| | Halley DeVestern Band Muscle Memory CD Halley DeVestern Band Discography of CDs
Fiery, funny, funky and finely-tuned, The Halley DeVestern Band’s new album, “Muscle Memory”, fulfills the promise of earlier works, taking the hellacious energy, intelligence and power of “Sugar Free”, “Live At The Towpath Inn” and “Superhero Killer” to ever more dizzying heights. Songs about everything from sexual frustration to life on the American highway to church camp to cautionary tales of money and mortality to heavenly gratitude to freedom of expression to vengeful triumph make “Muscle Memory” a virtual Canterbury Tales for the 21st Century. Singer Halley DeVestern tells it with bluesy banshee wails, tongue-in-cheek taunts and wounded whispers, while the band paint lush murals behind her.Personnel:Halley DeVestern - vocals (Big Brother & The Holding Company)Tom Heinig - bass (Lamont Cranston Band, Mill City Band)David Patterson - guitar (Shawn Mullins)Rich Kulsar - drums (Toasters, Zen Tricksters, Mickey Dolenz)Cybele Kaufmann - backing vocals and love goddess extraordinaireReviews/Band Bio "[Halley’s] got the biggest pipes I've heard on a babe in a long time." - Bonnie Bramlett..."Forget about the love songs, Halley . Keep patiently singing the way you do now, and major success is inevitable." - MTV Online..."Halley Devestern has a big, ballsy voice and knows how to use it. She's got the funk too! harkens to the great Maria McKee and Lone Justice." - Ear Candy..."Damn, that girl kicks ass!" - Holly Figueroa, founder of Indiegrrl..."Instead of railing at the world in a high, thin keen, this lady lets loose with a big, bluesy roar. … the rootsy attack is arresting." - Listen.com/rhapsody...There's no question that Halley DeVestern has a powerful voice. She's toured with Big Brother and the Holding Company by their invitation.Halley burst on the scene with the release of her first album, “Sugar Free”, of which Newsday declared, "Had Maria McKee lived up to her potential, this is the record she would have made."“Live at the Towpath Inn”, a live acoustic set taken from club and radio performances was named one of the top 20 CDs of 2000 by The Audio Realm (NWEZ.NET).The Celebrity Cafe called “Superhero Killer "an album with female vocals in the same lines of Janis [Joplin]'s rough hewn blues, but with an even more raw and even more edgy quality." The feminist publication Expository Magazine noted that "[song] titles like "Strangled in the Park" only hint at the territory DeVestern is willing to tread." "Collected Sounds" worries, "Is everyone in the band okay? Do you need somebody to talk to?...I can confess to the desperate desire to be first in line for their next live show because I have to experience this music to believe it."DeVestern has been on the cover of Good Times (“The Reincarnation of Janis?”), and appeared in Billboard, Seventeen, CosmoGIRL, The New York Times, Newsday and many other prestigious publications. DeVestern's raw, bluesy vocals and unique songwriting have won her and the band opening slots for such blues and rock greats as John Hammond, Jimmy Vaughan, Gov't. Mule, Son Seals, Johnny Winter, Bonnie Bramlett and Antigone Rising. Halley DeVestern Band Muscle Memory Songs | 1. | Buckle |
| 2. | Mighty Love |
| 3. | Semi Sunset |
| 4. | Danger Dancer |
| 5. | Money Ain't Time |
| 6. | Church Camp Girl |
| 7. | Oh, Cleo |
| 8. | Mercy |
| 9. | Stay Crazy |
| 10. | Walking On Diamonds |
| 11. | Light Things |
| Muscle Memory Review
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Purchase Muscle Memory CD To buy, Click on price to add to cart | Tom Waits Glitter And Doom Live CDs (2009) Digipak
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$14.38 Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, ...
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