| | A R E Weapons Are Weapons CD - Import A R E Weapons Discography of CDs
Originally Release '03 , Debut album from the NY Hardcore electro rock group & their only one featuring the late guitarist Ryan Noel , produced by Marc Waterman ( Ash , Elastica ) A R E Weapons Are Weapons Songs | 1. | Don't Be Scared |
| 2. | Strange Dust |
| 3. | Changes |
| 4. | A.R.E. Weapons |
| 5. | Fuck You Pay Me |
| 6. | Headbanger Face |
| 7. | Bad News |
| 8. | Black Mercedes |
| 9. | Street Gang |
| 10. | Hey World |
| Are Weapons Review
GuidelinesRemember to focus your comments on A R E Weapons Are Weapons CD - Import. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Are Weapons CD To buy, Click on price to add to cart | Rod Stewart Never A Dull Moment CD (1972) Gold
Are Weapons album
$19.10 NEVER A DULL MOMENT picks up where EVERY PICTURE TELLS A STORY left off. Here we have more raucous rock & roll with healthy dollops of soul and twang thrown in for good measure. Always looking for a good songwriter to cover, Stewart's honorees here include Jimi Hendrix ("Angel"), Dylan ("Mama You Been On My Mind"), and Rod's personal hero, Sam Cooke ("Twistin' The Night Away"). Sidling up nicely next to these heartfelt interpretations are some of Stewart's finest original songs. Teaming with spiritual brother Ron Wood, Stewart offers up the cheeky "Italian Girls" and "True Blue," a track ...
| | Sting If On A Winter's Night... CDs (2009) Digipak
Are Weapons CD music
$14.19 It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is a serious endeavor, thank you. No niceties for ...
| | Tom Waits Glitter And Doom Live CDs (2009) Digipak
Are Weapons music CDs
$13.84 Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, there are completely re-visioned ...
| | Transatlantic The Whirlwind CDs (2009)
Are Weapons songs
$18.79
| | Daughtry Leave This Town CD (2009)
Are Weapons album
$12.99 When he was recording his debut album in 2006, Chris Daughtry didn't have the time to assemble the real rock band he so desperately wanted to have, so it appeared under the band name Daughtry without featuring any of the musicians who later became part of the group. That's not the case with LEAVE THIS TOWN, Daughtry's second record: all five members are glowering on the album cover, floating like specters over an abandoned Californian street. The five rockers serve as visual evidence that Daughtry is a band, not a person, and such reminders may be necessary because LEAVE THIS TOWN doesn't differ much in feel or form from DAUGHTRY. Overall, LEAVE THIS TOWN isn't quite as studio slick as DAUGHTRY, which was fueled by Chris Daughtry's desire prove that he belonged in the big leagues; here, he's achieved that goal and he's happy to stay there as long as possible, giving the people what they want in the form of furrow-browed rockers and brooding power ballads, all saved from their self-conscious sobriety by arena-level hooks, hooks that come from Daughtry and a variety ...
| | Elvis Presley Elvis Christmas CD (2006)
Are Weapons CD music
$9.39
| | Cinco Jotas Todos Los Caminos Conducen CD (2004) (Import) Spain
Are Weapons music CDs
$24.95
| | Fact Not Fiction Conversations With Eyes Closed CD (2006)
Are Weapons songs
$12.69 Fact Not Fiction was the debut band of Zeke Sayer and his high school friends in 2006. The band released 2 studio albums, self recorded ; Conversations (06) A Corporate Calling (07) before disbanding in April of 2008. This album was recorded at home in spring/summer of 2006 in a 1950's mobile home behind the Sayer's house. It bleeds out with the cry of a ...
| | Sylvester Original Hits CD (2009) (Import)
Are Weapons album
$14.45
| | Lips City Streets CD (2009)
Are Weapons CD music
$7.15
| | Honeybody Moonbee CD (2009)
Are Weapons music CDs
$7.99
| | White Mice Ganjahovahdose CD (2009)
Are Weapons songs
$8.39 White Mice seemed to get more explicitly metal with each release over the years, so perhaps no surprise that they ended up with an album on the 20 Buck Spin label in 2009 -- and less of a surprise that it was an explosive, angry and righteous mess. With offensive song titles that redefine the idea of a lethal pun -- samples include "Placenta the Crotchtower" and "The Shroud of Urine" -- it's little surprise that Ganjahovadose is out to find some way to shock, but at the same time there's a sense of ridiculous humor clearly at work here too. Perhaps it's not surprising in a time where sonic ugliness in and of itself is simply not an intrinsic signifier of potential worth as such -- there are thousands upon thousands of homemade CDRs alone that demonstrate otherwise -- but White Mice find their way to catchy antiriffs that emphasize tight grooves even when roared and echoed vocals slur all over them. The title track isn't exactly, say, the Pop Group, but might be nearer than some out there, a kind of heavy flow that feels both fast and queasily ...
|
|
|