| | Datarock Red Vinyl LP Record Datarock Discography of CDs
CMJ - "Amidst the electronic ambience, however, the collection has a fair helping of West African dance flavor as well, and features a guest appearance from Fela Kuti."
Pitchfork (Website) - "Datarock's going pop on RED, boiling their songs down to a compact three minutes....'Back in the Seventies' backs up its gushing nostalgia with crisply replicated plastic soul..." Datarock Red Songs | 1. | The Blog |
| 2. | Give It Up |
| 3. | True Stories |
| 4. | Dance! |
| 5. | Molly |
| 6. | Do It Your Way |
| 7. | In The Red |
| 8. | Fear Of Death |
| 9. | Amarillion |
| 10. | The Pretender |
| 11. | Back In The Seventies |
| 12. | Not Me |
| 13. | New Days Dawn |
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Red Review
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Purchase Red CD To buy, Click on price to add to cart | Rod Stewart Never A Dull Moment (Gold) CD (1972) Gold
Red album
 $19.10   
NEVER A DULL MOMENT picks up where EVERY PICTURE TELLS A STORY left off. Here we have more raucous rock & roll with healthy dollops of soul and twang thrown in for good measure. Always looking for a good songwriter to cover, Stewart's honorees here include Jimi Hendrix ("Angel"), Dylan ("Mama You Been On My Mind"), and Rod's personal hero, Sam Cooke ("Twistin' The Night Away"). Sidling up nicely next to these heartfelt interpretations are some of Stewart's finest original songs. Teaming with spiritual brother Ron Wood, Stewart ...
| | Sting If On A Winter's Night... CDs (2009) Digipak
Red CD music
$14.19  
It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is ...
| | Tom Waits Glitter And Doom Live CDs (2009) Digipak
Red music CDs
$13.84 
Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, ...
| | Transatlantic The Whirlwind CDs (2009)
Red songs
$18.79
| | Daughtry Leave This Town CD (2009)
Red album
$15.45  
When he was recording his debut album in 2006, Chris Daughtry didn't have the time to assemble the real rock band he so desperately wanted to have, so it appeared under the band name Daughtry without featuring any of the musicians who later became part of the group. That's not the case with LEAVE THIS TOWN, Daughtry's second record: all five members are glowering on the album cover, floating like specters over an abandoned Californian street. The five rockers serve as visual evidence that Daughtry is a band, not a person, and such reminders may be necessary because LEAVE THIS TOWN doesn't differ much in feel or form from DAUGHTRY. Overall, LEAVE THIS TOWN isn't quite as studio slick as DAUGHTRY, which was fueled by Chris Daughtry's desire prove that he belonged in the big leagues; here, he's achieved that goal and he's happy to stay there as ...
| | Elvis Presley Elvis Christmas CD (2006)
Red CD music
$9.39
| | Ain't Funky Now! Vinyl LP (2002) (Import) United Kingdom
Red music CDs
 $23.09
Subtitled "Flat Out Funk From the Jazz Brotherhood," this takes 18 Prestige soul-jazz cuts from the late '60s and early '70s. For serious collectors of this stuff, the big attraction here might be that 13 of the 18 numbers are presented in their 45 single edits, rather than their full-length album versions. To some, that might seem like a disadvantage, as you're actually not hearing some music from the longer versions. In its defense, it must be said that those 45 edits are pretty hard to find and also that, particularly for those who see this style as dancefloor fodder, the shorter edits ...
| | Princess Superstar Bad Babysitter Vinyl LP (2002) (Import)
Red songs
$8.75
| | Replacements Pleased To Meet Me Vinyl LP (1987)
Red album
$17.25
The Replacements' brand of brash, dirty rock & roll reached ...
