| | Nextmen Join The Dots CD Nextmen Discography of CDs
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Our Price: $11.99  CDFor Sale Usually ships in 1-2 days
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2009 follow up to the critically acclaimed 2007 album 'This Was Supposed To Be The Future'. 11 tracks.
Audio Mixers: Alan Mawdsley; The Nextmen.
Arranger: The Nextmen. Nextmen Join The Dots Songs Join The Dots Review
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Purchase Join The Dots CD To buy, Click on price to add to cart | Black Eyed Peas E.N.D. (The Energy Never Dies) CD (2009)
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| | Mojo Nixon Horny Holidays! CD (1992)
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Mojo Nixon And The Toad Liquors: Mojo "Know It All" Nixon (vocals, guitar); Pete "Wet Dawg" Gordon (vocals, piano); Sean "New Guy" McCarthy (vocals, bass); Mike "Wid" Middleton (vocals, drums).
A near perfect mixture of the not-so-sacred ...
| | Vedran Smailovic Sarajevo To Belfast CD (1999)
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Built on the common experience of tragedy, Tommy Sands (from Northern Ireland) and cellist Vedran Smailovic (from Sarajevo) have been performing together for a few years, culminating in this album. While the theme is tragedy and the recovery from it in both regions of discord, the focus is pretty clearly on the atrocities in Sarajevo. Smailovic is the primary composer of pieces here, though there are numbers from Sands, Pete Seeger, and various traditional and classical works as well. The tone is largely a mournful one, as one would expect, though there are notes of hope built in now and then. The album opens on "Ode to Sarajevo," a chorus piece (which includes Joan Baez); "Bembasa" is built from an old Sephardic work; and Seeger's "Where Have All the Flowers Gone" closes out the opening trio. A waltz that was once played before Archduke Ferdinand's assassination in Sarajevo (opening World War I) returns the focus to Sarejevo, followed by an Albinoni piece played by Smailovic after the bread-line massacre of 1992. Seeger joins in on Music of Healing (surprisingly, not on "Where Have All the Flowers Gone"), working well in combination with Sands. Bosfor is an old Bosnian tune, "Child of 2000" was an early collaboration between the two stars of the album, and "Dilber" returns to the Bosnian theme again. The album finishes on the duo of "Buskers" (written by Sands' brother in tribute to Smailovic before any meetings) and "Laganside," an old Irish love march. The two cultures rarely combine within the structure of a single song here, but instead the styles can change from one to the other relatively seamlessly as tracks switch. The performers are all worth hearing here, and the music is properly nostalgic and heartfelt. The only dry spots involve the use of an electric cello in a couple attempts to update the music a bit for contemporary audiences. Luckily those are rather rare, and the bulk of the album is a wonderful tribute to those lost in civilian attacks and to hope for the future. This is musically excellent and culturally relevant. ~ Adam Greenberg
"Sarajevo/Belfast" brings together two incredible musicians from countries rent by deadly internal strife. Singer Tommy Sands grew up amidst the devastating "troubles" in Northern Ireland, and cellist Vedran Smailovic was a resident of Bosnia, which suffered direly from the fragmentation of the former Yugoslavia into separate warring territories.The violence and pain these men witnessed and experienced has been transmuted into a compelling swirl of world, classical and folk music on this CD, which contains many songs serving as pleas for peace in these and other war-torn lands. Pete Seeger's "Where Have All the Flowers Gone," with vocals by Sands, fellow Irish singer Delores Keane, and a chorus of Catholic and Protestant children, was played outside the peace negotiations ...
| | Paper & The Plane A Year, Two Months, Sixteen Days & Counting CD (2008)
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The Paper & The Plane is a five-piece band from Brisbane, Australia. Since starting in 2006, they have brought an explosive live show to the local scene and have been consistently turning heads and drawing support as one of Australia's best emerging bands. 'The paper & the plane are one of Australia's wicked bands.' Behind Crimson EyesIt is difficult to categorise their sound as it stems from a variety of influences. Musically, bands such as The Appleseed Cast, At the Drive-in and Mineral are drawn from, and this is combined with vocal influences ranging from Circa Survive, Benton Falls to Mars Volta. This culmination of delay driven rock and soaring vocal melodies, wrapped in an energetic and passionate live show is a unique musical experience. 'Astounding vocal range, captivating and memorable. ' Rave Magazine Last March saw the independent release of the three-track ep aptly titled, 'an introduction. ' Taken from recordings done the year before in a one-day session, the self-produced release is a fusion of clean mournful melodies, masterful song crafting and rhythm of infinite momentum. In one year, one thousand units were independently distributed, which is no ...
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| | Strawbs Dancing To The Devil's Beat CD (2009) (Import) Netherlands
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Few bands from the classic rock era that had some commercial success, yet never attained true stardom, have maintained such a steady release schedule in the 21st century as the Strawbs have. About 40 years on from the release of their debut, Dancing to the Devil's Beat finds them still at it, with a lineup in which all but one of the members served with the group back in its heyday. It would be quite unusual for a band with such a long career to be making major stylistic departures at this point, and the record has the kind of bittersweet, somber, narrative songs for which ...
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