| | Istvan Kertesz Conducts Bruckner Symphony No. 4 CD Beethoven / Bruckner / Kertesz CDS
Istvan Kertesz Conducts Bruckner Symphony No. 4 Music | List Price | $17.98 (You save $3.60) | | Label | BBC Music | | All Time Sales Rank |  63217  | | CD Universe Part number | 8002516 | | Catalog number | 4264 | | Discs | 1 | | Release Date | New Istvan Kertesz Conducts Bruckner Symphony No. 4 CD release date Nov 25, 2009 |
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This disc is Volume 1 of the Complete Schubert Sonatas, played by the American pianist Diane Walsh. The present disc contains the Sonata in A minor, D. 845 (Op. 42) and the Sonata in D major, D. 850 (Op. 53). Both sonatas were composed in 1825 during a particularly happy and productive period in Schubert\'s life, when he was enjoying a respite from the bad health that plagued him throughout most of his adulthood. Schubert was also fortunate to have generous friends who came through for him (since he was often penniless) with invitations to the countryside or offers to pay his cafe bills or share apartments. In May of 1825, when the A-minor Sonata was written, Schubert had the use of his friend Wilhelm August Rieder\'s piano in Vienna. By pre-arranged signal, if the curtains of the piano room were open, Schubert was welcome to come in to compose. The A-minor Sonata\'s first movement has a martial character which is softened by a questioning opening theme and lighter dance-like interludes. The second movement is a lovely set of variations in C major, and the third is a nervously darting scherzo, with Beethovenian syncopated accents. The Rondo finale’s theme begins with an obsessive perpetual motion figure, which, after some lyrical digressions, also becomes the work’s exciting conclusion.The D-major Sonata was written a few months later, in Bad Gastein, a spa town where Schubert spent the month of August. (During this period he also began work on the C Major \"Great\" Symphony, D. 944.) Joyous and rambunctious, the first movement seems to exult in its own virtuosity, with ringing opening chords and brilliant scale passages that chase each other up and down the keyboard. The second movement begins as an oasis of serenity, and Schubert\'s spacious, lengthy phrases and shifting harmonies create a timeless, dream-like world in which there is no hurry to reach the end. The third movement scherzo returns to the vigor of the first, and the final movement begins with a simple, child-like song, with a skipping melody line and an accompaniment in the bass like the ticking of a clock.Copyright Diane Walsh - 2008Pianist DIANE WALSH, whose many awards over a 35-year international career include the top prizes at the Munich International Piano Competition and the Salzburg International Mozart Competition, regularly performs solo recitals, chamber music and concertos worldwide. She has appeared with the radio symphonies of Munich, Frankfurt, Stuttgart and Berlin, the American Symphony and the symphonies of San Francisco, Indianapolis, Austin, Delaware and Syracuse. Her solo recitals include engagements at the Metropolitan Museum, Merkin Concert Hall, the 92nd Street Y and the Miller Theatre in New York City; the Kennedy Center in Washington, Orchestra Hall in Chicago, Wigmore ...
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