| | Lynyrd Skynyrd Second Helping CD Lynyrd Skynyrd Discography of CDs
Lynyrd Skynyrd: Ronnie Van Zant (vocals); Ed King (guitar, bass); Gary Rossington, Allen Collins (guitar); Billy Powell (keyboards); Leon Wilkeson (bass, background vocals); Bob Burns (drums). Additional personnel: Al Kooper (acoustic guitar, piano, background vocals); Bobby Keys, Trevor Lawrence, Steve Madiao (horns); Mike Porter (drums); Clydie King, Merry Clayton (background vocals). Recorded at the Record Plant, Los Angeles and Studio One Doraville, Georgia in January, 1974. SECOND HELPING is also available with PRONOUNCED LEH'NERD SKIN'ERD on one cassette. Lynyrd Skynyrd wrote the book on Southern rock with their first album, so it only made sense that they followed it for their second album, aptly titled Second Helping. Sticking with producer Al Kooper (who, after all, discovered them), the group turned out a record that replicated all the strengths of the original, but was a little tighter and a little more professional. It also revealed that the band, under the direction of songwriter Ronnie Van Zant, was developing a truly original voice. Of course, the band had already developed their own musical voice, but it was enhanced considerably by Van Zant's writing, which was at turns plainly poetic, surprisingly clever, and always revealing. Though Second Helping isn't as hard a rock record as Pronounced, it's the songs that make the record. "Sweet Home Alabama" became ubiquitous, yet it's rivaled by such terrific songs as the snide, punkish "Workin' for MCA," the Southern groove of "Don't Ask Me No Questions," the affecting "The Ballad of Curtis Loew," and "The Needle and the Spoon," a drug tale as affecting as their rival Neil Young's "Needle and the Damage Done," but much harder rocking. This is the part of Skynyrd that most people forget -- they were a great band, but they were indelible because that was married to great writing. And nowhere was that more evident than on Second Helping. ~ Stephen Thomas Erlewine It was hard to believe that Lynyrd Skynyrd could possibly top its classic, near-perfect 1973 debut, PRONOUNCED LEH-NERD SKIN-NERD. However, the boys from Florida accomplished the near-impossible with their sophomore release one year later, SECOND HELPING. It's hard to determine the better album of the two, but both proved to be a solid one-two punch that made Lynyrd Skynyrd one of the '70s' biggest (and unfortunately, most tragic) rock bands. SECOND HELPING also helped define and create the Southern rock movement, as proven by such tracks as the classic anthem "Sweet Home Alabama" (which include the now-famous dig at Neil Young), the cautionary rocker "The Needle & the Spoon," and the biographical tale of "Workin' For MCA." With its fine writing and playing, and scores of hard-hitting Southern rock riffs and grooves, SECOND HELPING assured Skynyrd's ascendancy to rock stardom and FM radio immortality.Rolling Stone (3/16/00, p.76) - 4 stars out of 5 - "...rock & roll is exactly what Skynyrd are all about. The band's bruising 3-guitar front line provides propulsive support to [Ronnie] Van Zandt's whiskey-cured drawl and easy way with a story line..." Second Helping Review
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Purchase Second Helping CD To buy, Click on price to add to cart | Band CD (1969) Gold; Remastered
Second Helping
$25.89 The Band: Levon Helm (vocals, guitar, mandolin, drums); Robbie Robertson (vocals, guitar); Rick Danko (vocals, violin, trombone, bass); Richard Manuel (vocals, harmonica, baritone saxophone, piano, drums); Garth Hudson (accordion, soprano, tenor & baritone saxophones, trumpet, piano, organ, Clavinet). Additional personnel: John Simon (tuba, horns, electric piano). Producers: The Band, John Simon. Reissue producers: Cheryl Pawelski, Andrew Sandoval. Engineers include: Robbie Robertson, John Simon, Joe Zagarino. Recorded in Hollywood, California in 1969. Includes liner notes by Barney Hoskyns. The Band's first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson ...
| | Alice Cooper School's Out CD (1972) Gold
Second Helping
$19.69 Alice Cooper: Vincent "Alice Cooper" Furnier (vocals); Michael Bruce (guitar, keyboards); Glen Buxton (guitar); Dennis Dunaway (bass); Neal Smith (drums). Recorded at the Record Plant, New York and at Alice Cooper Mansion, Connecticut. School's Out catapulted Alice Cooper into the hard rock stratosphere, largely due to its timeless, all-time classic title track. But while the song became Alice's highest-charting single ever (reaching number seven on the U.S. charts) and recalled the brash, three-and-a-half-minute garage rock of yore, the majority of the album signaled a more complex compositional directional for the band. Unlike Cooper's previous releases (Love It to Death, Killer), which contained several instantly identifiable hard rock classics, School's Out appears to be a concept album, and aside from the aforementioned title track anthem, few of the other tracks have ever popped up in concert. That's not to say they weren't still strong and memorable; while such cuts as "Gutter Cat vs. the Jets," "Street Fight," "My Stars," and "Grande Finale" came off like mini-epics with a slightly progressive edge, Alice Cooper still managed to maintain their raw, unrefined punk edges, ...
