| | Mark Knopfler Get Lucky CD Mark Knopfler Discography of CDs
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Personnel: Mark Knopfler (vocals, guitar); Michael McGoldrick (whistling, flute); Richard Bennett , Richard Rodney Bennett (guitar); John McCusker (cittern, violin); Rupert Gregson-Williams (French horn); Guy Fletcher , Matt Rollings (keyboards); Glenn Worf (upright bass, electric bass); Danny Cummings (drums). With the release of GET LUCKY, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which itself may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead singer, chief instrumentalist, and songwriter for Dire Straits, there are obvious similarities, even if he has taken a deliberately different path as a solo artist. Basically, he's a lot quieter. "Border Reiver," the first song here, begins with a pennywhistle and a piano, then strings join in. Soon enough, Knopfler's distinctive conversational baritone begins calmly intoning lyrics, and eventually there are examples of his melodic fingerpicked guitar style on both acoustic and electric guitar. He even works up to a smoldering swamp rock shuffle, a la J.J. Cale, on "Cleaning My Gun." But that's as close as he comes to really rocking out. More typical is "Hard Shoulder," a ballad that employs a twangy guitar sound and comes across as a number that Glen Campbell could have had a hit with back in his late-'60s "Wichita Lineman" heyday. The tunes support Knopfler's story-songs and musical character studies, as he describes or embodies truck drivers ("Border Reiver"), itinerant workers ("Get Lucky"), guitar makers ("Monteleone"), and sailors ("So Far from the Clyde"), among others, painting a portrait of pastoral and blue-collar life in the British Isles some time in the past. With the release of Get Lucky, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead singer, chief instrumentalist, and songwriter for Dire Straits, there are obvious similarities, even if he has taken a deliberately different path as a solo artist. Basically, he's a lot quieter. "Border Reiver," the first song here, begins with a pennywhistle and a piano, then strings join in. Soon enough, Knopfler's distinctive conversational baritone begins calmly intoning lyrics, and eventually there are examples of his melodic fingerpicked guitar style on both acoustic and electric. He even works up to a smoldering swamp rock shuffle, ŕ la J.J. Cale, on "Cleaning My Gun." But that's as close as he comes to really rocking out. More typical is "Hard Shoulder," a ballad that employs a twangy guitar sound and comes across as a number that Glen Campbell could have had a hit with back in his late-'60s "Wichita Lineman" heyday. The tunes support Knopfler's story-songs and musical character studies, as he describes or embodies truck drivers ("Border Reiver"), itinerant workers ("Get Lucky"), guitar makers ("Monteleone"), and sailors ("So Far from the Clyde"), among others, painting a portrait of pastoral and blue-collar life in the British Isles some time in the past. This Glasgow-born guitarist comes by the Celtic influence honestly, of course, but he seems to be trying to create his own pseudo-traditional repertoire of what often sound like old folk songs. That's certainly one of the things he was trying to do in Dire Straits. "Remembrance Day" here is similar in tone to Dire Straits' "Brothers in Arms," but then so is much of Knopfler's solo work; old fans still may lament that there isn't much that sounds like "Sultans of Swing" or "Money for Nothing." ~ William RuhlmannBillboard (p.28) - "The album takes sonic sojourns to the likes of Scotland and the Wild West, and the songs all seem to lock..." Q (Magazine) (p.113) - 3 stars out of 5 -- "GET LUCKY is all muted colours, bluesy licks adn hard-won wisdom, delivered with a subtlety befitting the presence of Scottish multi-instrumentalist John McCusker." Mark Knopfler Get Lucky Songs Get Lucky Review
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Purchase Get Lucky CD To buy, Click on price to add to cart | Gram Parsons Complete Reprise Sessions CDs (2006) Remastered; Boxed Set
Get Lucky
$24.29 Personnel: Gram Parsons (vocals, acoustic guitar); Gram Parsons; Barry Tashian (vocals, guitar, background vocals); Bernie Leadon (guitar, acoustic guitar, electric guitar, dobro); Al Perkins , Buddy Emmons (pedal steel ...
