| | Atlas Sound Logos CD Atlas Sound Discography of CDs
Photographer: Bradford Cox. Bradford Cox was a virtual song machine during the time between Deerhunter's CRYPTOGRAMS and the Atlas Sound's LOGOS, churning out officially released material as well as plenty of songs only available on his blog. Over that span of time, he became a finer and more fluid songwriter, and his music emerged from the experimental fog of his earlier work just enough to give listeners tantalizing glimpses of almost ridiculously catchy songs. LOGOS keeps this push-pull between challenging and charming, yet Cox's second solo album still feels more experimental than Deerhunter, if only because he seems completely unfettered by any kind of rules or concerns about consistency. These songs barely sound like each other, yet they all sound like Cox. LOGOS comes into focus slowly with its first three songs. "The Light That Failed"'s hazy atmospheres slip effortlessly into "An Orchid"'s spectral recall of MICROCASTLE's psych-pop, but it's "Walkabout," Cox's irresistibly sunny collaboration with Animal Collective and Panda Bear's Noah Lennox, that announces that the album has truly arrived--it's as sudden, and satisfying, as tuning in a perfect pop song from radio static. From there, the album hops from sound to sound, ranging from acoustic rambles like "Criminals" to glitchy confections like the kaleidoscopic "Washington School." However, LOGOS' most striking moment is "Quick Canal." Stereolab's Laetitia Sadier lends her instantly recognizable vocals, which pile atop spiralling electronics that stretch for nine minutes, yet somehow feel much shorter than that. And while the album is more abstract than most of Cox's work with Deerhunter, it still favors his subversive pop side far more than his first Atlas Sound album, the insular laptop collages of LET THE BLIND LEAD THOSE WHO CAN SEE BUT CANNOT FEEL. The sugary innocence of '50s and '60s pop remains a major influence here, especially on "Sheila," which boasts a chorus ("we'll die alone together") that is equally sweet and unsettling. Even though LOGOS isn't as polished sounding as some of Cox's other releases, it's still captivating in its relatively raw state. These songs are nearly as wide-ranging and comprehensive as an actual atlas, but Cox keeps charting new territory.Spin (p.74) - "Cox leans toward the beautifully disorganized, dunking Syd Barrett underwater on 'The Light That Failed'..." Alternative Press (p.106) - 3.5 stars out of 5 -- "Positivity reaches an unprecedented high on `Walkabout,' featuring vocals by Animal Collective's Noah `Panda Bear' Lennox." CMJ - "LOGOS shows there's more to this artist than anguish." Logos Review
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Purchase Logos CD To buy, Click on price to add to cart | Yo La Tengo I Am Not Afraid Of You And I Will Beat Your Ass CD (2006)
Logos
$9.95 Yo La Tengo: Georgia Hubley, Ira Kaplan, James McNew. Additional personnel: Roger Moutenot (acoustic guitar); David Mansfield (violin); Garo Yellin (cello); Jim Hoke (saxophone); Steven Herrman (trumpet); Bill Huber (trombone). With 2006's cheekily titled I AM NOT AFRAID OF YOU AND I WILL BEAT YOUR ASS, the beloved indie-rock trio Yo La Tengo presents a dynamic set of songs that echo the band's past, while notably downplaying the soporific atmospherics of preceding discs (the lauded AND THEN NOTHING and SUMMER SUN). The New Jersey-based group opens with "Pass the Hatchet, I Think I'm Goodkind," a feedback-drenched guitar workout anchored by pulsing, insistent rhythms, which is followed by the jaunty "Beanbag Chair," a charming ...
| | Cannabis Corpse Blunted At Birth CD (2007)
Logos
$11.39
| | Fire Engines Hungry Beat CD (2007)
Logos
$12.55 Personnel: Karen Brown (vocals); Murray Slade (guitar); Stephen Lironi (drums); Tom Dean Burn (background vocals). Liner Note Authors: Bob Last; Innes ...
| | Atlas Sound Let The Blind Lead Those Who Can See But Cannot Feel CD (2008)
Logos
$11.89 Much has been made of Deerhunter frontman/Atlas Sound mastermind Bradford Cox's struggles with Marfan Syndrome--perhaps because it's easy to imagine such a chronic condition encouraging the kind of psychedelic bedroom-pop experiments that predominate on LET THE BLIND LEAD. There's a subtle menace to the record that vaguely recalls latter-day Radiohead, and suggests that Cox may be sifting through some struggles of his own, yet that trouble never overtakes the disarming beauty that bursts through these noisy cuts. Cox's vocals are generally overdubbed into incomprehensible, mantra-muttering oblivion, melting into his music and adding an equally beguiling organic layer to the artificially constructed sonic mania that is Atlas Sound. LET THE BLIND LEAD, if nothing else, makes a case for less time spent on the road and more locked in one's room with solitary side projects. Atlas Sound may be Bradford Cox's solo project, but it's clear after just one listen that there's not much that separates Let the Blind Lead Those Who Can ...
| | Crystal Stilts Alight Of Night CD (2008)
Logos
$11.45 The members of Brooklyn's Crystal Stilts are steeped in all manner of subcultural lore, taking bits and pieces from surf-noise pioneers like Jesus And Mary Chain, original art-punks the Velvet Underground, psychobilly forebears the Gun Club, and the original New Wave days of Rough Trade and Factory Records. Brad Hargett's vocals will inevitably draw comparisons with Ian Curtis, but ALIGHT OF NIGHT is no Joy Division emulator. With distantly ringing guitars, chiming percussion, and the occasional addition of organ and harmonica lending depth to their raw foundation, Crystal Stilts have created a potent atmosphere out of stark minimalism. On Crystal Stilts' first full-length album, Alight of Night, the bandmembers aren't afraid to rely heavily on their obvious influences. On display for all to hear are the reverbed darkness of the early Jesus and Mary Chain, the twee punk energy of the Shop Assistants, the classic autumnal songcraft of Black Tambourine, and the raw and ragged production values of a hundred bands from the Seeds to Green on Red to Boyracer. Throw in some Velvet Underground (you have to when you have a female drummer who plays standing, right?), ...
| | Jay Reatard Watch Me Fall CD (2009) Digipak
Logos
$12.75 Jay Reatard opens his second full-length, WATCH ME FALL, with a classic bit of Buzzcocks-style frantic, sexually pent-up punk pop. The record continues on the same pepped-up, neurotic pace, supremely self-flagellating, deliriously confused, reverent, often nostalgic, yet, oddly, wholly of its time; essentially everything that made Reatard one of the more exciting indie artists of the late-'00s. And that's not to say the record is anywhere near one-note: WATCH ME FALL veers from classic `70s punk to jagged-deconstructionist Devo-esque concoctions to Brit pop of more recent vintage to post-rock guitar fuzz. Nobody could accuse Jay Reatard of taking it easy. Just a year after releasing a new single nearly every month (compiled on Matador Singles '08), he's back with his first full-length album for Matador, Watch Me Fall. No one could level the charge that his prolific nature lends itself to putting out inferior material, either. Watch Me Fall stands shoulder to shoulder with Reatard's best work and keeps him firmly entrenched as the figurehead of the lo-fi noise pop sound of the late 2000s. The album is full of the kind of twitchy, ...
| | Graham Gorrie Mark On The Stage CD (2009)
Logos
$16.45
| | Frankie Goes To Holl Welcome To The Pleasuredome CD (2009) (Import) Import
Logos
$13.99
| | Dance Nation Vol. 2-Dance Nation CD (2009) (Import)
Logos For Sale Pre-Order Now! Available: Tuesday, November 24, 2009
$32.85
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