Georgie (Part I And II)," about the murder of a gay friend, and the ultra-sexy ballad "Tonight's The Night (Gonna Be Alright)." Along with a delicate rendering of Cat Stevens' "The First Cut Is The Deepest," these songs provided a perfect springboard for the more sprightly fast side. "The Balltrap" is a clever Stewart composition about a sinister femme fatale. "The Wild Side Of Life" and Gib Gilbeau's "Big Bayou" make for a perfect marriage of Chuck Berry stomp and country twang.

In some ways, it's easy to think of A Night on the Town, Rod Stewart's second album for Warner, as a reprisal of the first, cut with many of the same musicians as Atlantic Crossing, produced once again by Tom Dowd, and even following its predecessor's conceit of having a "Slow Side" and "Fast Side" (granted, this flips the two around, opening with the slow one first). Superficially, this seems true, but A Night on the Town has a crucial difference: despite its party-hearty title, this album finds Stewart folding folk back into his sound, a move that deepens the music tonally and emotionally, particularly in the case of "The Killing of Georgie (Pts. 1 & 2)," Rod's most ambitious original. A winding, sensitive narrative about the murder of a gay friend -- a hate crime years before the term existed -- "The Killing of Georgie" finds Stewart filtering Dylan through his own warm, conversational style, creating a remarkable work unlike anything else in his body of work, yet the song's smooth synthesis of folk storytelling, soul, and incipient disco act as an appropriate conclusion to a side-long suite of songs of seduction, beginning with his classic come-on "Tonight's the Night (Gonna Be Alright)," running through his splendid reading of Cat Stevens' "The First Cut Is the Deepest," and his fine original "Fool for You." On the Fast Side, Stewart has only one original -- the lewd, riotous "The Balltrap" -- but he more makes up for it by spinning two country classics, Gib Guilbeau's "Big Bayou" and Hank Thompson's "The Wild Side of Li

All tracks have been digitally remastered.

Special Edition

Recorded at Cherokee Recording Studios, Hollywood, California and Muscle Shoals Sound, Alabama.

Personnel: Willie Peek, David Lindley, J. "Sear" Davis, J. Walsh, J. Davis, J. Walsh, W. Peek, Steve Cropper, Fred Tackett (guitar); Jerry Jumonville, Plas Johnson (tenor saxophone); Tower of Power Horn Section, Tower Of Power Horns (horns); J. Jarvis, J. Smith, B. Beckett, J. Daniel Smith, J. Jarvis, D. Foster, Barry Beckett, David Foster (keyboards); R. Hawkins, Alex Jackson , R. Hawkins, Al Jackson, Andy Newmark, Rick Shlosser (drums); T. Vig, Joe Lala (percussion).

Audio Mixer: Brian Kehew.

Liner Note Author: Ben Edmonds.

Recording information: Cherokee REcording Studios, Hollywood, CA (2008); Criteria, Miami, FL (2008); Muscle Shoals Sound (2008); OFR Studio, North Hollywood, CA (2008).

Photographers: Dave Steen; David Steen.

Personnel: Rod Stewart (vocals); Steve Cropper, W. Peek, J. Davis, David Lindley, Fred Tackett, Joe Walsh (guitar); J. Jumonville, Plas Johnson (tenor saxophone); Tower Of Power Horns (horns); J. Jarvis, David Foster, Barry. Beckett, J. Smith (keyboards); Donald "Duck" Dunn, Robert Glaub, D. Hood, Willie Weeks, Lee Sklar (bass); Roger Hawkins, R. Schlosser, Andy Newmark, Al Jackson (drums); T. Vig, J. Lala (percussion); J. Horowitz, M. Lewis, Arif Mardin (striQ (11/00, p.133) - 4 stars out of 5 - "...More coherent [thanhis debut, ATLANTIC CROSSING]...home to both the stunning, self-penned 'Killing Of Georgie'...and Stewart's superlative reading of 'The First Cut Is The Deepest'..."