| | Mayday Parade Anywhere But Here CD Mayday Parade Discography of CDs
 (1 Customer Review)
Released two years after the departure of founding member Jason Lancaster, ANYWHERE BUT HERE is Mayday Parade's first album for a major label. Lancaster wrote the bulk of the band's debut--the very album that helped secure Mayday Parade's contract with Atlantic--but his former bandmates prove to be capable songwriters in their own right, as ANYWHERE BUT HERE wields a radio-ready mix of emo anthems and sensitive ballads. David Bendeth, a hyper-prolific producer who rarely works with bands outside of the emo/punk realm, lends his signature polish to the effort, resulting in an album that's both familiar and marketable.
Audio Mixers: Dan Korneff; David Bendeth.
Arrangers: Mayday Parade; David Bendeth. Anywhere But Here Music | List Price | $13.98 (You save $2.23) | | Category | Rock/Pop Albums, Alternative CDs, Rock | | Label | Atlantic | | Orig Year | 2009 | | All Time Sales Rank |  108134  | | CD Universe Part number | 7996565 | | Catalog number | 521114 | | Discs | 1 | | Release Date | Oct 06, 2009 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | David Bendeth | | Engineer | Dan Korneff; Kato Khandwala; John Bender |
Mayday Parade Anywhere But Here Songs Anywhere But Here Music Review Purchase Anywhere But Here CD To buy, Click on price to add to cart | Go Team Thunder, Lightning, Strike CD (2004) Bonus Tracks
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Boys Like Girls' self-titled debut album was an unexpected success, eventually going gold. Devoid of any hit singles, the album seemed to catch on because it was a perfect ...
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| | Valerie Carter Way It Is CD (1996) (Import) Bonus Track; Japan; Germany
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After a long absence from solo work, Valerie Carter released "The Way It Is" in 1996. Following the pattern of her debut, it featured a fine selection of songs and a fine array of guest performers. The years since her previous album, Wild Child, had been spent doing much session work with a variety of artists, keeping her voice in good form. It was interesting to hear her take on songs such as Neil Young's "Birds" and Van Morrison's "Into the Mystic," and it was especially nice to hear her version of "Love Needs a Heart," a song she had co-written with Jackson Browne and Lowell George and which originally appeared on Browne's 1977 album Running on Empty. The funked-up blues-rock of "Who Is She" was a duet with Lyle Lovett, who had long admired her work. ~ Rob Caldwell
After a long absence from solo work, Valerie Carter released "The Way It Is" in 1996. Following the pattern of her debut, it featured a fine selection of songs and a fine array of guest performers. The years since her previous album, Wild Child, had been spent doing much session work with a variety of artists, keeping her voice in good form. It was interesting to hear her take on songs such as Neil Young's "Birds" and Van Morrison's "Into the Mystic," and it was especially nice to hear her version of "Love Needs a Heart," a song she had co-written with Jackson Browne and Lowell George and which originally ...
| | Ultimate Yes: The 35th Anniversary Collection CD (2004)
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Recorded between 1969 & 2003. Includes liner notes by Chris Welch.
Yes' second (and least successful) album was a transitional effort; the group trying for a more produced and sophisticated sound through the use of an orchestra -- the use of orchestra was apparently Jon Anderson's idea, and the rest of the group, except for Peter Banks, went along with it, as did producer Tony Colton, a member of Head Hands & Feet and a friend of Anderson's. Even so, the results weren't conventional, because the group didn't tone down or turn down its sound. Much of Time and a Word relies on bold, highly animated performances by Bill Bruford, Chris Squire (whose bass is very audible throughout), and Tony Kaye. Additionally, by this time the group was developing a much tauter ensemble than was evident on their first LP, so there's no lack of visceral excitement here, though a lot of the sound is still unfocused. "No Opportunity Necessary, No Experience Needed" was a bold opening, a highly amplified, frenzied adaptation of the Richie Havens song, melded with Jerome Moross's title music from the movie The Big Country. Somewhat more successful musically is "Then," which keeps the orchestral accompaniment to a minimum and allows Kaye and Banks to stretch out on organ and guitar. "Everydays" is highlighted by Anderson's ethereal vocals and Kaye's dueting with the orchestra -- it also features a few guitar sounds that anticipate some of Banks's work on his first solo album, The Two Sides of Peter Banks, as well as his quotation of Johann Sebastian Bach on electric guitar. A surprising amount of the material here seems rather tuneless, but the group was solidifying its sound and, in the process, forcing Banks out of the lineup, despite some beautiful moments for him (and Tony Kaye) on the prettiest parts of "The Prophet," a piece that also contains fragments of music that anticipate Yes' work right up through Tales from Topographic Oceans. "Astral Traveller," as a title anticipates, the themes of future group work, though they still don't have the dexterity to pull off the tempo changes or the brittle mix of sound they're trying for. By the time the record was completed, Banks was out of the band, which is why Steve Howe, his successor, ended up pictured on the cover of most editions. The 1997 remastering does make the orchestral accompaniments work better than they did on the original LP. ~ Bruce Eder
Yes's second album is the last to feature original guitarist Peter Banks, and also the last to adhere to the debut's tendency ...
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