| | Doors Soft Parade CD (1969) Gold; Remastered
Second Helping
$20.29 The Doors: Jim Morrison (vocals); Robby Krieger (guitar, background vocals); Ray Manzarek (keyboards); John Densmore (drums). Additional personnel: Jesse McReynolds (mandolin); Jimmy Buchanan (fiddle); Champ Webb (English horn); Curtis Amy (saxophone); George Bohannan (trombone); Harvey Brooks, Doug Lubahn (bass); Reinol Andino (conga). Recorded at Elektra Sound Recorders, Los Angeles, California. Personnel: Jim Morrison (vocals); Robbie Krieger (guitar); Jesse McReynolds (mandolin); Jim Buchanan (fiddle); Champ Webb (English horn); Curtis Amy (saxophone); George Bohannon (trombone); Ray Manzarek (keyboards); John Densmore (drums); Reinol Andino (congas). Recording information: Elektra Sound recorders, Los Angeles, CA. Illustrator: Peter Schaumann. Photographer: Joel Brodsky. The weakest studio album recorded with Jim Morrison in the group, partially because their experiments with brass and strings on about half the tracks weren't entirely successful. ...
| | Deep Purple In Rock CD (1970) Gold
Second Helping
$20.29 Deep Purple: Ian Gillan (vocals); Ritchie Blackmore (guitar); Jon Lord (keyboards); Roger Glover (bass); Ian Paice (drums). Engineers: Martin Birch, Andy Knight, Phillip McDonald. After satisfying all of their classical music kinks with keyboard player Jon Lord's overblown Concerto for Group and Orchestra, Deep Purple's soon to be classic Mark II version made its proper debut and established the sonic blueprint that would immortalize this lineup of the band on 1970's awesome In Rock. The cacophony of sound (spearheaded by Ritchie Blackmore's blistering guitar solo) introducing opener "Speed King" made it immediately obvious that the band was no longer fooling around, but the slightly less intense "Bloodsucker" did afford stunned listeners a chance to catch their breaths before the band launched into the album's epic, ten-minute tour de force, "Child in Time." In what still stands as arguably his single greatest performance, singer Ian Gillan led his bandmates on a series of hypnotizing crescendos, from the song's gentle beginning through to its ear-shattering climax and then back again for an even more intense encore that brought the original ...
| | Alice Cooper Killer CD (1971) Gold; Limited Edition
Second Helping
$20.19 Photographer: Pete Turner. Alice Cooper wasted little time following up the breakthrough success of Love It to Death with another album released the same year, Killer. Again, producer Bob Ezrin was on board and helps the group solidify their heavy rock (yet wide-ranging) style even further. The band's stage show dealt with the macabre, and such disturbing tracks as "Dead Babies" and the title track fit in perfectly. Other songs were even more exceptional, such as the perennial barnstorming concert standard "Under My Wheels," the melodic yet gritty "Be My Lover," and the tribute to their fallen friend Jim Morrison, "Desperado." The long and winding "Halo of Flies" correctly hinted that the band would be tackling more complex song structures on future albums, while "You Drive Me Nervous" and "Yeah, Yeah, Yeah" showed that Alice Cooper hadn't completely abandoned their early garage rock direction. With Killer, they became one of the world's top rock bands and concert attractions; it rewarded them as being among the most notorious and misunderstood entertainers, thoroughly despised by grownups. ~ Greg Prato Alice Cooper's second ...
| | Yes 90125 CD (2009) Gold
Second Helping
$20.29 Includes 6 bonus tracks. Yes: Jon Anderson (vocals); Trevor Rabin (guitar, keyboards, background vocals); Tony Kaye (keyboards); Chris Squire (bass, background vocals); Alan White (drums, percussion, background vocals). Additional personnel: Jonathan Jeczalik, Dave Lawson (programming). Recorded at Sarm Studio, London, England. Originally released on Atco (90125). Personnel: Trevor Rabin (vocals, guitar, keyboards); Alan White (vocals, drums, percussion); ...
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