| | No-Man Speak CD No-Man Discography of CDs
In an interesting artistic choice, the next full No-Man album to appear after Wild Opera was, in ways, the band's first. Originally surfacing as a self-released cassette in the late '80s, Speak was reissued in the late '90s in slightly different form. Rather than a straight re-release, Bowness re-recorded all his vocals for the songs, though the music, with only two exceptions -- "Curtain Dream" and "Night Sky, Sweet Earth" -- stayed the same as when Wilson and founder member Ben Coleman recorded it. The result is an intriguing and sometimes revelatory revisit to the band's earliest days, with Bowness able to address what he felt were some of his vocal limitations or excesses at the time. Wilson's own musical work at this point is generally much more spare and low key than the full-bodied drama and dance which would soon emerge, but he's already clearly demonstrating his ear for both performance and production. Two noteworthy covers appear -- the first, "Pink Moon," is the Nick Drake song of note, confirming Bowness' long-held love for the singer years before his end-of-century popularity. Bowness' delivery is a winner, Wilson's soft guitar plucking and reversed playing textures a fine counterpart. The other remake is a Donovan cover -- not "Colours," which would later become a key early single, but "River Song," given a sweetly haunting performance on chiming guitar and backing keyboards, Bowness' singing sure and supple. Familiar cuts from later releases surface as well. Early B-side "Iris Murdoch Cut Me Down" is already there in structure if not in total form, while the dramatic conclusion to Loveblows and Lovecries, "Heaven's Break," appears here practically the same as the final take, sheer epic loveliness incarnate, with Richard Felix's guest harmonica adding an extra touch not found on the future version. ~ Ned Raggett
2009 reissue of this album from the British duo featuring multi-instrumentalist Steven Wilson (Porcupine Tree). Originally recorded in the late '80s when, as Wilson points out, they had no 'record deal, audience or idea where we were going'. Speak was originally put out by Wilson and vocalist Tim Bowness themselves as a cassette-only release. They returned to the album in the late '90s, at which point they re-recorded some of the parts of the album, replacing those recorded on the most primitive of equipment, without losing the spirit or beauty of the original recordings. K-Scope.
Recording information: 1988-1989.
Photographer: Carl Glover.
Personnel: Tim Bowness (vocals, guitar); Ben Coleman (violin); Felix Richard (cello, harmonica); Steven Wilson (background vocals).
Liner Note Authors: Steven Wilson; Tim Bowness.
No-Man Speak Songs | 1. | Speak |
| 2. | Pink Moon |
| 3. | Iris Murdoch Cut Me Down |
| 4. | Curtain Dream |
| 5. | Heaven's Break |
| 6. | French Tree Terror Suspect |
| 7. | River Song |
| 8. | Riverrun |
| 9. | Ballet Beast, The |
| 10. | Night Sky Sweet Earth |
| 11. | Life with Picasso |
| 12. | Death and Dodgson's Dreamchild |
| 13. | Hidden Art of Man Ray, The |
| Speak Review
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Purchase Speak CD To buy, Click on price to add to cart | John Mayer Battle Studies CD (2009)
Speak album
$11.18 It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant "Half of My Heart," the softly soulful "Perfectly Lonely." Here, ...
| | Tom Petty Live Anthology CDs (2009)
Speak CD music
$19.34 It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates for the long wait by offering almost too much music, cherrypicking highlights from 1978 to 2007. In its simplest incarnation, Live Anthology is a super-affordable, four-disc box set running 48 tracks, which is eight cuts longer than Springsteen's box, plenty long enough for most fans, but in its deluxe version, available only through Best Buy, there's an additional CD, plus two previously unreleased DVDs -- a 1978 New Years Eve concert from Santa Monica, a documentary called 400 Days ...
| | Procol Harum Exotic Birds & Fruit CD (1974) Bonus Tracks; Remastered
Speak music CDs
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| | Lou Reed New Sensations CD (1984) Reissue; Remastered
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$11.18 Lou Reed never struck anyone as one of the happiest guys in rock & roll, so some fans were taken aback when his 1984 album New Sensations kicked off with "I Love You, Suzanne," a catchy up-tempo rocker that sounded a lot like a pop tune. After reaffirming his status as one of rock's greatest poets with The Blue Mask and Legendary Hearts, what was Reed doing here? Lou was having a great time, and his pleasure was infectious -- New Sensations is a set of straight-ahead rock & roll that ranks with the most purely enjoyable albums of Lou's career. Reed opted not to work with guitarist Robert Quine this time out, instead overdubbing rhythm lines over his own leads, and if the guitars don't cut quite as deep, they're still wiry and in the pocket throughout, and the rhythm section of Fernando Saunders and Fred Maher rocks hard with a tough, sinewy groove. And ...
| | Foo Fighters Greatest Hits CD (2009)
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| | Peter Cox CD (2003)
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| | Atmosfear Inside The Atmosphere CD (2004)
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| | Scorcher What A Bam Bam CD (2007)
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| | Los Panchos - Greatest Hits CD (2005)
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| | Koerner & Glover Live @ The 400 Bar CD (2009)
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| | P Paul Fenech The Disease CD (2009) (Import)
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| | Stone Carpet Eee CD (2009)
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| | Jello Biafra & The Guantanamo S Audacity Of Hype CD (2009)
Speak CD music
$10.99 Musically, this album is surprisingly solid. Career provocateur Jello Biafra has assembled a hell of a band behind him, including Faith No More bassist Billy Gould, guitarists Ralph Spight and Kimo Ball, and drummer Jon Weiss. These songs are punk in the acid-fried spirit of riff-heavy acts like Radio Birdman, the MC5, and the Stooges, not Green Day or blink-182. Indeed, songs like "New Feudalism" and "Clean as a Thistle" have more raw power than Iggy & co. were able to muster on the legacy-poisoning The Weirdness. The big problem, of course, remains Biafra himself. His voice is an astonishingly polarizing instrument; for every person who finds his high-pitched barks and ululations captivating, five more run from the room. And it's not just how he says it, it's what he says, too. Some of what he's talking about on this album, like the description of an increasingly high-pressure and low-reward corporate workplace on "Electronic Plantation," is trenchant and could spark real thought in the listener. The same is true of "Three Strikes," which tackles the War on Drugs and the prison industry. But other songs, like "The Terror of Tiny Town" and "Clean as a Thistle," are jabs at the Bush administration and right-wing sexual hypocrisy, released a year after the Bushes left office and the major Republican Party's sexual scandals broke and ...
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