| | Buckcherry Live & Loud 2009 CD Buckcherry Discography of CDs
(1 Customer Review)
Audio Mixers: Jun Murakawa; Keith Nelson. Photographer: Stevie D. When Buckcherry hit the scene in the mid-'90s, few would have predicted that the raunchy, stripper pole/retro-hair metal outfit had a 15-year career ahead of it, let alone a Grammy nomination. Despite the nearly complete dissolution of the band in 2002, Buckcherry managed to embrace the subversive tenacity of chief inspiration Mötley Crüe by ignoring the naysayers and keeping the train running with a pair of well-received albums that successfully rebooted them back into the biz. Like their studio albums, LIVE & LOUD 2009 doesn't bring anything new to the genre, but the band's juvenile, infectious choruses ("Crazy Bitch," "Lit Up"), boundless energy, and occasionally sloppy execution prove that while they may not have invented the "Sunset Strip bad boy" image, they certainly know how to revel in it. When Buckcherry hit the scene in the mid-'90s, few would have predicted that the raunchy, stripper pole/retro-hair metal outfit had a 15-year career ahead of it, let alone a Grammy nomination. Despite the nearly complete dissolution of the band in 2002, Buckcherry managed to embrace the subversive tenacity of chief inspiration Mötley Crüe by ignoring the naysayers and keeping the train running with a pair of well-received albums that successfully rebooted them back into the biz. Like their studio albums, Live & Loud 2009 doesn't bring anything new to the genre, but the band's juvenile, infectious choruses ("Crazy Bitch," "Lit Up"), boundless energy, and occasionally sloppy execution prove that while they may not have invented the "Sunset Strip bad boy" image, they certainly know how to revel in it. ~ James Christopher Monger Buckcherry Live & Loud 2009 Songs Live & Loud 2009 Music Review Purchase Live & Loud 2009 CD To buy, Click on price to add to cart | Peter Gabriel Plays Live CDs (1983) Remastered
Live & Loud 2009
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| | Bob Dylan Slow Train Coming CD (2009) (Import) Blu-Spec CD
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| | Lou Reed Transformer CD (1972) (Import) Special Edition; United Kingdom
Live & Loud 2009
$17.55 David Bowie has never been shy about acknowledging his influences, and since the boho decadence and sexual ambiguity of the Velvet Underground's music had a major impact on Bowie's work, it was only fitting that as Ziggy Stardust mania was reaching its peak, Bowie would offer Lou Reed some much needed help with his career, which was stuck in neutral after his first solo album came and went. Musically, Reed's work didn't have too much in common with the sonic bombast of the glam scene, but at least it was a place where his eccentricities could find a comfortable home, and on Transformer Bowie and his right-hand man, Mick Ronson, crafted a new sound for Reed that was better fitting (and more commercially astute) than the ambivalent tone of his first solo album. Ronson adds some guitar raunch to "Vicious" and "Hangin' Round" that's a lot flashier than what Reed cranked out with the Velvets, but still honors Lou's strengths in guitar-driven hard rock, while the imaginative arrangements Ronson cooked up for "Perfect Day," "Walk on the Wild Side," and "Goodnight Ladies" blend pop polish with musical thinking just as distinctive as Reed's lyrical conceits. And while Reed occasionally overplays his hand in writing stuff he figured the glam kids wanted ("Make Up" and "I'm So Free" being the most obvious examples), "Perfect Day," "Walk on the Wild Side," and "New York Telephone Conversation" proved he could still write about the demimonde with both perception and respect. The sound and style of Transformer would in many ways define ...
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