| | Aretha Franklin Gospel Soul Of Aretha Vinyl LP (2009) (Import)
$24.89 | | Wave Machines I Go I Go I Go Vinyl LP (2009) (Import)
Red CD music
$9.79
| | Family Dogg Way Of Life Vinyl LP (2009)
Red music CDs
$22.15
| | Flipper Fight Vinyl LP (2009)
Red songs
$12.89
Krist Novoselic's post-Nirvana musical career has seemed like something of a letdown compared to Dave Grohl's rise to bona fide rock stardom with the Foo Fighters and Kurt Cobain's posthumous deification, and after Sweet 75 and Eyes Adrift failed to connect with either audiences or critics, Novoselic announced he was walking away from the music game for a while. Clearly it took the right band to get him to change his mind, and that band was Flipper. While Novoselic's decision to join this ragged band of noisy cult heroes might seem curious, he's often cited Flipper as a key influence on his work, and who would turn down the opportunity to join a favorite band (especially since Novoselic doesn't have to count on the group as a source of income)? Novoselic's presence on Flipper's 2007 reunion tour (standing in for the late Will Shatter) turned out to be an inspired choice; Fight, recorded during shows in Seattle and Portland, doesn't quite match the frazzled brilliance of Blow'n Chunks or Public Flipper Limited, the authorized live documents of Flipper's first era, but it confirms there's still a lot of life left in these grizzled veterans. Guitarist Ted Falconi, drummer Steve DePace, and singer Bruce Loose sound remarkably lively considering the often meandering nature of their material, and if the new songs that dot the set reveal no fresh masterpieces on the level of "Sex Bomb" or "Love Canal," they come much closer to the inspired chaos of Flipper's salad days than anything from their misbegotten 1993 comeback ...
| | Iggy & Stooges Raw Power Vinyl LP (1973) (Import) VV; Limited Edition
Red album
$28.89
Though the Stooges were on the verge of breaking up at the time RAW POWER was recorded, it still comes across as (arguably) their most focused and powerful release. Former guitarist Ron Ashton was moved to bass and replaced by James Williamson, whose precise, razory playing makes RAW POWER the Stooges' most guitar-driven album. Scott Ashton drums up a storm, and Iggy yowls, yelps, drawls, and croons with a sense of menace that is both exhilarating ...
| | Betty Davis Is This Love Or Desire Vinyl LP (2009)
Red CD music
$15.45
Whatever the reason that Betty Davis's IS IT LOVE OR DESIRE remained unreleased until 2009 no longer matters. It makes no difference, because hearing this album, a ten-song set that was to be Davis's and Funk House's final recording, is a revelation. Musically, IS IT LOVE OR DESIRE is so forward and so complete, it moves the entire funk genre toward a new margin. It is as groundbreaking in its way as the music Ornette Coleman was making with Prime Time à la DANCING IN YOUR HEAD or the blunt-edged fractured jazz-funk James Blood Ulmer laid down on his own a couple of years later on TALES OF CAPTAIN BLACK and ARE YOU GLAD TO BE IN AMERICA?. The songwriting is top notch; some of it even transcends the proto-sexual excesses of her earlier records though that's still in this wild mix, too. And the production is so canny, it seems to get at the very essences of singers, songs, and musical arrangements. Then there's the music itself created by Funk House, one of the most amazing funk bands in the history of music. Being Davis's road and studio band had gelled the unit, which also practiced when they weren't working with her in a practice space at home in North Carolina. Check the dark voodoo-groove bassline Larry Johnson plays on "It's So Good," with Carlos Morales guitar filling the spaces with spidery, silvery lines, and the machine-gun snare groove laid down by drummer Semmie Neal, Jr, with breaks and pops that underscore the outrageous distorted keyboards of Fred Mills, the band's music director. Speaking of Mills, his duet vocal on "Whorey Angel,"a spooky, psychedelic soul number that is far better than its title, is scary good. Check out the gris-gris choruses by Davis and her backing chorus with all that bass leading the entire band in its slow, backbone-slipping attack. The sheer sonic attack of "Bottom of the Barrel," may be country in its lyric intro, but the music is diamond-hard funk that makes no secret of its-anti disco sentiment. The ...
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