| | Ricardo Castillon Siempre En Mi Mente CD Ricardo Castillon Discography of CDs
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Recording information: RC Studios, La Pryor, TX; Reel Tracks Studio, San Antonio, TX.
Arranger: Brando Mireles.
Personnel: Eddie "Scarlito" Perez, Eddie Perez (electric guitar, bass guitar); Miguel Hernandez (electric guitar); Homero Esquivel (accordion); Brando Mireles (keyboards); Richard "Scar" Lopez (bass guitar); Edward Hernandez, Adrian Regalado (drums).
Audio Mixer: Ricardo Castillón.
Siempre En Mi Mente Music Ricardo Castillon Siempre En Mi Mente Songs Siempre En Mi Mente Review
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2009 reissue of the 1971 ...
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When Blossom Toes' sole two LPs were known only by a small cult of late-'60s British psychedelic rock collectors, whoever would have guessed that well over two additional albums of material would eventually gain official release? Yet that's what Sunbeam has done by adding a wealth of bonus cuts to CD reissues of the two Blossom Toes long-players; putting out a two-CD set of live recordings; and now, with the What on Earth: Demos & Outtakes 1967-1969 compilation, pouring on yet another anthology of mostly hitherto unavailable material (though a half-dozen of the demos did previously appear as bonus cuts on those Sunbeam reissues of the two albums). Taken from home tapes and acetates, mostly these 17 tracks are demos done in the period between 1967's We Are Ever So Clean and 1969's If Only for a Moment, with a few late-'60s studio outtakes included as well.
The Brian Godding-penned home tape-sounding cuts (the liner notes aren't specific as to the origins of each track), including an acoustic demo of the non-LP single "Postcard," show a much lighter side than either of the two official LPs -- even than We Are Ever So Clean, which itself was on the whimsical side of 1967 psychedelia. Sometimes skirting vaudeville or breezy folk-jazzy pop, they're nice wistful pieces -- "Looking Up I'm Looking Back" even faintly recalls the early Bee Gees -- but it's ultimately not as strong as, or even too similar to, the two proper Blossom Toes long-players. Things get heavier, though hardly bombastic, on the later-sounding and more fully arranged recordings on the second half of the disc, including alternate versions of a couple If Only for a Moment songs ("Peace Loving Man" and "Wait a Minute"), with one of the better tunes ("New Day") getting redone slightly later by Blossom Toes' spin-off band B.B. Blunder. Some of these later efforts are obviously undeveloped sketches, but "First Love Song" is intricate psychedelia that could have fit onto If Only for a Moment without a problem, though it wouldn't have been one of the standouts.
Overall, this compilation is very much what collector-oriented sets should be. That is, material that's peripheral to the main body of work of an interesting band, but nonetheless of considerable interest to fans of that band, well packaged with good sound quality, and liner notes reprinting a lengthy 1969 article on the group in International ...
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When Shannon Curtis was 5, she danced and sang along to her dad playing 40s-era standards on her family's baby grand. When she was 7, her classical piano teacher told her she played like a boy. When she was 9, she sang into her hairbrush pretending to be Amy Grant. Just out of college, she shirked her pre-med Biology degree and made an earnest effort as the lead singer in a guitar-based rock band. Three years ago she found her piano again, started writing love songs, and quit the band. Since then she says it's been like walking around in an old, comfortable pair of shoes - playing the piano and singing songs about love.The Los Angeles Times describes Shannon as "... a beautiful piano player who sounds like the love child of Fiona Apple and Norah Jones." Shannon's debut EP, Boomerangs & Seesaws, was released in July 2007 on the tiny Saint Cloud Records label. Her second EP, Paris Can't ...
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