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| | David Gilmour About Face CD (1984) Remastered
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$7.59 Personnel: David Gilmour (vocals, guitar); Barbara Snow, Roddy Lorimer, Tim Sanders, Simon Clark (horns); Steve Winwood (piano, organ); Ian Kewley (piano, Hammond b-3 organ); Bob Ezrin (keyboards); Jon Lord, Anne Dudley (synthesizer); Pino Palladino (bass guitar); Jeff Porcaro (drums, percussion); Louis Jardin, Ray Cooper (percussion); Vicki Brown, Roy Harper, Sam Brown, Mickey Feat (background vocals). David Gilmour released his second solo venture in 1984, following the apparent dissolution of Pink Floyd. He had released a record on his own in 1978, but About Face is much more accessible. Gilmour has a stellar band backing him, including Jeff Porcaro (drums), Pino Palladino (bass), and Anne Dudley (synthesizer). The songs on About Face ...
| | David Gilmour CD (2006) Remastered
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$6.79 Personnel: David Gilmour (vocals, guitar, piano, keyboards); David Gilmour; Rick Wills (vocals, bass guitar); Mick Weaver (piano, background vocals); Willie Wilson & The Tunemasters, Willie Wilson (drums, percussion); Debbie Doss, Shirley Roden, Carlena Williams (background vocals). Recording information: Super Bear Studios, France. Photographers: David Gilmour; Vlad Vinski; Ginger Gilmour; Jill Furmanovsky. Unknown Contributor Role: Phil Taylor. By the time of David Gilmour's solo debut, he had not only established himself several times over as an underrated, powerful guitarist in Pink Floyd, but as a remarkably emotional ...
| | Mark Knopfler All The Roadrunning CD (2006)
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$14.35 Personnel: Mark Knopfler (vocals, guitar); Mark Knopfler; Richard Bennett (guitar, acoustic guitar, electric guitar, steel guitar); Dan Dugmore (acoustic guitar, pedal steel guitar, 6-string bass); Stuart Duncan (violin, fiddle); Jim Horn (horns); Guy Fletcher (piano, organ, keyboards, synthesizer); Jim Cox (piano, organ, keyboards); Glenn Worf (bass instrument); Danny Cummings (drums, tambourine); Bill Ware (triangle); Emmylou Harris (vocals, acoustic guitar); Paul Franklin (steel guitar); Glen Duncan (mandolin, fiddle); Steve Conn (accordion); The Memphis Horns (horns); Chad Cromwell (drums). Audio Mixer: ...
| | Mark Knopfler Kill To Get Crimson CD (2007)
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Kill To Get Crimson CD
Personnel: Mark Knopfler (vocals, guitar); John McCusker (cittern, violin); Chris White (flute, clarinet, saxophone); Ian Lowthian (accordion); Steve Sidwell (trumpet); Guy Fletcher (keyboards); Frank Ricotti (vibraphone); Glenn Worf (bass guitar); ...
| | Stephanie Mills Collection CD (2001) (Import) United Kingdom
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| | Claude Francois Chansons Francaises CD (2004) (Import) France
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| | Jerobeam How One Becomes What O CD (2008) (Import)
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| | Ex-Gentlemen Demo Debut CD (2009)
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| | Distorted Cognitions Incipient/Mã¸rkhet CD (2009)
Get Lucky
$8.39 Incipient/Mørkhet includes remastered tracks from Incipient/Proletariat as well as new recordings.Concepts within Incipient/Mørkhet:The Uncertainty PrincipleThe uncertainty pricnciple states that no matter how much one knows of a subject, they can never be sure that their understanding is complete. In Quantum Physics, the moreone knows about the location of a quanta the less one can know about that particle's velocity. Know matter what magnification at which a person may observe an object, one can never magnify to the end of the infitismal. Eventually at the nano-scale,nothing can be seen at all because all definition is smaller than any visiblewavelenth of light. Stephen Hawking desribes this and more in"A Brief History Of Time"Event HorizonThe event horizon is the border at the edge of a black whole. After crossing thisborder, time and space bend infinitly and causality loses all meaning. A Black hole is infinitlysmall and infinitly dense. Not even light can escape the border. This phenomenais known as a singularity. A singularity is is a border of meaning. Input from one side of the singularity can have no effect on the other side. A singularity also potentially lies at the origin of the universe.FalsificationKarl Popper solved the problem of induction with the method of falsification. One cannotpredict the future based on events of the past. This is the problem of induction, a statisticallimit that always leaves confidence to less than one-hundred percent. Falsificationcan tell us what is not true. While truth cannot be proven (and some would say doesn'texhist), that which is not true can be demonstrated. Any theory must be falsifiablein principle in order to be useful.ReplikraftThe information replicators have great power. The "Selfish Gene" view of replication and natural selection is a very powerful theory created by Richard Dawkins in his work."The Selfish Gene". Much understanding can be gained by recognizing the simplestunit of information that retains signifigance as the item upon which natural selectionoperates. Genetics is a special biological case of memetics. Memetics is the science of information replication. Before the exhistance of consciousness, genetics was likelythe only form information duplication. This process of replication eventually causes competion for recourses creating natural selection. From this process, all diversityand specialization has emerged, including life and consciousness. Now a new theatre for natural selection ...
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