| | Wilson Pickett Don't Knock My Love CD Wilson Pickett Discography of CDs
His final definitive Atlantic session. The title track was vintage Pickett -- a driving, syncopated bass and surging horn arrangement punctuated by his aggressive, spiraling lead and concluding with a robust shout and defiant exhortation. That set the stage for some sharp ballads and a couple of other nice uptempo cuts. "Don't Knock My Love, Part 1" was Pickett's last number one R&B hit and a Top 20 pop smash. He left Atlantic shortly after the album peaked on the charts, returning to RCA and never enjoying similar success again
Liner Note Author: Gene Sculatti.
Personnel: Dennis Coffee, Tippy Armstrong (guitar); Andrew Love (horns); Dave Crawford (keyboards); Roger Hawkins (drums); Eddy Brown (congas); Jack Ashford (percussion).
Audio Remixers: Tom Dowd; Brad Shapiro.
Don't Knock My Love Music Wilson Pickett Don't Knock My Love Songs Don't Knock My Love Review
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Purchase Don't Knock My Love CD To buy, Click on price to add to cart | Johnny Otis 1945-1947 CD (2002)
Don't Knock My Love album
$18.05 Growing up among Afro-Americans in Berkeley, CA, Greek-American Johnny Otis (born John Veliotes) always identified strongly with people of color. Before he had attained the age of 20 he was gigging with black jazz bands throughout the Southwest, and eventually organized an ensemble deliberately patterned after Count Basie's orchestra. This highly charged album of historical musical artifacts documents the very beginning of Johnny Otis' recording career. With one apparently unobtainable exception, the Classics Blues & Rhythm Series has assembled all of Otis' Excelsior recordings, made in Los Angeles between 1945 and 1947. This provides ...
| | Philly Steps: Phila-La Of Soul & Arctic Records Remixed Hits CD (2004)
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$12.89 Jamie/Guyden Dist. Co. celebrates its 50th anniversary by celebrating the artists and musicians of its past with contemporary remixes by Paul Simpson and Tom Moulton of the labels' classic hits like "Yes, I'm Ready" by Barbara Mason ...
| | J J Jackson But It's Alright CD (1967)
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$9.95 Soul belter J.J. Jackson is best known for his 1967 smash, "But It's Alright," but he has some fine singles and a couple of excellent albums as well, and 1967's But It's Alright on the Calla label is one of them. Kicking off with the infectious title track, the record alternates between flat-out rockers like "I Dig Girls," "Come See Me (I'm Your Man)" (which was written by Jackson, covered ...
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| | B B King Mr. Blues/Confessin' The Blues CD (2005) (Import) Remastered; United Kingdom
Don't Knock My Love album
$18.79 This CD contains B.B. King's first ABC-Paramount studio efforts -- Mr. Blues (1962) and Confessin' the Blues (1965), respectively. While there are inevitable similarities between the projects, offering them back-to-back allows listeners an acute sense of King's rapid maturation and development during what was by all accounts the nexus of the guitarist/vocalist's career. The dozen-song Mr. Blues was a haphazard start for King with the contents taken from three different recording sessions in a 13-month period (March 1, 1962 through April 11, 1963). Based on the results, the artist was being presented as a blues shouter, supported by an antiquated big band and/or orchestra. Arguably the best of the lot comes from the Maxwell Davis led ensemble on the first of several Big Joe Turner tunes, the Ahmet Ertegun penned "Chains of ...
| | Gants Introducing... CD (2005)
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$11.59 Sundazed's 2006 release Introducing the Gants rounds up 16 rarities that the Southern garage rock band recorded between 1965 and 1967. Apart from the opening pair of "Another Chance" and "What's Your Name" -- the A- and B-sides, respectively, of a single they released on Statue in 1967 -- this is all previously unreleased material, including the first recording sessions at Sam Phillips' recording studio in 1965. The mere existence of so much unreleased material is rather remarkable considering that the Gants' albums proper often seemed padded with covers, but Introducing is actually more interesting than those to a certain extent, since it is the strongest proof of the group's heavy debt to British Invasion pop. There are covers here too, but they're balanced with ...
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